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| Ouvertures
2 Pianos, 4 mains
Schott
The New Robert Schumann Edition (RSA) is intended as a historico-critical editio...(+)
The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work. / 2 Pianos 4 Mains
Délais: 2-5 jours - En Stock Fournisseur |
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| CONCERTO NO.3 IN C MINOR
OP.37 FOR PIANO
(BEETHOVEN LUDWIG VAN)
2 Pianos, 4 mains
Barenreiter
Par BEETHOVEN LUDWIG VAN. Urtext edition reflecting the latest musicological res...(+)
Par BEETHOVEN LUDWIG VAN. Urtext edition reflecting the latest musicological research.
With many corrections in the solo part and Orchestral parts.
Piano reduction for 2 Pianos with a separate solo Piano part.
A must for Pianists,Orchestras and Beethoven scholars.
Beethoven?s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation,dynamics and pedal markings are for the most part absent. However, Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with whichBeethovenplaced slurs and pedal markings in order to be consistent and unambiguous.
By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation, dynamics andnotes. In particular, the orchestral parts have been corrected for the first time since Beethoven?s lifetime. / Date parution : 2022-02-26/ Répertoire / 2 Pianos
Délais: Sur commande |
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| Ludwig van Beethoven:
Concerto No.3 In C Minor
Op.37 For Piano: Piano:
Parts
2 Pianos, 4 mains
Barenreiter
for Pianoforte and Orchestra op. 37-Urtext edition reflecting the latest musico...(+)
for Pianoforte and Orchestra op. 37-Urtext edition reflecting the latest musicological research.With many corrections in the solo part and Orchestral parts.Piano reduction for 2 Pianos with a separate solo Piano part.A must for Pianists Orchestras and Beethoven scholars.Beethoven’s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation dynamics and pedal markings are for the most part absent. However Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethovenplaced slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation dynamics and notes. In particular the orchestral parts have been corrected for the first time since Beethoven’s lifetime.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.9 In
E-Flat K.271 -
Jeunehomme:
2 Pianos, 4 mains
Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...(+)
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.2-Piano reduction.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly criticalcriteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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