Appartenant à la catégorie Classique la partition Brass Mood (4 Trompettes, 2 Cors, 4 Trombones, Tuba,percussion) Armand Migiani est éditée par la maison d'édition Robert Martin. Sa référence catalogue est SL10212. / Ensemble De Cuivres / Partition

Sbandiamo! is a joyous?and swinging?work, taking its title from the wind music event held annually in the medieval Italian city of Gubbio, Umbria in which various bands from all over Italy participate. The first performance of this piece was given at the Piazza Grande, Gubbio, under the baton of the composer himself, with a wind band of some 250 musicians. A stately introduction, with festive percussion, is followed by a catchy theme in alternating pop and march rhythms. The opening theme then returns as a marcia cantabile, and the work is brought to a grand and compelling conclusion.

Score and Parts-For four trumpets six French horns three trombones tuba timpani and percussion.

Par WAGNER R. / KING. It is no secret that Richard Wagner (1813-1883) is one of the prolific German composers ever to have lived. Primarily known for his operas, Die Götterdämmerung is the last of Wagner 's 'Ring Cycle'. The Funeral March is superbly arranged for 10-Part brass choir with percussion by Robert King. Die Götterdämmerung received its premiere in 1876 as part of the first complete performance of the 'Ring'. The title refers to a prophesised war from Norse mythology. The Funeral March occurs in the third act for the funeral of Siegfried, thelegendary hero. King's arrangement of Wagner 's Funeral March for 10-part brass choir and percussion makes the piece much more versatile and accessible. / Opéra-opérette / Répertoire / Ensemble de Cuivres

Par READ. For 4 trumpets, 4 horns, 3 trombones, 2 euphoniums, 2 tubas and percussion./ Répertoire / Ensemble de Cuivres

Cette majestueuse pièce d?ouverture débute dans un paysage sonore grave et profond où retentit un thème ample et généreux joué par les cuivres graves sur un mouvement continu de la percussion. Le ton est donné. Petit à petit de nouveaux pupitres intègrent harmonieusement le développement et complètent les zones de timbre. La cellule rythmique s?intensifie sans toutefois influencer le caractère majestueux de l?oeuvre. The Swan on the Hill est sans grande difficulté technique mais nécessite un travail approfondi de l?environnement sonore afin d?obtenir un bon équilibre entre les éléments musicaux statiques et dynamiques.

Edité par Philip Jones et Elgar Howarth. La série juste laiton est considérée par les joueurs de cuivres dans le monde entier comme la série plus importante ensemble de cuivres disponible. Il y a plus de 100 titres subdivisées en juste de laiton (grand public), Junior juste Brass, juste de laiton sucettes et géant juste laiton. Fourni comme score et pièces ensemble. Titres juniors ont été spécifiquement choisis et édités pour les jeunes joueurs. Les pièces sont notées pour quatre ou cinq joueurs et dans certains sont parties de percussions facultatif. Un grand nombre de pièces de rechange est donné, permettant une flexibilité maximale dans les instruments requis. Disponible ici sont quatre Spirituals arrangés pour Ensemble de cuivres par Colin Asher / Scores

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern