Paul Robinson's The Triadic Riddles Of Water And Ice for three voices (SSA). Duration: 2 minutes Composed: 1998 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. The Anglo Saxon riddles are perhaps more familiar to us than the source from which this riddle is taken (Symphosius). I have always sought opportunities to set Latin and given the international character of the summer school for which it was written Latin was a useful lingua franca. First performed in July 1998 by Trio Mediaeval on the Hilliard Summer School at St. Johns College Cambridge.

This substantial collection of medieval songs is a perfect introduction to the treasures of an extraordinary and colourful musical period. Sacred settings including the ever-popular Gaudete and There Is No Rose contrast with such secular favourites as Agincourt Carol. It functions as a great self-contained programme for unaccompanied SSA choir.  The Choral Programme Series is now a well-esatablished programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles. Also offeringgreat value for money as each volume in the series provides up to forty minutes of music

This setting of a 17th century English poem proclaims the wonder of Christmas and the oneness of all things. While the opening two stanzas feature broad and expansive phrases over an arpeggiated accompaniment the work's emotionalcore is found in the contrasting section: “Welcome all wonders in one sight/Summer in winter day in night” before the final recapitulation of the opening strains. Available separately: SATB SAB SSA. Duration: ca.3:20.

from Les Choristes (The Chorus). From the Oscar nominated French film The Chorus this song dramatically portray the emotions dreams and fears of the children in the story. Images of summer like our childhood memories remain always in our heart. Includes the original French and English lyrics. Performance Time: Approx. 2:00

Evoke the imagery of a summer sunset and the depth of human emotion through this simple and lyrical song by Sting with its delicate arpeggiated accompaniment and pure fluid vocal lines in this expressive setting. Available separately: SATB SSA. Duration: ca. 3:50.

Evoke the imagery of a summer sunset and the depth of human emotion through this simple and lyrical song by Sting; with its delicate arpeggiated accompaniment and pure fluid vocal lines in this expressive setting.

(from Spring Awakening)-Winning eight Tony Awards Spring Awakening explores the confusion the frustration the joy and excitement of the teenage years through vivid and emotional songs and a powerful and dramatic score. This final song of life and hope brings the show to its passionate close. Available separately: SATB SAB SSA ShowTrax CD. Rhythm section parts available digitally (syn gtr b dm). Duration: ca. 3:30.

From the cantata King Olaf with words by Longfellow.Arranged for trio of female voices (and piano accompaniment) by the composer.

(from Summer Sun Winter Moon)-From the larger work Summer Sun Winter Moon this movement seeks to give voice to the series of words that the early American explorers had to translate: numbers seasons days. Full of musical imagery recurring motifsand a fresh textural treatment. Recorded by the Young People's Chorus of New York Francisco Nuñez Conductor. Available for SATB SAB or SSA.

and other classic Irish melodies-If you are looking for straightforward and rewarding repertoire for your beginner choir then you need look no further than Choral Basics the perfect series for singers of all ages.The Simple 3-part choral arrangements for soprano alto and a combined part for men’s voices make the series perfect for choirs with a dearth of males or whose male singers have unstable or changing voices. The rich array of repertoire is bound to be a hit with younger singers and the technical abilities of choirs at this level have been taken into consideration.Straightforward and idiomatic piano accompaniments have been included and are designed to support thevocal lines without putting pressure on staff with less developed keyboard skills. This enchanting collection of traditional Irish melodies showcases three of the finest songs to originate from the 'Emerald Isle' from the classic title song Danny Boy to the poignant The Last Rose Of Summer and The Lark In Clear Air. Choral Basics are great value for money providing a contrasted set of arrangements for the end of term concert.

American Idol was the television hit of the summer. The winner Kelly Clarkson rocketed to the top of the Billboard Hot 100 with this hit. Beautifully arranged for choir this moment will capture your audience's heart. Available for SATB SAB and SSA. ShowTrax CD also available. Performance time: Approx. 3:45

The Splendour Falls and the other songs from The Princess were written for a performance of tableaux from The Princess by the girls of James Allen Girls’ School in London where Holst taught. The song is scored for Female Voices SA with a small echo choir unaccompanied and is full of recognizably Holstian shifting harmonies and Vocal effects. In 1847 Alfred Tennyson later Poet Laureate of the United Kingdom published a narrative poem The Princess that concerned the education of women. In The Princess set at a summer fete a new college for women is created by Princess Ida. A Prince and his friends infiltrate dressed as women. A love story ensues. ThePrincess was also the source material for Gilbert and Sullivan’s Princess Ida.

He Hath Entered The Heven is a work by John Tavener originally composed for Upper Voices while this is the Vocal Score for Mixed Voices arranged by Gregory Rose. Lasting around 8 minutes itwas commissioned by Lady Margaret Hall Oxford. This new arrangement for Mixed Voices was made in 2013 and was first performed on the 9th of August 2013 by the CoMA Summer School Voices and the St VedastHandbell Ringers at St James' Church High Melton Doncaster conducted by Rose himself. In the September 2015 issue of the Organists' Review David Lindley writes: 'the piece is a powerfulone ending with an imploring repetition of the refrain in octaves'