E-Z Play(r) Today
Volume 205. Composed
by Various. E-Z Play
Today. Love, Wedding.
Softcover. 240 pages.
Duration 420 seconds.
Published by Hal Leonard
(HL.284127).
ISBN
9781540036483. UPC:
888680825881.
9.0x12.0x0.566
inches.
Now in a
3rd edition, this
romantic collection
features 63 songs
arranged in our patented
E-Z Play(r) Today
notation. Songs include:
And I Love Her * Because
You Loved Me * Can't Help
Falling in Love * Endless
Love * The First Time
Ever I Saw Your Face *
How Deep Is Your Love * I
Will Always Love You *
I'm Yours * Just the Way
You Are * Longer * Love
Story * My Heart Will Go
on (Love Theme from
'Titanic') * The Power of
Love * The Rose * A
Thousand Years *
Unchained Melody * When I
Fall in Love * You Are So
Beautiful * and more.
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
Inspirational Gospel
Songs of Hope, Assurance
and Celebration.
Arranged by Michael
Lawrence. Choral. Excel
Series. Southern Gospel
and Sacred. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762155701).
UPC:
765762155701.
In
his first major work for
Lillenas Publishing
Company, arranger Mike
Lawrence brings us a
power-packed collection
of inspirational and
gospel arrangements
specifically suited for
the smaller choir. Higher
Ground features a stellar
song selection including
hits from the Singing
News charts, classic
inspiration songs, and
gospel hymns we all love.
A generous amount of
unison, 2-part and easy
4-part writing places
this collection firmly
within the Easy 2 Excel
parameters you
appreciate. Since these
arrangements are both
musically interesting and
technically achievable
(not to mention loads of
fun!), the whole book
will find usefulness for
revival choirs, summer
choirs, or in those
instances when something
quick, easy and great is
needed.
Inspirational Gospel
Songs of Hope, Assurance
and Celebration.
Arranged by Michael
Lawrence. Choral. Excel
Series. Southern Gospel
and Sacred. Score and
parts. Published by
Lillenas Publishing
Company
(LP.765762155800).
UPC:
765762155800.
In
his first major work for
Lillenas Publishing
Company, arranger Mike
Lawrence brings us a
power-packed collection
of inspirational and
gospel arrangements
specifically suited for
the smaller choir. Higher
Ground features a stellar
song selection including
hits from the Singing
News charts, classic
inspiration songs, and
gospel hymns we all love.
A generous amount of
unison, 2-part and easy
4-part writing places
this collection firmly
within the Easy 2 Excel
parameters you
appreciate. Since these
arrangements are both
musically interesting and
technically achievable
(not to mention loads of
fun!), the whole book
will find usefulness for
revival choirs, summer
choirs, or in those
instances when something
quick, easy and great is
needed.
Inspirational Gospel
Songs of Hope, Assurance
and Celebration.
Arranged by Michael
Lawrence. Choral. Excel
Series. Southern Gospel
and Sacred. Split-channel
accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762104129).
UPC:
765762104129.
In
his first major work for
Lillenas Publishing
Company, arranger Mike
Lawrence brings us a
power-packed collection
of inspirational and
gospel arrangements
specifically suited for
the smaller choir. Higher
Ground features a stellar
song selection including
hits from the Singing
News charts, classic
inspiration songs, and
gospel hymns we all love.
A generous amount of
unison, 2-part and easy
4-part writing places
this collection firmly
within the Easy 2 Excel
parameters you
appreciate. Since these
arrangements are both
musically interesting and
technically achievable
(not to mention loads of
fun!), the whole book
will find usefulness for
revival choirs, summer
choirs, or in those
instances when something
quick, easy and great is
needed.
Split-channel
accompaniment CD can be
used for both rehearsal
and performance. Each
contains the instrumental
accompaniment on one
channel, vocals on the
other. For performance
purposes, only the
accompaniment channel is
normally used. Includes
multiple r.
Inspirational Gospel
Songs of Hope, Assurance
and Celebration.
Arranged by Michael
Lawrence. This edition:
Paperback. Choral. Excel
Series. Southern Gospel
and Sacred. Bulk CDs (10
pack). Published by
Lillenas Publishing
Company
(LP.765762104020).
UPC:
765762104020.
In
his first major work for
Lillenas Publishing
Company, arranger Mike
Lawrence brings us a
power-packed collection
of inspirational and
gospel arrangements
specifically suited for
the smaller choir. Higher
Ground features a stellar
song selection including
hits from the Singing
News charts, classic
inspiration songs, and
gospel hymns we all love.
A generous amount of
unison, 2-part and easy
4-part writing places
this collection firmly
within the Easy 2 Excel
parameters you
appreciate. Since these
arrangements are both
musically interesting and
technically achievable
(not to mention loads of
fun!), the whole book
will find usefulness for
revival choirs, summer
choirs, or in those
instances when something
quick, easy and great is
needed.
Bulk pack of
ten performance demo CDs,
each in a paper sleeve;
useful as an aid for
choir members learning
music. Value-priced.
SKU: HL.1433354 White. Kali Audio. Monitors and Headphones. Hal Le...(+)
SKU: HL.1433354
White. Kali Audio.
Monitors and Headphones.
Hal Leonard #LP-6WV2.
Published by Hal Leonard
(HL.1433354).
UPC:
860006446802.
11.75x13.5x18.25
inches.
Kali
Audio's LP-6 V2 is a
6.5-inch studio monitor.
It was designed to
deliver transparent sound
for creators working
across genres and formats
at a price that puts it
within anyone's reach. An
advanced waveguide, a
large voice coil, and
precision tuning make the
sound extraordinarily
transparent, while the
oversized low frequency
magnet and low noise port
tube deliver powerful,
clean bass response. To
make it easy to navigate
into your setup, the
speaker is self-powered
and has a variety of
inputs. The DSP features
Boundary EQ settings that
optimize the speaker's
response for where it's
placed in your listening
space. New in the 2nd
Version is an improved
amplifier platform that
offers lower noise,
higher sensitivity, and
smoother high-frequency
response. The Boundary EQ
settings have been
updated based on user
feedback, and the
low-frequency driver cone
has less mass for more
consistent response.
SKU: HL.1433355 Kali Audio. Monitors and Headphones. Hal Leonard #LP-8V2....(+)
SKU: HL.1433355
Kali Audio. Monitors and
Headphones. Hal Leonard
#LP-8V2. Published by Hal
Leonard (HL.1433355).
UPC: 860004163886.
12.75x14.0x20.75
inches.
Kali
Audio's LP-8 V2 is an
8-inch studio monitor. It
was designed to deliver
transparent sound for
creators working across
genres and formats at a
price that puts it within
anyone's reach. An
advanced waveguide, a
large coil, and precision
tuning make the sound
extraordinarily
transparent, while the
oversized low frequency
magnet and the low noise
port tube deliver
powerful, clean bass
response. To make it easy
to integrate into your
setup, the speaker is
self-powered and has a
variety of inputs. The
DSP features Boundary EQ
settings that optimize
the speaker's response
for where it's placed in
your listening space. New
in the 2nd Version is an
improved amplifier
platform that offers
lower noise, higher
sensitivity, and smoother
high-frequency response.
The Boundary EQ settings
have been updated based
on user feedback, and the
low-frequency driver cone
has less mass for more
consistent response.
SKU: HL.1433353 Black. Kali Audio. Monitors and Headphones. Hal Le...(+)
SKU: HL.1433353
Black. Kali Audio.
Monitors and Headphones.
Hal Leonard #LP-6V2.
Published by Hal Leonard
(HL.1433353).
UPC:
860004163862.
12.0x13.5x18.5
inches.
Kali
Audio's LP-6 V2 is a
6.5-inch studio monitor.
It was designed to
deliver transparent sound
for creators working
across genres and formats
at a price that puts it
within anyone's reach. An
advanced waveguide, a
large voice coil, and
precision tuning make the
sound extraordinarily
transparent, while the
oversized low frequency
magnet and low noise port
tube deliver powerful,
clean bass response. To
make it easy to integrate
into your setup, the
speaker is self-powered
and has a variety of
inputs. The DSP features
Boundary EQ settings that
optimize the speaker's
response for where it's
placed in your listening
space. New in the 2nd
Version is an improved
amplifier platform that
offers lower noise,
higher sensitivity, and
smoother high-frequency
response. The Boundary EQ
settings have been
updated based on user
feedback, and the
low-frequency driver cone
has less mass for more
consistent response.
Power Plucking Guitare notes et tablatures [Partition + CD] Musicians Institute
A Rocker's Guide to Acoustic Fingerstyle Guitar. By Dale Turner. Musicians Insti...(+)
A Rocker's Guide to
Acoustic Fingerstyle
Guitar. By Dale Turner.
Musicians Institute Press
(Instruction taken from
the curriculum of MI).
Softcover with CD. Guitar
tablature. 80 pages.
Published by Musicians
Institute Press.
Performance/Accompaniment CD Choral (PERF/ACCOMCD) SKU: HL.126015 Cros...(+)
Performance/Accompaniment
CD Choral (PERF/ACCOMCD)
SKU: HL.126015
Cross-Curricular Music
Fun for the
Classroom. Composed
by John Jacobson and
Roger Emerson.
ExpressiveArts. Classroom
Resources, Collection,
Cross-Curricular,
Elementary. CD. Published
by Hal Leonard
(HL.126015).
ISBN
9781480385108. UPC:
884088993948.
5.0x5.0x0.138 inches.
John Jacobson/Roger
Emerson.
Rockin'
with arithmetic is what
it's all about! Reinforce
basic math concepts that
support Common Core State
Standards and promote
higher level learning,
while rockinÕ to the
beat. From Hal Leonard's
popular Rock 'n' Learn
series, this study for
Grades 3-5 explores the 4
basic operations (add,
subtract, multiply,
divide), computing the
area of basic shapes, the
metric system, fractions
and decimal equivalents,
estimating, and much more
- all put to music for
learning that lasts!
