This 20 minute 3-movement work for choir brass percussion and piano or organ ...(+)
This 20 minute 3-movement work for choir brass percussion and piano or organ is a joy to perform! The melodies are tuneful and fresh the rhythms exhilarating and compelling. High school college community and church choirswill want to add this piece to their Christmas repertoire.
Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts fo...(+)
Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts for flute (penny whistle) violin cello guitar piano and percussion): The soaring beauty of traditional folk music and Gaelic-inspired original songs permeates this collection with fresh sounds and expressive words. From lilting dance-like songs of praise to noble hymn tunes that encourage and motivate this gathering of sacred songs provides a great variety of styles tempos and usages. Decorated with optional acoustic instruments and driven by well-crafted piano parts these anthems are designed to work for choirs of any size. Catch the wave of enthusiasm for this ancient musical culture and bring a refreshing spirit ofworship into your ministry! Songs include: Celtic Praise Song - In the Valley Flows a River - The Master Has Come - A Celtic Hosanna - Come to the Upper Room - Here is Love - Celtic Alleluia - Not I But Christ - A Celtic Blessing. Score and parts for flute (penny whistle) violin cello guitar piano and percussion.
Oratorium für Tenor- und Bass-Soli Kinderchor gemischten Chor und Orchester-O...(+)
Oratorium für Tenor- und Bass-Soli Kinderchor gemischten Chor und Orchester-Oratorio for tenor- und basso-soloists children´s choir mixed choir and orchestra
Carus 70.301/10 which is part of the material associated with this piece can b...(+)
Carus 70.301/10 which is part of the material associated with this piece can be used as the choral score. Gabriel Fauré composed the Cantique de Jean Racine in 1865 the prizewinning work for the completion of his musical training. The composer expanded the original scoring for choir and organ by adding a string accompaniment; the version with orchestra was first performed in 1906. As a text Fauré chose a French adaptation by Jean Racine of the Latin hymn ?Consors paterni luminis.? The Cantique already displays the characteristics of an expressive choral setting typical for Fauré as well as the finely worked out orchestral accompaniment and together with the Requiem composed considerably later it is among the most popular works of the composer.
Days of Elijah-A collection of 12 classic and rising anthems for the worshiping ...(+)
Days of Elijah-A collection of 12 classic and rising anthems for the worshiping choir! Featuring Days of Elijah Above All Worthy Is the Lamb and Only a God Like You. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Bass Clarinet Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone TC) Trombone 3/Tuba Percussion 1 2 Harp Violin 1 2 Viola (Clarinet 3) Cello/Bassoon String Bass Synthesizer StringReduction and Rhythm. Instrumentation varies. SATB Listening CD CD Accompaniment Trax (Split) Preview Pack (CD) and CD 10-Pack also available.
Composed and arranged for the retirement of Fuller Seminary president Richard J...(+)
Composed and arranged for the retirement of Fuller Seminary president Richard J. Mouw this choral anthem introduces a beautiful new hymn tune in an expansive and exciting setting. Don't miss this piece for your church orcommunity choir!
Orchestration-The musical is narrated by Luke as he writes of Jesus's last days ...(+)
Orchestration-The musical is narrated by Luke as he writes of Jesus's last days on earth. Highly effective when presented by choir and narrator but naturally suited for full staging. It may be performed in its entirety or in segments atseveral services. The words and music of this new Pepper Choplin cantata are very dynamic and will immerse the audience in the passion and intensity of the major events of Holy Week. As the character of Luke is deeply touched bythe story he is recording the choir and soloists assume his role in the drama. Once Upon a Tree was written for Pepper's own church Greystone Baptist Church in Raleigh North Carolina. The choir rehearsed the musical asit was being written and played a special role as the work was formed and perfected. It will be a profoundly moving experience for choirs and congregations.
Orchestration-Bring the joy of thanksgiving to your choir with this J. Paul Will...(+)
Orchestration-Bring the joy of thanksgiving to your choir with this J. Paul Williams and Joseph M. Martin anthem of praise. Written in a robust 6/8 Celtic style this is something exciting and fresh for your general worship use. Stan Pethelprovides an authentic Celtic consort orchestration and lifts this easily learned anthem to new heights. Perfect for youth choirs or limited voice ensembles.
Full Orchestration-Festival of Carols is a joyful celebration of the music of Ch...(+)
Full Orchestration-Festival of Carols is a joyful celebration of the music of Christmas. Overflowing with tuneful praise this cantata based on the traditional ?Lessons and Carols? format includes thoughtful new readings byPamela Martin and optional parts for congregation children's choir and handbell choirs. There are over 20 classic carols incorporated into the work along with new seasonal selections composed especially for Festival ofCarols. Brant Adams adds his special touch with orchestrations that capture the very heart of the Christmas season. Your entire community of faith will go away encouraged and inspired by this Advent/Christmas worship event.
