27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFR...(+)
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière et Piano
Par SCHMITZ MANFRED. Have fun learning through the combination of classical play...(+)
Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière et Piano
Niveau Facile - 'Les Classiques De la Flûte'-Pièces Célèbres Pour Flute Et...(+)
Niveau Facile - 'Les Classiques De la Flûte'-Pièces Célèbres Pour Flute Et Piano – Vol. 1 is the first volume of an anthology of famous pieces transcribed and adapted by Gaubert Moyse and Caratgé. Part of the collection “Classics for Flute” this volume features twelve easy classical pieces: - Ballets du Roi 'Ariette en Rondeau' by Lully - Ballets du Roi 'Sarabande et Gavotte' by Lully - Phaeton 'Menuet et Bourrée' by Lully - Sarabande from the D Suite for Cello by J. S. Bach - Petite Marche by Handel -Hiphigénie en Tauride 'Hymne' by Glück - Armide 'échos de la Naïade' by Glück - Don Juan 'Menuet' by Mozart - Cosi Fan Tutte 'Ariette' by Mozart - La Flûte enchantée 'Invocation' by Mozart - Mélodie by Beethoven - Impromptu Op.90 n°3 by Schubert
Schubert's Sonata In A Minor subtitled Arpeggione was written in 1824 and was ...(+)
Schubert's Sonata In A Minor subtitled Arpeggione was written in 1824 and was inspired by an instrument invented by Mr. Georg Staufer which Schubert referred to as an Arpeggione. The instrument was a mixture of a Guitar and a Cello and was held between the knees like a Cello but had frets on the fingerboard like a Guitar. This edition of the work has been wonderfully arranged for Flute and Piano by Peter Lukas Graf.
16 Short Lyric Pieces for Flute and Piano-This collection is the first-ever publ...(+)
16 Short Lyric Pieces for Flute and Piano-This collection is the first-ever publication of 19th-20th Century exam pieces composed for the Paris Conservatory meticulously compiled arranged and edited over the course of many years by accomplished flutist Nancy Andrews. All 16 pieces include solo flute part with piano accompaniments. Optional digital downloads are available as well of the original cello/string ensemble accompaniments where available. Sir James Galway's introduction to the album states: “It is my great pleasure to present this collection of pieces originally intended as the sight reading exam for the flute class of the Paris conservatoire. Each piece is a little jewel and could be used asan encore to a recital or even in the main part of a recital. Nancy Andrew has done a magnificent job of preparing them for publication. I look forward with great joy to include them in my future recitals.” Works included: Charles Colin 1873 Allegretto Ernest Guiraud 1874 Allegretto Scherzando Emile Paladilhe 1875 Allegretto Moderato Jules Cohen 1878 Andantino Theodore Dubois 1880 Allegretto Jules Duprato 1882 Allegro Moderato Adrien Barthe 1886 Andante 1891 Moderato 1895 Allegretto Georges Marty 1893 Allegretto Paul Vidal 1894 Allegro Moderato Raoul Pugno 1896 Tres doux et tres tranquille Alphonse Duvernoy 1897 Allegretto Alphonse Duvernoy 1899 Allegro Moderato Gabriel Pierne 1918 Modere Jules Mouquet 1924 Andantino.
The Romance for a melodic instrument and Piano was a very popular genre in Frenc...(+)
The Romance for a melodic instrument and Piano was a very popular genre in French salon music of the nineteenth century. Saint-Saëns also wrote several such pieces for Violin Cello and Horn. His only Romance for Flute was composed in 1871 shortly after the Société nationale de musique had been founded. It was premiered in this new forum for Piano music and chamber works a year later too. In spite of its brevity the piece contains numerous harmonic and melodic refinements which rapidly made it popular among flautists both in the original setting with Piano accompaniment as well as in the later orchestral version. The Henle Urtext edition is the firstcritical edition of this piece which is also very popular with learners of the Flute.
Created in 1943 as part of the four exam pieces for the Paris Conservatoire thi...(+)
Created in 1943 as part of the four exam pieces for the Paris Conservatoire this charming Sonatine for Flute and Piano is part of the early works of Henri Dutilleux (1916-2013) a French Composer following the paths of Maurice Ravel and Claude Debussy. Even though the composer was later quite critical about it this Sonatine which lasts 9 minutes is the most recorded of his compositions and has become a standard in the flute repertoire. Composed of three movements it begins with a tempo “Allegretto” followed by a part more “Andante” and finishes with a cadence “Animé”. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes sonatas for piano and for oboe two symphonies the cello concerto Tout un monde lointain (A whole distant world) the violin concerto L'arbre des songes (The tree of dreams) and the string quartet Ainsi la nuit (Thus the night).
