Par BEETHOVEN LUDWIG VAN. This new scholarly-critical edition of String Quartet Op. 127, the first of Beethoven’s late quartets, follows upon Urtext publications of Opp. 18, 59, 74 and 95. Once more the editor is the renowned Beethoven authority Jonathan Del Mar. All surviving sources have been consulted including sketches to clarify the conflicting readings in the autograph. Not only has Del Mar reconstructed Beethoven’s original beaming, phrasing, articulation and length of crescendo hairpins, he has also corrected wrong notes that have taken hold in editions published over the years and has supplemented missing notes. Urtext edition at the cutting edge ofscholarship, with detailed separate Critical Commentary (Eng) Parts ideally laid out for performance purposes Parts (BA9029) & study score format 22. 5 x 16. 5cm (TP929) available for sale Already published: String Quartets Op. 18, BA 9016 parts, TP 916 study score String Quartets Op. 59, BA 9017 parts, TP 917 study score String Quartets Opp. 74, 95, BA 9018 parts, TP 918 study score/ Répertoire / 2 Violons, Alto et Violoncelle

Que faire de Beethoven et de chanson pour enfants Fuchs Du hast die Gans gestohlen ont en commun ? Rien, à proprement parler. Bien que la chanson a été écrite dès 1824 (et théoriquement, Beethoven pouvait savoir il), il n'a pas quitté les marques profondes sur son oeuvre. Mais que se passe-t-il si il l'avait connu ? Wolfgang Birtel poursuivi cette question et, en réponse à elle, conçu une Symphonie pour quatuor à cordes : derrière chaque mouvement est une originale Symphonie de Beethoven (épicé avec des citations d'autres oeuvres). Chanson pour enfants apparaît comme le thème principal dans le mouvement final de la Symphonie #1, à la marche funèbre célèbre de Eroica, destin frappe à la porte (de la maison de l'OIE) en souvenir de la Symphonie #5, et le travail se termine avec l'Ode à la Bernache rôti (Symphonie #9). Un drôle et habilement arrangé collage, un plaisir performant et écoute les traces de Beethoven. / Quatuor A Cordes

Arrangeur: Jonathan Del Mar. Par BEETHOVEN LUDWIG VAN. Although Beethoven did not live to see the publication of his String Quartets op. 130 and op. 133, he oversaw the production process, making corrections and putting the works into their final form. The String Quartet op. 130 is the longest piece within Beethoven's extensive chamber music oeuvre. Originally, the Große Fuge was meant to be the final movement of op. 130. Beethoven's conversation books document the separation of the Große Fuge from op. 130, its replacement by a new finale and its assignment to a new opus number op. 133. / Date parution : 2019-11-29/ Répertoire / Quatuor à Cordes

Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt to take wise and positive stock of the mishaps that had befallen him in the preceding years regarding his life situation, family and health. This interpretation is strongly suggested by the final movement, ?Der schwer gefasste Entschluss? (The Difficult Decision), with its motto ?Must it be' It must be! It must be!? The editing of this quartet proved especially complex, for the authentic sources were reworked at various stages by the composer. By judiciously assessing them, editor Jonathan Del Mar has managed to clarify many anomalies found in previous editions. - Beethoven?s final string quartet with many new readings - Introduction by Misha Donat (Eng/Ger), editor?s foreword by Jonathan Del Mar (Eng/Ger) and a scrupulous, separately published Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Quatuor à Cordes

Par BEETHOVEN LUDWIG VAN. Many anecdotes surround String Quartet op. 131: Beethoven is said to have considered it to be his finest quartet and of his late period works, the one dearest to his heart. It is also believed that the composer invested so much of himself in it: his ailing health, the social isolation brought about by his deafness and the suicide attempt of his nephew Karl. In addition it was reported that Franz Schubert asked to hear this piece once more on his deathbed. Even if these anecdotes are not all true, they reveal what generations of musicians felt they heard in this quartet: Beethoven’s most personal musical idiom and a vulnerable message from the final period of his life. This new edition by Jonathan Del Mar represents a thorough revision of this highly complex work. Meticulously incorporated are Beethoven’s pencil markings that were previously almost completely ignored./ Répertoire / Quatuor à Cordes