37 Favourite SongsInstrument : Voice and PianoType : song bookNombre de Pages : 88Six outstanding collections of favourite songs (Songs of England, Songs of Ireland, Songs of Scotland, Songs of Wales, Songs of Christmas, Songs of the Americans). All arrangements include the melody line in the accompaniment so that the songs work equally well as piano solos. Ideal for playing at home, in the classroom, or even as concert items!Includes Danny Boy, Cockles and Mussels and Down by the Salley Gardens.The edition is part of the ABRSM singing exam syllabus (grade 1,2,3).Content : Believe Me - Come Back to Erin - I Will Walk with My Love - I'll Take You Home Again, Kathleen - Kathleen Mavoumeen - Kelly the Pirate - The Gypsy Rover - The Lover's Curse - The Meeting of the Waters - The Minstrel Boy - The Rose of Tralee - The Spinning Wheel - The Young May Moon - As I Was Going Along the Road - Avenging and Bright - Cockles and Mussels - Danny Boy - Down by the Salley Gardens - Here Come the Navvies - Hey Ho, the Moming Dew - I Know Where I'm Goin' - If AII Those Endearing Young Charms - Kitty of Coleraine - Lullaby - Oft, in the Stilly Night - The Boys of Kilkenny - The Dear Little Shamrock - The Flight of the Earls - The Garden Where the Praties Grow - The Harp That Once Thro' Tara's Halls - The Irish Emigrant - The Last Rose of Summer - The Mallow Fling - The Praties They Grow Small - The Star of the County Down - The Wearin' o' the Green - Tramping Song - Trottin' to the Fair

Love Is All Around! Dans le nouveau volume de la série à succès 'Schott Vocal Lounge ', Carsten Gerlitz vous emmène dans un monde de grandes émotions. L'amour, la plus belle sensation dans le monde, a été l'inspiration pour les plus belles chansons qui sont maintenant disponibles dans des arrangements pour des chanteurs à voix gamme moyenne et un pianiste accompagnateur accompli.Tous les morceaux sur le CD d'accompagnement ont été réalisées par l'auteur et chanteurs professionnels. Chaque titre est livré avec une version sing-along. / Voix Et Piano

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

Vocal Selections-16 songs from the Tony« Award-nominated Broadway production adapted from the hit Disney animated movie Frozen. Includes: Colder by the Minute - Do You Want to Build a Snowman' (Broadway Version) - For the First Time in Forever (Broadway Version) - Hygge - In Summer - Kristoff Lullaby - Let It Go - True Love - Vuelie/Let the Sun Shine On - and more. Includes beautiful full-color photos from the Broadway production!

Music from the Motion Picture Soundtrack Voice with Piano Accompaniment-Frozen has been called one of Disney's greatest musicals of all time high praise indeed.Vocal lines with Piano accompaniment for nine songs from the mega-hit movie are presented in this collection including Do You Want to Build a Snowman' For the First Time in Forever Let It Go Love Is an Open Door and more.

Take seven of George and Ira Gershwin's classic songs, add Mark Hayes' stunning and unpredictable arrangements, and it all adds up to a winning collection for singers and listeners alike. / Chant Et Piano

Originally a runaway 1935 RKO musical hit on the big screen starring Fred Astaire and Ginger Rodgers Top Hat is now a critically acclaimed theatre production featuring Summer Strallen (Meg Giry in Andrew LloydWebber?s Love Never Dies) and Tom Chambers (Winner of Strictly Come Dancing). Accompanying the Top Hat world premiere in London?s West End we're proud to present the matching sheet musicsongbook Selections from Top Hat The Musical. For the first time ever the fantastic music of Irvin Berlin has been adapted for the stage with his six songs from the film?s original soundtrack joined bysome of the legendary songwriter?s best loved tunes from other works. This sheet music selection features thirteen Irving Berlin classics from Top Hat The Musical arranged for Piano Vocal and Guitar with a lavish eight page colour photo section featuring exclusive stills of the show that won the 2013 Olivier award for Best New Musical.With Guitar chord symbols full lyrics and the melody line nowyou can capture the magic of this new musical favourite as it makes its grand début on the renowned stage of the Aldwych Theatre London.

Hector Berlioz's Song Cycle (The Summer Nights) is based on poems by Theophile Gautier. Though their subjects have little direct connection each song possesses the sultry scented charm implied by Berlioz's title. The tenderly expressive qualities of these settings makes one wish that Berlioz had continued his dedication to French poetry. The English version of the text is given by Bernard Taylor.

Introduction by Peter Pears CONTENTSThe Batchelor (C sharp - F sharp)The Birds (D - E flat)Captain Stratton's Fancy (C - F)Contented lover (E flat - A flat)Cricketers of Hambledon (B flat - F)Droll lover (B - E flat)Elore lo (C - F)Hey troly loly lo (C - F)Late summer (B - F sharp)Mr. Belloc’s Fancy (D - G (A))Piggesnie (D - G)Tom Tyler (D - F sharp (G))To the memory of a great singer (D flat - G)Set for the Associated Board Guildhall School and Trinity College Grade examinations.