Cyril Scott was an English composer writer and poet. He was essentially a lat...(+)
Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.While less appreciated during his lifetime it is Scott’s late works(written between 1950 and his death) that are the most individual with their ever-shifting harmoniccolours and wayward inflections of phrase and mood capturing perfectly the way the mind shifts backwards and forwards between reminiscence regrets and self-assertion.Composed in 1961 for Flute and Piano and premiered by William Bennett and Margaret Norman on November 9 of that year Sonata For Flute is perfect example of the genius of Scott’s late works.
Now seen as part of the 19th century aesthetic primacy of 'Bel Canto' great wor...(+)
Now seen as part of the 19th century aesthetic primacy of 'Bel Canto' great works for voice were frequently arranged for solo instruments a practice that became increasingly popular as the tone and capabilities of the instruments could draw performers ever closer to the characteristics of the human voice.Performer and composer Leopold Jansa originally arranged Schubert's celebrated Winterreise for Violin and Piano with alternative parts for Flute and Cello. This edition presents Jansa's complete Flute version in ten movements with the full original Piano accompaniment.
Description The 'Sonata d'arpeggione' was originally written for the guitarr...(+)
Description The 'Sonata d'arpeggione' was originally written for the guitarre d'amour or arpeggione - a kind of enlarged guitar that could be bowed cello-style. The instrument did not survive longer than a few years, but this piece by Schubert is a lovely reminder. This edition is transcribed for flute by James Galway and edited by Phillip Moll for the Great Performer's Edition series. The opening Allegro Moderato is built around a wistful melody. A second theme proceeds in gentle gusts of semiquavers (the arpeggione could not play fast notes with much volume at all, and so the Sonata's quicker portions are almost always marked piano or pianissimo). The Adagio is a rich but introverted musing on an almost hymn-like subject, at the end Schubert invites the soloist to improvise a brief transition into the final, multi-sectioned Allegretto . Songlist Sonata (Per Arpeggione)
2ème Symphonie “Le Double” is a symphonic piece for Orchestra and...(+)
2ème Symphonie “Le Double” is a symphonic piece for Orchestra and chamber orchestra composed by Henri Dutilleux. It was commissioned for the 75th birthday of the Boston Symphony Orchestra in 1959. The piece features three movements which consists in dialogues between the Orchestra and the Chamber Orchestra: I. Animato ma misterioso II. Andantino sostenuto III. Allegro fuocoso — Calmato This is the conductor's score which also includes all parts. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal ofthe Royal Philharmonic Society and the UNESCO's International Rostrum of Composers amongst many others. His work also includes a Piano sonata two symphonies the Cello concerto 'Tout un monde lointain' (A whole distant world) the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).
Composer's NoteOut Of The Cool was my first work and inspired by the music of Mi...(+)
Composer's NoteOut Of The Cool was my first work and inspired by the music of Miles Davis and John Coltrane. It was originally written for the flute but may equally well be played on the violin cello or sopranosaxophone.The piece is in three sections - slow/fast/slow. I have not marked many dynamics or phrasings and those shown are suggestions only. The slow sections in particular should be very free rhythmically and eachperformer should feel free to interpret the piece in his own way. The pedalling marks however are more specific as I have used them to show how notes and chords are to be sustained. Some of the blurred effects may seem strangeat first but this pedalling is essential to the style of the piece. Above all Out Of The Cool was written to be enjoyed so have fun with it!David Heath.
15 Easy to Intermediate pieces from 18th-century Ireland-The latest addition to ...(+)
15 Easy to Intermediate pieces from 18th-century Ireland-The latest addition to the fast-growing 'Baroque Around the World' series is an Irish album consisting of fifteen haunting melodies by the legendary 18th-century Irish harpist Turlough O'Carolan. The selection of easy to intermediate standard has been made by Patrick Steinbach; the pieces range in style from the Corelli-influenced 'Carolan's Concerto' through the rumbustious 'Carolan's quarrel with the landlady' to the composer's moving final air 'Carolan's dream'. Arrangements for flute (violin oboe) and keyboard with optional cello or bassoon are by Jeremy Barlow who has edited three other volumes in 'Baroque Around the World' of English French and Swedishmusic.
Amazing Solos Flûte traversière et
Piano Boosey and Hawkes
La musique dans ce livre est séduisante, parfois vraiment grande musique qui se...(+)
La musique dans ce livre est séduisante, parfois vraiment grande musique qui se trouve juste être simple. Aucun des pièces est simplement ' enseignement ' - presque al d'entre eux avait une vie réussie de leurs propres avant ils ont trouvé leur chemin ici - et ils ont été choisis pour leurs forces individuelles, purement musicales. Toutefois, le livre est plus qu'une collection de pièces remplit - les pièces qu'il compte près de graduée et très varié dans leurs demandes, afin que tout joueur qui travaille à travers eux auront la chance de consolider et de leur technique de Pologne. Ils sont aussi plus généralement variées dans le style. Ils donneront quelque plaisir inattendu et signpost certaines voies intéressantes et agréables qui pourraient autrement sont demeurées inexplorées. / Flûte Traversière Et Piano
