Par PROUST PASCAL. Un minimum de notes pour un maximum de plaisir destiné aux jeunes contrebassistes du 1er cycle... - Pascal PROUST - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Contrebasse 1 Piano - Niveau de Difficulté : 1/6 - Débutant - Durée : 2 mn 40 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Débutant / Classique, Pédagogique / Répertoire / Contrebasse et Piano

Par PROUST PASCAL. La balade d'un sympathique petit animal, destiné aux jeunes instrumentistes à l'issue de leur première année d'apprentissage. - Pascal PROUST - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Contrebasse 1 Piano - Niveau de Difficulté : 1/6 - Débutant - Durée : 1 mn 50 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Débutant / Classique, Pédagogique / Répertoire / Contrebasse et Piano

Double Bass Scales and Arpèges Grades 1-5 contient toutes les gammes et arpèges requis pour les élèves de 1-5 ABRSM examens Double Bass.Comprend toutes les gammes et arpèges pour le programme révisé à partir de 2012, avec des motifs et a suggéré s'inclinant doigté, introduction utile, y compris des conseils sur la préparation à l'examen, le tout dans un format convivial et mise en page claire.NB: l'échelle révisée et lecture à vue des exigences entreront en vigueur pour tous les instruments cordes frottées de 1 Janvier 2012. Contrairement aux nouveaux morceaux mis en examen, il n'ya pas de période de chevauchement de la nouvelle échelle et de lecture à vue des exigences. La fin exigences actuelles, le 31 Décembre 2011. Les nouvelles exigences ne représentent toutefois un changement à long terme et au-delà des quatre années du programme. / Guitare Basse / Partition

Voici une partition musicale pour Contrebasse que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Un drole de baobab ( contrebasse et piano ). C'est l'éditeur Fertile Plaine sous la référence FP 237 qui a les droits pour éditer cette partition. / Contrebasse / Partition

Par SAINT-LEGER PASCAL / GARDE JEAN NOEL. 1’54’’ / Niveau : Débutant / Répertoire / Contrebasse et Piano

Par PROUST PASCAL. / Niveau : 1er Cycle / classique / Répertoire / Contrebasse et Piano

Par PROUST PASCAL. 3'00 / Niveau : Fin 1er Cycle / Répertoire / Contrebasse et Piano

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school in Victoria BC. Gavin Bryars Both solo and orchestral tuning are included with each individual instrumental part. / Ensemble De Contrebasse

Voici une partition musicale pour Contrebasse que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Pédagogie cette partition a pour titre Florilege Musical N006. C'est l'éditeur Leduc sous la référence AL28766 qui a les droits pour éditer cette partition. / Contrebasse / Partition

Zingaresca A czardas-influenced work which is full of the fire and passion of the typical Gipsy idiom. Zingaresca offers much for the advanced bassist and would be ideal for conservatoire or university students who are confident playing throughout the solo range of the instrument. A slow and lyrical introduction leads into a rhythmic and lively czardas these with opportunities to demonstrate both musical and technical prowess in equal measure. Ideal as the final work in a recital and performed many times by the composer. The edition includes piano accompaniments for both solo and orchestral tunings. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.intermediate bassist which will be published by Recital Music.

Written by Janice Tucker Rhoda, author of the popular ABCs of Strings method, the Complete Technique For Double Bass series is designed for advanced beginners to upper level students wishing to learn or improve their left hand and right arm bow skills.Starting in first position, and proceeding carefully through the higher positions, these method books use short studies to demonstrate specific technical ideas.The book starts with solidifying the combination of note reading, rhythm, and bow distribution, then quickly progresses to a variety of bowing techniques and use of positions 1 - 7, half and thumb position, explaining the physicality of the left and right hands, arms, elbows, and shoulders. Using a mixture of more melodic studies with purely technical exercises, this book quickly gives players information and confidence to improve their playing.Complete Technique For Double Bass - Book 1 covers and includes:Positions 1 through 7Half PositionBass, tenor and treble clefsTwo octave C Major Scale to thumb positionAdvanced chromatic scaleBasic thumb positionWorksheets for note-readingScales, arpeggios, broken thirdsImprovisational melodiesDouble-Stops, chords, octavesHarmonicsArm Swing left-hand and bow-arm techniqueBow balancing exercisesBallet of Shifting exercisesQuick Finger exercisesFinger Substitution exercisesLeft-hand pizzicato exercisesTeaching points throughout / Contrebasse

Cannata and Kennedy: Improvising And Soloing In The Pocket offers nine pieces from Richie Cannata's self-titled CD in a variety of styles, each clearly notated for melodies, chords and scale forms. Each piece also has a theory worksheet for additional study.The included DVD, professionally recorded in a state-of-the-art studio, includes play-along tracks that let you 'sit in' with the best and a round-table discussion giving plenty of background and playing tips for each piece.Richie Cannata is a long-time saxophonist who has performed and recorded with stars such as Billy Joel. Sean Kennedy is a much-in-demand drummer who has also performed and recorded with the best. Together, both Cannata and Kennedy will stretch your musical skills and guide you through the creative world of improvisation. / Instruments en C (Clef de Fa)

Text: English / deutsch
Completely revised and enlarged edition!
Jazz Bass Compendium is one of the most comprehensive method books. 208 pages filled with information and aspects on jazz bass playing.
The right hand: position, effect on sound and timing, exercises, three finger technique, drops
The left hand: position, shifting positions, intonation, pizzicato technique, vibrato
Coordinating both hands
Bass lines: rhythm, pulse, timing, walking bass, two-beat feel, arpeggios, diatonic passing notes, leading notes, chromatic lines, scales and tetrachords, pentatonic scales, bass lines over II V progressions, harmonic clichés, pedal point, rhythmic embellishments, bass lines on standard chord progressions, straight 8ths bass lines, Latin bass lines
The elements of sound
Various improvisation concepts
Arpeggios
Studies and etudes on the chord changes to Sunny, Footprints, I Hear A Rhapsody, Solar, Confirmation
Upper structure voicings
Phrasing and articulation
Scales and scales studies, chord-scales, breaking up scales
Practice concepts, different learning fields
4 bass duets and one solo, including Georgia On My Mind, Blues 4U and More Bass Hit
Sigi Busch is one of the most respected European jazz bassists/educators. He heads the jazz departement at the Hochschule der Künste in Berlin, Germany.

Eight classic jazz originals written by Miles Davis. This is a unique way to learn eight of the most popular songs of the Fifties. These tunes are considered jazz classics because most all jazz musicians around the world have learned them. And the reason so many jazz musicians have learned them is because they are all such interesting vehicles for improvising and interesting chord changes, altered bridges and logical melodies that have been quoted in many compositions throughout the music world. Gain an insight into early Miles and gain an understanding of the transitional bop to post-bop period. Rhythm section is Dan Haerle, piano Rufus Reid, bass Jonathan Higgins, drums. Four - Solar - Tune Up - Dig - Vierd Blues - Milestones (Old) - The Theme - Serpent's Tooth. Related Publication: Vol. 50 Magic of Miles.