Solo soprano voice, SATB
choir, 2 violins, basso
continuo, [viola]
SKU:
CA.4041819
Composed
by Niccolo Jommelli.
Edited by Wolfgang
Hochstein. Contemporary
Choir Music. Complete
orchestral parts. Sacred
vocal music, Hymns,
Easter and Eastertide,
Whitsun. Set of Orchestra
Parts. Duration 9
minutes. Carus Verlag #CV
40.418/19. Published by
Carus Verlag
(CA.4041819).
ISBN
9790007218447. Language:
Latin.
After
musical training in
Naples Niccolo Jommelli
began to make his name as
an opera composer from
the end of the 1730ies
onwards. From 1750 until
1753 he was assistant
director of music at St.
Peter's, Rome, and
responsible for the music
at the Cappella Giulia -
years which were decisive
for Jommelli's sacred
music. During those years
he also composed the
three-movement setting of
the Whitsun hymn Veni
Creator Spiritus for solo
soprano, mixed-voice
choir, string orchestra
and continuo. It is
marked by the maturity of
the writing for the solo
voice, modelled on the
example of composers such
as Johann Adolf Hasse,
and by stylistic
hallmarks of Jommelli's
music, such as his
relatively simple yet
highly effective choral
writing. Score and parts
available separately -
see item CA.4041800.
Composed
by Nicolo Jommelli.
Edited by Wolfgang
Hochstein. Contemporary
Choir Music. German
title: Veni creator
spiritus. Sacred vocal
music, Hymns, Easter and
Eastertide, Whitsun.
Single Part, Cello/Double
Bass. Composed 1763. 4
pages. Duration 9
minutes. Carus Verlag #CV
40.418/14. Published by
Carus Verlag
(CA.4041814).
ISBN
9790007067199. Language:
Latin.
After
musical training in
Naples Niccolo Jommelli
began to make his name as
an opera composer from
the end of the 1730ies
onwards. From 1750 until
1753 he was assistant
director of music at St.
Peter's, Rome, and
responsible for the music
at the Cappella Giulia -
years which were decisive
for Jommelli's sacred
music. During those years
he also composed the
three-movement setting of
the Whitsun hymn Veni
Creator Spiritus for solo
soprano, mixed-voice
choir, string orchestra
and continuo. It is
marked by the maturity of
the writing for the solo
voice, modelled on the
example of composers such
as Johann Adolf Hasse,
and by stylistic
hallmarks of Jommelli's
music, such as his
relatively simple yet
highly effective choral
writing. Score and part
available separately -
see item CA.4041800.
Composed
by Nicolo Jommelli.
Edited by Wolfgang
Hochstein. Contemporary
Choir Music. German
title: Veni creator
spiritus. Sacred vocal
music, Hymns, Easter and
Eastertide, Whitsun.
Choral Score. 8 pages.
Duration 9 minutes. Carus
Verlag #CV 40.418/05.
Published by Carus Verlag
(CA.4041805).
ISBN
9790007067151. Language:
Latin.
After
musical training in
Naples Niccolo Jommelli
began to make his name as
an opera composer from
the end of the 1730ies
onwards. From 1750 until
1753 he was assistant
director of music at St.
Peter's, Rome, and
responsible for the music
at the Cappella Giulia -
years which were decisive
for Jommelli's sacred
music. During those years
he also composed the
three-movement setting of
the Whitsun hymn Veni
Creator Spiritus for solo
soprano, mixed-voice
choir, string orchestra
and continuo. It is
marked by the maturity of
the writing for the solo
voice, modelled on the
example of composers such
as Johann Adolf Hasse,
and by stylistic
hallmarks of Jommelli's
music, such as his
relatively simple yet
highly effective choral
writing. Score available
separately - see item
CA.4041800.
Composed
by Nicolo Jommelli.
Edited by Wolfgang
Hochstein. Contemporary
Choir Music. German
title: Veni creator
spiritus. Sacred vocal
music, Hymns, Easter and
Eastertide, Whitsun.
Single Part, Viola. 4
pages. Duration 9
minutes. Carus Verlag #CV
40.418/13. Published by
Carus Verlag
(CA.4041813).
ISBN
9790007067182. Language:
Latin.
After
musical training in
Naples Niccolo Jommelli
began to make his name as
an opera composer from
the end of the 1730ies
onwards. From 1750 until
1753 he was assistant
director of music at St.
