Instrumental Play-Along for Oboe. Composed by Various. Instrumental Play-Along. Children, Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along for Trombone. Composed by Various. Instrumental Play-Along. Children, Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along for Horn. Composed by Various. Instrumental Play-Along. Children, Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along for Viola. Composed by Various. Instrumental Play-Along. Children, Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along for Clarinet. Composed by Various. Instrumental Play-Along. Children, Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along for Cello. Composed by Various. Instrumental Play-Along. Children, Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along for Recorder. Composed by Various. Instrumental Play-Along. Children, Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

Instrumental Play-Along for Trumpet. Composed by Various. Instrumental Play-Along. Children, Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

(Arranged for Intermediate Piano) Arranged by Carol Matz. Collection for piano. Level: Intermediate. With lyrics and chord names. 59 pages. Published by Alfred Publishing.

Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by Lara Downes. Collection. Theodore Presser Company #440-40028. Published by Theodore Presser Company

(Hands-On Basic Training for Musicians). Composed by Bobby Owsinski. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. Boot Camp. 160 pages. Published by Alfred Music

Easy Piano. By Various. Easy Piano Songbook. Softcover. 264 pages. Published by Hal Leonard

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Country pop and country. 269 pages. 9x12 inches. Published by Hal Leonard.

Chorus (with soloists) and orchestra (solos: SATB, speaker - choir: SATB - 2.2.0.0. - 0.0.0.0. - 2 lte - str (2vagb) - bc)

SKU: BR.PB-5611

Composed by Johann Sebastian Bach. Edited by Malcolm Bruno. Choir; Softbound. Partitur-Bibliothek (Score Library).

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

Oratorio/passion; Baroque. Full score. 136 pages. Duration 85'. Breitkopf and Haertel #PB 5611. Published by Breitkopf and Haertel (BR.PB-5611).

ISBN 9790004215081. 10 x 12.5 inches.

Welcome comebackBach's St John and St. Matthew Passions are popular and well established in concert life. Of a third, the Markus Passion, only Picander's original libretto is extant. Parallel arias from various cantatas replace the lacking music for arias, and instead of the lost recitative and the turba [crowd] choruses, the spoken gospel text is bilingually published in this edition (in German/English). The freshly-prepared performance material including a detailed commentary is supplemented by a newly-arranged piano reduction.,,Une version qui n'a rien d'authentique, mais qui tient la route. C'est du Bach de bout en bout et, contrairement a d'autres reconstitutions, l'editeur ne propose rien pour les recitatifs. L'evangeliste pourrait meme etre un recitant. Interessante suggestion. (Alain Paris, La Lettre du Musicien)

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

Chorus (with soloists) and piano (solos: SATB, speaker - choir: SATB - 2.2.0.0. - 0.0.0.0. - 2 lte - str (2vagb) - bc)

SKU: BR.EB-8916

Composed by Johann Sebastian Bach. Edited by Malcolm Bruno. Arranged by Andreas (KlA) Kohs. Choir; Softbound. Edition Breitkopf.

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

Oratorio/passion; Baroque. Piano/Vocal Score. 92 pages. Duration 85'. Breitkopf and Haertel #EB 8916. Published by Breitkopf and Haertel (BR.EB-8916).

ISBN 9790004185827. 7.5 x 10.5 inches.

Welcome comebackBach's St John and St. Matthew Passions are popular and well established in concert life. Of a third, the Markus Passion, only Picander's original libretto is extant. Parallel arias from various cantatas replace the lacking music for arias, and instead of the lost recitative and the turba [crowd] choruses, the spoken gospel text is bilingually published in this edition (in German/English). The freshly-prepared performance material including a detailed commentary is supplemented by a newly-arranged piano reduction.,,Une version qui n'a rien d'authentique, mais qui tient la route. C'est du Bach de bout en bout et, contrairement a d'autres reconstitutions, l'editeur ne propose rien pour les recitatifs. L'evangeliste pourrait meme etre un recitant. Interessante suggestion. (Alain Paris, La Lettre du Musicien)

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198.

Over 100 Songs in the Key of C. By Various. Fake Book (Includes melody line and chords). Softcover. 184 pages. Published by Hal Leonard.

Budget Books. Piano/Vocal/Chords Mixed Folio (Arrangements for piano and voice with guitar chords). Size 8.37x10.87 inches. 352 pages. Published by Hal Leonard.