Perfect for Music class
or Math class, the
Teacher Book includes
reproducible melody
sheets with chord symbols
and simple choreography,
and worksheet activities
that incorporate Common
Core State Standards in
Math! For performance
options, a script is also
included that introduces
each of the eight
original songs. Groove
along with the singer
recordings on the
enclosed Listening CD!
Also available is an
Enhanced P/A CD with
performance and
accompaniment-only song
tracks, and PDFs of the
piano/vocal arrangements
with choreography, lyrics
and worksheets for lots
of performance and
projection options! For
additional value, receive
all components in the
Classroom Kit. Suggested
for Grades 3-5.
Choral (book/listening CD) SKU: HL.126014 Cross-Curricular Music Fun f...(+)
Choral (book/listening
CD)
SKU: HL.126014
Cross-Curricular Music
Fun for the
Classroom. Composed
by John Jacobson and
Roger Emerson.
ExpressiveArts. Classroom
Resources, Collection,
Cross-Curricular,
Elementary. Softcover
with CD. 48 pages.
Published by Hal Leonard
(HL.126014).
ISBN
9781480385092. UPC:
884088993931. 8.5x11
inches. John
Jacobson/Roger
Emerson.
Rockin'
with arithmetic is what
it's all about! Reinforce
basic math concepts that
support Common Core State
Standards and promote
higher level learning,
while rockinÕ to
the beat. From Hal
Leonard's popular Rock
'n' Learn series, this
study for Grades 3-5
explores the 4 basic
operations (add,
subtract, multiply,
divide), computing the
area of basic shapes, the
metric system, fractions
and decimal equivalents,
estimating, and much more
- all put to music for
learning that lasts!
Perfect for Music class
or Math class, the
Teacher Book includes
reproducible melody
sheets with chord symbols
and simple choreography,
and worksheet activities
that incorporate Common
Core State Standards in
Math! For performance
options, a script is also
included that introduces
each of the eight
original songs. Groove
along with the singer
recordings on the
enclosed Listening CD!
Also available is an
Enhanced P/A CD with
performance and
accompaniment-only song
tracks, and PDFs of the
piano/vocal arrangements
with choreography, lyrics
and worksheets for lots
of performance and
projection options! For
additional value, receive
all components in the
Classroom Kit. Suggested
for Grades 3-5.
Beyond the Summit Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé FJH
By Brian Balmages. Arranged by Brian Balmages. Concert Band/Wind Ensemble. FJH ...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Concert
Band/Wind Ensemble. FJH
Concert Band. Opening
with a soft rhythmic
motive in the percussion,
the piece builds to a
grand thematic statement.
A beautiful lyrical
section includes several
melodic statements that
are then intertwined in
the powerful concluding
material. Experience the
musical and emotional
intensity you've come to
expect from Brian
Balmages! Score for this
title: B1237S. Extra part
for this title: B1237P.
Concert Band. Level:
Grade 4. Score and Set of
Parts. Published by The
FJH Music Company Inc.
SATB choir SKU: LP.765762190801 A Worship Event Lifting Up the Name of...(+)
SATB choir
SKU:
LP.765762190801
A
Worship Event Lifting Up
the Name of Jesus.
Arranged by Gary Rhodes &
Tim Cates. Musical.
Sacred. DVD/CD Preview
Pack. Published by
Lillenas Publishing
Company
(LP.765762190801).
ISBN 9780834179202.
UPC:
765762190801.
Your
Great Name is a new and
exciting musical that is
perfect for Easter or for
any powerful service of
praise anytime in the
church year! Created and
arranged by Gary Rhodes
and orchestrated by Tim
Cates this collection by
some of the most popular
artists and songwriters
is truly an event! From
quiet and worshipful
moments to lively and
exuberant celebrations
this musical worship
experience lifts high the
name of Jesus. You will
love the arrangements of
some of today's most
popular worship songs
like Jesus Saves Your
Great Name Always and Oh
the Blood and will be
swept away by new
arrangement of classic
favorites like Because He
Lives and O the Deep Deep
Love of Jesus..
By Keith Getty and Kristyn Lennox. Arranged by Lloyd Larson. For SATB choir with...(+)
By Keith Getty and
Kristyn Lennox. Arranged
by Lloyd Larson. For SATB
choir with optional
Violin and Cello.
Scripture Reference:
Revelation 7:9-12.
Redemption, Contemporary,
Sacred. Choir. 12 pages
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
Composed by
Patrick Glenn Harper. Set
of Score and Parts.
28+8+8+4+8+8+8+4+4+4+4+4+
4+8+8+8+4+4+6+6+6+4+8+1+4
+2+2+12+2+8 pages.
Duration 4 minutes, 27
seconds. Carl Fischer
Music #CPS251. Published
by Carl Fischer Music
(CF.CPS251).
ISBN
9781491159873. UPC:
680160918461.
About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures.