Guitar - Intermediate

SKU: MB.31076M

Chamber, Saddle-stitched. Classical. Book/insert/online audio. Mel Bay Publications, Inc #31076M. Published by Mel Bay Publications, Inc (MB.31076M).

ISBN 9781513477695. 8.75x11.75 inches.

Following the model established by Bach and Chopin, George Gershwin (1898 â?? 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwinâ??s frenetic musical activities and an early death intervened, and for various reasonsâ??only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwinâ??s Three Preludes.
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This book presents idiomatic flute/guitar arrangements of Gershwinâ??s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke.
 
Audi ences are going to love hearing these preludes rendered by the flute and guitar, particularly â??Prelude IIâ?, in Gershwinâ??s words, â??a sort of blues lullabyâ? that is familiar to many musicians and listeners alike.

Chamber Music & Piano Accompaniment 1 F Horn 1 Piano - Grade 3

SKU: FL.FX074312

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX074312. Published by FLEX Editions (FL.FX074312).

A pleasant habanera to work for for a contest, an exam and a concert. From 4 years of instrument practice. - Jerome NAULAIS ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 15; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.

1 Solo Clarinet - Grade 2

SKU: FL.FX073257

Composed by Franz Schubert. Arranged by Eric Vireton. Arrangement, Republished Master Piece. Classical, Educational. Solo Part. FLEX Editions #FX073257. Published by FLEX Editions (FL.FX073257).

Instruments: 1 Solo Clarinet; Difficuly Level: Grade 2; Duration: 1 mn 25 s; Musical Style: Classical, Educational; Category: Arrangement, Republished Master Piece; Composer: Franz SCHUBERT; Arranger: Eric VIRETON.

(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. String quartet, mixed quartet. For Flute/Oboe/Violin, Viola, Cello, Bassoon. Quartets. Baroque / Classical. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing

1 Solo Bassoon - Grade 3

SKU: FL.FX074200

Composed by Pascal Proust. Original Composition. Classical, Educational. Solo Part. FLEX Editions #FX074200. Published by FLEX Editions (FL.FX074200).

6 very varied short movements for young instrumentalists, 6 characters whose first name rhymes with their profession - Pascal PROUST ; Instruments: 1 Solo Bassoon; Difficuly Level: Grade 3; Duration: 4 mn 40 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.

By Andreas Jakob Romberg. Edited by Jennifer Caesar. For Flute, violin, two violas, violoncello. Score and parts. 91 pages. Published by Edition HH Music Publishers

Cello

SKU: HL.236316

Composed by Evan Hause. E.B. Marks. Classical, Contemporary. Softcover. 16 pages. Edward B. Marks Music #EBM236316. Published by Edward B. Marks Music (HL.236316).

ISBN 9781495096228. UPC: 888680695699. 9.0x12.0x0.086 inches.

Rock and jazz sounds mingle with classical tradition and modern techniques in Hause's virtuoso cello suite. In Fish Heaven, an arpeggiated texture reminiscent of Bach's cello suites expands along a quasi-Gospel chord progression. In Crabs on Parade, the contrapuntal technique of crab canon is rendered in a pizzicato texture drawing upon guitar technique. In five movements: 1. Man O' War, 2. Atlantis, 3. Sea Serpents, 4. Fish Heaven, 5. Crabs On Parade.

Study Score Orchestra

SKU: HL.49009443

Orchestra Study Score. Composed by Ermanno Wolf-Ferrari. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 34 pages. Eulenburg Edition #ETP 1125. Published by Eulenburg Edition (HL.49009443).

ISBN 9790200209563. UPC: 073999491272. 5.25x7.5x0.098 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

By Andreas Jakob Romberg. Edited by Jennifer Caesar. For Flute, violin, two violas, violoncello. Score and parts. 68 pages. Published by Edition HH Music Publishers

Composed by George Frideric Handel (1685-1759). Arranged by Dennis Janzer. Classical Transcription, Non Hymn-Based, Piano and Organ Duet. Classical. Published by MorningStar Music Publishers (MN.10-361).

(fur Violine und Klavier). By Miroslav Kubicka. For violin and piano. Czech title: Sonata pro housle a klavir. Classical. Performance score and parts. Publication language: Czech/German/English. Published by Editio Baerenreiter Praha . performance score and parts. Classical.

By Donald Martino. For 2 Bb Clarinets, Alto Clarinet, Bass Clarinet. This edition: Score Part, each. Contemporary Classical. Contemporary Classical. Level: Grade 6. Sheet Music. Published by Dantalian, Inc.

Chamber Music & Piano Accompaniment 1 C Tuba 1 Piano - Grade 3

SKU: FL.FX074315

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX074315. Published by FLEX Editions (FL.FX074315).

A pleasant habanera to work for for a contest, an exam and a concert. From 4 years of instrument practice. - Jerome NAULAIS ; Instruments: 1 C Tuba 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 15; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.

For Organ. Music Sales America. Classical. 8 pages. Novello and Co Ltd. #NOV580262. Published by Novello and Co Ltd. . Classical.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 2

SKU: FL.FX074307

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX074307. Published by FLEX Editions (FL.FX074307).

A pleasant habanera to work for for a contest, an exam and a concert. From 3-4 years of instrument practice. - Jerome NAULAIS ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 15; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.

Bb Clarinet, Piano - Grade 5

SKU: FL.FX071434-4

Composed by Camille Saint-Saens. Edited by Renaud Escriva. The Must-Haves for Clarinet. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071434-4. Published by FLEX Editions (FL.FX071434-4).

A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments (oboe, clarinet and bassoon) composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. There is a mysterious anguish which floats throughout this brillant fourth movement. The agitation and feverishness of your playing should reflect this latent anguish. At the conclusion, which refers to the first movement, avoid accenting the quaver in the Barcarolle rhythm which risks making the phrasing too heavy.

This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.

Chamber Music, Quatuor Cello Quartet: 4 Cellos - Grade 2

SKU: FL.FX074408

Composed by Franz Liszt. Arranged by Eric Vireton. Arrangement. Classical. Score and Set of Parts. FLEX Editions #FX074408. Published by FLEX Editions (FL.FX074408).

Instruments:Cel lo Quartet: 4 Cellos; Difficuly Level: Grade 2; Duration: 0 mn 35 s; Musical Style: Classical; Category: Arrangement; Composer: Franz LISZT; Arranger: Eric VIRETON.

1 Solo Alto Saxophone - Grade 3

SKU: FL.FX073976

Composed by Pascal Proust. Original Composition. Classical, Educational. Solo Part. FLEX Editions #FX073976. Published by FLEX Editions (FL.FX073976).

A small study for concert or exam in a classical form - Pascal PROUST ;

A piece to be played from 5 years of practice. ; Instruments: 1 Solo Alto Saxophone; Difficuly Level: Grade 3.

Chamber Music String Quartet

SKU: PR.14440265S

Composed by Sydney F. Hodkinson. Large Score. With Standard notation. Duration 25 minutes. Merion Music #144-40265S. Published by Merion Music (PR.14440265S).

UPC: 680160027910.

The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler. An annunicatory 'leaping motive' (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic 'grammar' spoken tends to recall the jazz world of my youth. To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like 'call-and-response.' It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto. All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III's Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.
The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed.  Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler.An annunicatory ‘leaping motive’ (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force.  A five-note motive, usually very deliberate, also keeps recurring like an insistent caller.  All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic ‘grammar’ spoken tends to recall the jazz world of my youth.To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms.  The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda.  The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like ‘call-and-response. ’  It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani.  The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto.All three movements make much use of canonic stretti, similar gestures, and repetition.  For example, the climax of movement III’s Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. Music for Three. Late 19th/Early 20th Century Favorites. Level: Intermediate/Advanced. Part 2. Published by Last Resort Music Publishing.