Peter's, Rome, and
responsible for the music
at the Cappella Giulia -
years which were decisive
for Jommelli's sacred
music. During those years
he also composed the
three-movement setting of
the Whitsun hymn Veni
Creator Spiritus for solo
soprano, mixed-voice
choir, string orchestra
and continuo. It is
marked by the maturity of
the writing for the solo
voice, modelled on the
example of composers such
as Johann Adolf Hasse,
and by stylistic
hallmarks of Jommelli's
music, such as his
relatively simple yet
highly effective choral
writing. Score and part
available separately -
see item CA.4041800.
By Philip W.J. Stopford. For organ, optional flute, violin, brass quintet, timpa...(+)
By Philip W.J. Stopford.
For organ, optional
flute, violin, brass
quintet, timpani (SATB
choir). Choral.
Ordination/Installation,
Commitment/Discipleship,
Pentecost. Medium.
Octavo. 11 pages.
Published by MorningStar
Music Publishers
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118811
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Violin 1. Composed 1728.
BWV 188. 8 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/11. Published by
Carus Verlag
(CA.3118811).
ISBN
9790007210038. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118812
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Violin 2. Composed 1728.
BWV 188. 8 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/12. Published by
Carus Verlag
(CA.3118812).
ISBN
9790007210045. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 3 Trb, 2 Vl, Va, Bc SKU: CA.3750112...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Cor, 3 Trb, 2
Vl, Va, Bc
SKU:
CA.3750112
Herr!
Straf mich nicht in
deinem Zorne.
Composed by Justin
Heinrich Knecht. Edited
by Claudia Seidl. Herr,
Straf Mich Nicht. Sacred
vocal music, Psalms,
German, Psalms. Single
Part, Violin 2. 4 pages.
Duration 17 minutes.
Carus Verlag #CV
37.501/12. Published by
Carus Verlag
(CA.3750112).
ISBN
9790007214999. Language:
German.
Justin
Heinrich Knecht's
compositional
interpretation of Moses
Mendelssohn's poetic
translation of the 6th
psalm bears the force of
Enlightenment ideas in
its music. Effective
instrumentation, the
targeted use of the choir
and vocal soloists
together with contrasting
dynamics communicate the
entire emotional spectrum
of this psalm text.
Knecht created an early
Romantic piece of south
German church music which
has unjustly lain in
obscurity for too long.
As in his other psalm
compositions, the scoring
can be regarded as
flexible, allowing parts
to be omitted or
unavailable instruments
to be substituted by
similar sounding ones
according to the forces
available. Score and part
available separately -
see item CA.3750100.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 3 Trb, 2 Vl, Va, Bc SKU: CA.3750111...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Cor, 3 Trb, 2
Vl, Va, Bc
SKU:
CA.3750111
Herr!
Straf mich nicht in
deinem Zorne.
Composed by Justin
Heinrich Knecht. Edited
by Claudia Seidl. Herr,
Straf Mich Nicht. Sacred
vocal music, Psalms,
German, Psalms. Single
Part, Violin 1. 4 pages.
Duration 17 minutes.
Carus Verlag #CV
37.501/11. Published by
Carus Verlag
(CA.3750111).
ISBN
9790007214982. Language:
German.
Justin
Heinrich Knecht's
compositional
interpretation of Moses
Mendelssohn's poetic
translation of the 6th
psalm bears the force of
Enlightenment ideas in
its music. Effective
instrumentation, the
targeted use of the choir
and vocal soloists
together with contrasting
dynamics communicate the
entire emotional spectrum
of this psalm text.
Knecht created an early
Romantic piece of south
German church music which
has unjustly lain in
obscurity for too long.
As in his other psalm
compositions, the scoring
can be regarded as
flexible, allowing parts
to be omitted or
unavailable instruments
to be substituted by
similar sounding ones
according to the forces
available. Score and part
available separately -
see item CA.3750100.
No Night There Chorale SATB SATB, Piano - Facile Beckenhorst Press
Composed by Dan Forrest. Church Choral. All Saints' / Remembrance, Comfort / H...(+)
Composed by Dan Forrest.
Church Choral. All
Saints' /
Remembrance, Comfort /
Healing
/ Hope, General, Good
Shepherd, Memorial /
Funeral.
Octavo. Beckenhorst Press
#BP2318. Published by
Beckenhorst Press
(Cantata for the Sunday of Jubilate). Composed by Johann Sebastian Bach (1685-17...(+)
(Cantata for the Sunday
of Jubilate). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For AT
vocal soli, SATB choir,
recorder d2 (flute or
violin), 2 oboe d'amore,
trumpet, 2 violins,
viola, basso continuo.
H-Moll (B minor). German
title: Ihr werdet weinen
4. Cantatas, Special
days, Easter and
Eastertide. Level 3. Set
of instrumental parts
(except strings).
Language: German/English.
Composed 1725. BWV 103.
26 pages. Duration 18
minutes. Published by
Carus Verlag
Mixed Choir [SATB] and String Ensemble SKU: HL.14015305 Composed by Bo Ho...(+)
Mixed Choir [SATB] and
String Ensemble
SKU:
HL.14015305
Composed
by Bo Holten. Music Sales
America. Hymns & Chorals.
Choral Score. Composed
2002. 44 pages. Edition
Wilhelm Hansen #WH29424.
Published by Edition
Wilhelm Hansen
(HL.14015305).
ISBN
9788759858189.
8.25x11.75x0.18 inches.
English.
Score of
this wordless work for
SSATTB Choir and 4
Violins, 2 Violas, 2
Cellos and Double Bass.
The theme is taken from
Tallis, Lamentations of
Jeremiah II, bars
29-43.
Cantata
for the 3rd Sanday after
Trinity/all
occasions. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich hatte viel
Bekummernis. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1713. BWV 21. Duration 45
minutes. Carus Verlag #CV
31.021/19. Published by
Carus Verlag
(CA.3102119).
ISBN
9790007136000. Key: C
dorian / c major.
Language:
German/English.
The
edition allows for the
performance of this
cantate in the various
forms which Bach himself
used. The solo parts for
high voice are always
allotted primarily to the
voice specified by Bach
in Leipzig, with the
alternative authorized by
the Weimar and Cothen
parts placed afterwards
in brackets. Score and
parts available
separately - see item
CA.3102100.
Cantata
for the 3rd Sanday after
Trinity/all
occasions. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich hatte viel
Bekummernis. Sacred vocal
music, Cantatas. Study
score. Composed 1713. BWV
21. 92 pages. Duration 45
minutes. Carus Verlag #CV
31.021/07. Published by
Carus Verlag
(CA.3102107).
ISBN
9790007058258. Key: C
dorian / c major.
Language:
German/English.
The
edition allows for the
performance of this
cantate in the various
forms which Bach himself
used. The solo parts for
high voice are always
allotted primarily to the
voice specified by Bach
in Leipzig, with the
alternative authorized by
the Weimar and Cothen
parts placed afterwards
in brackets. Score
available separately -
see item CA.3102100.
Cantata
for the 3rd Sanday after
Trinity/all
occasions. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich hatte viel
Bekummernis. Sacred vocal
music, Cantatas. Choral
Score. Composed 1713. BWV
21. 24 pages. Duration 45
minutes. Carus Verlag #CV
31.021/05. Published by
Carus Verlag
(CA.3102105).
ISBN
9790007103002. Key: C
dorian / c major.
Language:
German/English.
The
edition allows for the
performance of this
cantate in the various
forms which Bach himself
used. The solo parts for
high voice are always
allotted primarily to the
voice specified by Bach
in Leipzig, with the
alternative authorized by
the Weimar and Cothen
parts placed afterwards
in brackets. Score
available separately -
see item CA.3102100.
SATB choir, organ
accompaniment, violin 1,
violin 2, viola, cello,
bass, horn in F, trumpet
in B-flat, flugelhorn,
timpani, glockenspiel
SKU: GI.G-8653ORCH
Composed by Leo Nestor.
Tune Name: Great Falls.
Sacred. Full score and
parts. 20 pages. GIA
Publications #8653ORCH.
Published by GIA
Publications
(GI.G-8653ORCH).
UPC:
785147865391. English.
Text Source: Ode III:
Deute poma piomen
kainon, tr. John
Mason Neale,
1818–1866, alt.;
Translation: John Mason
Neale. Translation: John
Mason Neale.
To
words from the Holy
Scriptures. Composed
by Johannes Brahms.
Edited by Gunter
Graulich. Carus sheet
music series: Vocal
scores XL. German title:
Ein Deutsches Requiem
Kart. Innovative practice
aids, Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Single Part,
Violin 1. Op. 45. 24
pages. Duration 70
minutes. Carus Verlag #CV
27.055/11. Published by
Carus Verlag
(CA.2705511).
ISBN
9790007199630. Language:
German.
Since its
first complete
performance in 1868 in
the Cathedral of Bremen,
Brahms's Ein deutsches
Requiem is, without
question, one of the key
works in the history of
the oratorio. The
reputation of the work is
based not only on its
unusually concentrated
musical structure, but
also on the original
conception of the text:
Brahms assembled
important passages from
both the Old and New
Testaments in Luther's
translation so that
thoughts on sorrow and
consolation would
obviously refer to one
another. In contrast to
many other oratorios of
the 19th century Brahms
places the choir, the
voice of the community,
in the center of this
interdenominational
celebration of the dead.
Score and part available
separately - see item
CA.2705500.
To
words from the Holy
Scriptures. Composed
by Johannes Brahms.
Edited by Gunter
Graulich. Carus sheet
music series: Vocal
scores XL. German title:
Ein Deutsches Requiem
Kart. Innovative practice
aids, Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Single Part,
Violin 2. Op. 45. 24
pages. Duration 70
minutes. Carus Verlag #CV
27.055/12. Published by
Carus Verlag
(CA.2705512).
ISBN
9790007199647. Language:
German.
Since its
first complete
performance in 1868 in
the Cathedral of Bremen,
Brahms's Ein deutsches
Requiem is, without
question, one of the key
works in the history of
the oratorio. The
reputation of the work is
based not only on its
unusually concentrated
musical structure, but
also on the original
conception of the text:
Brahms assembled
important passages from
both the Old and New
Testaments in Luther's
translation so that
thoughts on sorrow and
consolation would
obviously refer to one
another. In contrast to
many other oratorios of
the 19th century Brahms
places the choir, the
voice of the community,
in the center of this
interdenominational
celebration of the dead.
Score and part available
separately - see item
CA.2705500.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir,
piccolo, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, 3 horns, 2
trumpets, 3 trombones,
timpani, percussion,
harp, solo violin, 2
violins, viola, cello,
contrabass - Grade 5
SKU: CA.5021820
Composed by Josef Gabriel
Rheinberger. Edited by
Sebastian Hammelsbeck,
Felix Loy. This edition:
Complete edition, linen
cover. German title:
Montfort Op.145.
Chorballaden Iii/2.
Secular choral music.
Full score (complete
edition / selected
edition). Composed 1886.
Op. 145. 288 pages. Carus
Verlag #CV 50.218/20.
Published by Carus Verlag
(CA.5021820).
ISBN
9790007090753. Language:
German. Text: von
Hoffnaass, Franziska
(Fanny). Text: Franziska
(Fanny) von
Hoffnaass.
To
words from the Holy
Scriptures. Composed
by Johannes Brahms.
Edited by Gunter
Graulich. 1x 27.055/21
piccolo, 1x 27.055/22
flute 1, 1x 27.055/23
flute 2, 1x 27.055/24
oboe 1, 1x 27.055/25 oboe
2, 1x 27.055/26 clarinet
1, 1x 27.055/27 clarinet
2, 1x 27.055/28 bassoon
1, 1x 27.055/29 bassoon
2, 1x 27.055/30
contrabassoon, 1x
27.055/31 horn 1, . Carus
sheet music series: Vocal
scores XL. German title:
Ein Deutsches Requiem
Kart. Innovative practice
aids, Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. Op. 45. 232 pages.
Duration 70 minutes.
Carus Verlag #CV
27.055/09. Published by
Carus Verlag
(CA.2705509).
ISBN
9790007199623. Language:
German.
Since its
first complete
performance in 1868 in
the Cathedral of Bremen,
Brahms's Ein deutsches
Requiem is, without
question, one of the key
works in the history of
the oratorio. The
reputation of the work is
based not only on its
unusually concentrated
musical structure, but
also on the original
conception of the text:
Brahms assembled
important passages from
both the Old and New
Testaments in Luther's
translation so that
thoughts on sorrow and
consolation would
obviously refer to one
another. In contrast to
many other oratorios of
the 19th century Brahms
places the choir, the
voice of the community,
in the center of this
interdenominational
celebration of the dead.
Score and parts available
separately - see item
CA.2705500.
To
words from the Holy
Scriptures. Composed
by Johannes Brahms.
Edited by Gunter
Graulich. Carus sheet
music series: Vocal
scores XL. German title:
Ein Deutsches Requiem
Kart. Innovative practice
aids, Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Single Part,
Viola. Op. 45. 28 pages.
Duration 70 minutes.
Carus Verlag #CV
27.055/13. Published by
Carus Verlag
(CA.2705513).
ISBN
9790007199654. Language:
German.
Since its
first complete
performance in 1868 in
the Cathedral of Bremen,
Brahms's Ein deutsches
Requiem is, without
question, one of the key
works in the history of
the oratorio. The
reputation of the work is
based not only on its
unusually concentrated
musical structure, but
also on the original
conception of the text:
Brahms assembled
important passages from
both the Old and New
Testaments in Luther's
translation so that
thoughts on sorrow and
consolation would
obviously refer to one
another. In contrast to
many other oratorios of
the 19th century Brahms
places the choir, the
voice of the community,
in the center of this
interdenominational
celebration of the dead.
Score and part available
separately - see item
CA.2705500.
To
words from the Holy
Scriptures. Composed
by Johannes Brahms.
Edited by Gunter
Graulich. Carus sheet
music series: Vocal
scores XL. German title:
Ein Deutsches Requiem
Kart. Innovative practice
aids, Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Single Part,
Cello. Op. 45. 28 pages.
Duration 70 minutes.
Carus Verlag #CV
27.055/14. Published by
Carus Verlag
(CA.2705514).
ISBN
9790007199661. Language:
German.
Since its
first complete
performance in 1868 in
the Cathedral of Bremen,
Brahms's Ein deutsches
Requiem is, without
question, one of the key
works in the history of
the oratorio. The
reputation of the work is
based not only on its
unusually concentrated
musical structure, but
also on the original
conception of the text:
Brahms assembled
important passages from
both the Old and New
Testaments in Luther's
translation so that
thoughts on sorrow and
consolation would
obviously refer to one
another. In contrast to
many other oratorios of
the 19th century Brahms
places the choir, the
voice of the community,
in the center of this
interdenominational
celebration of the dead.
Score and part available
separately - see item
CA.2705500.
To
words from the Holy
Scriptures. Composed
by Johannes Brahms.
Edited by Gunter
Graulich. Carus sheet
music series: Vocal
scores XL. German title:
Ein Deutsches Requiem
Kart. Innovative practice
aids, Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Choral Score. Op.
45. Duration 70 minutes.
Carus Verlag #CV
27.055/05. Published by
Carus Verlag
(CA.2705505).
ISBN
9790007041694. Language:
German.
Since its
first complete
performance in 1868 in
the Cathedral of Bremen,
Brahms's Ein deutsches
Requiem is, without
question, one of the key
works in the history of
the oratorio. The
reputation of the work is
based not only on its
unusually concentrated
musical structure, but
also on the original
conception of the text:
Brahms assembled
important passages from
both the Old and New
Testaments in Luther's
translation so that
thoughts on sorrow and
consolation would
obviously refer to one
another. In contrast to
many other oratorios of
the 19th century Brahms
places the choir, the
voice of the community,
in the center of this
interdenominational
celebration of the dead.
Score available
separately - see item
CA.2705500.
To
words from the Holy
Scriptures. Composed
by Johannes Brahms.
Edited by Gunter
Graulich. Carus sheet
music series: Vocal
scores XL. German title:
Ein Deutsches Requiem
Kart. Innovative practice
aids, Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Single Part,
Organ. Op. 45. Duration
70 minutes. Carus Verlag
#CV 27.055/49. Published
by Carus Verlag
(CA.2705549).
ISBN
9790007199685. Language:
German.
Since its
first complete
performance in 1868 in
the Cathedral of Bremen,
Brahms's Ein deutsches
Requiem is, without
question, one of the key
works in the history of
the oratorio. The
reputation of the work is
based not only on its
unusually concentrated
musical structure, but
also on the original
conception of the text:
Brahms assembled
important passages from
both the Old and New
Testaments in Luther's
translation so that
thoughts on sorrow and
consolation would
obviously refer to one
another. In contrast to
many other oratorios of
the 19th century Brahms
places the choir, the
voice of the community,
in the center of this
interdenominational
celebration of the dead.
Score and part available
separately - see item
CA.2705500.
By John D. Horman. For SATB Choir and Piano (with optional flute (violin)). Mixe...(+)
By John D. Horman. For
SATB Choir and Piano
(with optional flute
(violin)). Mixed Voices
Series. Sacred Anthem:
General, Lent, Trinity
Sunday. Octavo. Published
by Chorister's Guild