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1381S

Score Only. Composed by Charles Wesley and Felix Bartholdy Mendelssohn. Arranged by Erik Morales. Concert Band. FJH Young Band. Christmas; Holiday Pops. Score. Duration 2:30. The FJH Music Company Inc #98-B1381S. Published by The FJH Music Company Inc (FJ.B1381S).

English.

Here is a fresh and welcome arrangement of a classic Christmas carol that is the perfect choice for directors looking for something different and extremely compelling. Beginning with a lyrical approach coupled with interesting harmonies, the arrangement quickly takes on an exotic feel with percussion while displaced rhythms give the melody a unique and contemporary twist. Outstanding writing and an ideal selection for the lighter portion of a concert without having to resort to generic pop-sounding arrangements.

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

Piano (2-part mixed) - early intermediate

SKU: CR.984361

Composed by Jonathan Kohrs. Choral. Octavo. With music. Concordia Publishing House #984361. Published by Concordia Publishing House (CR.984361).

ISBN 9780758669032. 7 X 10.25 inches.

This text by Lisa M. Clark is set to a memorable tune and two-part mixed setting by Jonathan Kohrs. The text highlights the story of salvation, while carrying themes of outreach, the new creation, and the end times. The choral texture builds from start to finish and blossoms with a descant in the final stanza.

In paradise, You shared Your best
With us, Your children dear.
Your bounty, presence, work, and rest:
Secure from guilt or fear.
But we brought shame upon the land
And disobeyed Your clear command.
Oh, we will never understand
T he darkness we brought near.

In exile, driven from Your face,
We hid and worked in vain.
We lost the children's honored place
And earned Your just disdain.
But Jesus came to take our blame
And took away our horrid shame
And gave to us His holy name,
That we may life regain.

In restoration, we are free
And welcomed home anew.
You smile on us abundantly
A nd bless us through and through.
But as we wait for that great day,
When all dishonor melts away,
Let us, Your own beloved, say:
'Our Lord, we honor You!'

Text copyright © 2020 Concordia Publishing House.

(Budget Books). By Various. Easy Piano Songbook. Softcover. 304 pages. Published by Hal Leonard

Tenor & String Quartet

SKU: PE.EP72822

Composed by Jonathan Dove. Voice(s) & Various Instruments. Edition Peters. Living Composer. Score and Part(s). 164 pages. Duration 00:30:00. Edition Peters #98-EP72822. Published by Edition Peters (PE.EP72822).

ISBN 9790577011769. 232 x 303mm inches. English.

I have only visited Damascus once, twenty years ago, on the way to Palmyra.  I had a purpose (I was writing music for a play about Palmyra’s Queen Zenobia) but essentially I was a tourist.  Like any visitor, I was thrilled to step out of the noisy modern city into the magical ancient world of the walled Old City, its vibrant souk leading to the magnificent mosque, and a labyrinth of winding, narrow streets filled with the smell of unleavened bread.

In Palmyra, I was met with extraordinary kindness everywhere.  On one occasion, a little Bedouin boy noticed that I was risking sunstroke wandering bare-headed among the spectacular ruins: he showed me how to tie a turban, then took me to have tea with his family in their tent.

Since then, I have watched helplessly as these places of wonder have been devastated and their inhabitants scattered and killed.  When the Sacconi Quartet suggested that I might choose a Syrian poet for our collaboration, I welcomed the idea.

I searched for a long time to find a contemporary poet whose work might gain from any music I could imagine.  I felt it was important to find first-hand accounts of the Syrian experience – but, of course, I was always reading them in translation.  In an anthology called Syria Speaks, I was astonished to read something that looked like prose, but was full of poetry.  It was Anne-Marie McManus’s fine translation of Ali Safar’s A Black Cloud in a Leaden White Sky – an eloquent, thoughtful, contained yet vivid account of life in a war-torn country, all the more moving for its restraint.

In setting these words, I have not attempted to imitate Syrian music.  However, there is what might be called a linguistic accommodation in my choice of scale, or mode.  Several movements are in a mode that I first discovered while writing a cantata commemorating the First World War: it has a tuning that I associate with war, its violence and desolation.  This eight-note mode is similar to scales found in Syrian music.  I did not choose it in the abstract: it emerged from the harmonies I was exploring in the earlier work, and emerged again as I was looking for the right musical colours to set Ali Safar’s words.  In this work, its Arabic aspect is more prominent. - Jonathan Dove

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