Trois poèmes d'Henri Michaux was written for the Zagreb Biennale and first perf...(+)
Trois poèmes d'Henri Michaux was written for the Zagreb Biennale and first performed there by the orchestra and choir of Radio Zagreb, conducted by the composer and Slavko Zlatic on 9 May 1963. It is composed for 20-part choir and an orchestra similar to that of the Symphony of Psalms, though without the lower strings of the latter.Lutoslaswski has said that the general outline of the work came to him first, and only then did he choose the three poems. These reflect his Francophile taste: Henri Michaux was born in Belgium in 1899 and later became a painter: the trenchant Le Grand Combat, with its onomatopoeic invented words, dates form the 1920s- the other two texts, which are more philosophic than pictorial, form the 1930s. Choir and orchestra need separate conductors even though throughout they alternate more often than they combine.A description of the course of the music itself will be more useful than any discussion of its technical processes or of its notation. A quiet section of orchestral polyphony, which brass sforzandi punctuate with increasing frequency, frames the beginning and end of Pensées. After the choir's first unaccompanied passage, the woodwind have a staccato section over which the female voices, singing downward glissandi, are superimposed ('Ombre de mondes infimes?'). Then the woodwind and both pianos join in a lapping ostinato which illustrates the text of the next forte choir entry 'Pensées à la nage merveilleuse?' The climax of the movement comes as these characteristic woodwind figures alternate with the tintinnabulation of a gamelan-like ensemble of vibraphone, céleste, harp and pianos. / Orchestre
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn’s setting of Psalm 98 was written...(+)
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn’s setting of Psalm 98 was written in a few weeks to satisfy a commission in his new position as general music director of Prussia and was premiered by the Berlin Cathedral Choir on 1 January 1844. As he neither released the work forpublication nor produced a vocal score, his psalm setting did not appear in print until after his death. For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions, which tend to treat theautograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The piano reduction is based on the first printed edition, published by F. Kistner and Evers & Co. in 1851. - Urtext edition of Mendelssohn’s last orchestral psalm - Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) - Words underlaid in both German and English - Piano reduction based on the first printed edition Features of the Barenreiter Urtext edition of Mendelssohn ’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) : Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) Words underlaid in both German and English Piano reduction based on the first printed edition Full score, performance material (BA9076) and vocal score (BA9076-90) available for sale Mendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score, his psalm setting did not appear in print until after his death. For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way, it differs from many other editions, which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition, which was published by F. Kistner and Evers & Co. in 1851./ Répertoire / Solistes, Choeur Mixte et Orchestre
Karsten Fundal's Entropia for Large Orchestra Soprano and Baritone soli Large ...(+)
Karsten Fundal's Entropia for Large Orchestra Soprano and Baritone soli Large Choir and Chamber Choir (SATB) and prerecorded sound (1997-2001). Commissioned by the Danish National Symphony Orchestra and Choir / DR. Parts are available on hire: hire@ewh.dk About Entropia: This orchestral work is chiefly an attempt to make a musical investigation into the complex question of the nature of time. The viewpoint taken on a philosophical level is chiefly inspired by the brilliant thinker and philosopher of time J.F. Fraser. The main conclusion of his investigation of the subject is in very short that the onlyadequate view to take of time as a phenomenon with all the knowledge that we have today is that time must be seen as a conflict or at least an interference between many different “temporal levels” (...) Karsten Fundal
Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the...(+)
Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Orchestre
Full Score and parts for Full Orch - 2.2.2.2 Ð 1.2.1.1, Strings, Timpani, Percu...(+)
Full Score and parts for Full Orch - 2.2.2.2 Ð 1.2.1.1, Strings, Timpani, Percussion (2 players). Par TROTTA MICHAEL JOHN. A new work for choir, brass quintet, organ, timpani and cymbals. This setting of the Gloria delivers a tapestry of melodic richness and rhythmic energy. A strong sense of architecture guides the listener through the three contrasting movements. Trotta?s work is a rare example of music that is both grounded in tradition and appealing to the modern listener. Exciting and inspiring! / Date parution : 2021-11-30/ Répertoire / Orchestre
'Aethelinda' is Welsh for dragon. This programmatic piece invokes the energy and...(+)
'Aethelinda' is Welsh for dragon. This programmatic piece invokes the energy and power of a great winged beast as it awakens from its slumber to wreak havoc on the countryside. Opening with a low string choir, the piece builds to a rousing allegro section and then a soaring fanfare. (6:00) / Orchestre
Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus”, a 'dramatic poem for soloist...(+)
Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus”, a 'dramatic poem for soloists, choir and orchestra” op. 48 was composed between June 1867 and March 1869 and is based on a text by Carl Andersen. A historical event during Alexander the Great's Indian campaign (326 AD) serves as the origin of the material: Alexander met Indian philosopher Kaljana, referred to as Kalanos in ancient sources. Gade had originally intended to unite the composition with 'Korsfarerne” (The Crusaders) (1866), and another work with Jewish-historical content in 'a type of trilogy”, however, he later abandoned his plan and 'Kalanus” remained in its singular form. The reception of the work was predominantly positive in regard to the music, while form and subject received a somewhat reserved response./ Répertoire / Orchestre
In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the ...(+)
In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang?, also known as 'Das Harmonische Zion? or 'Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. - Urtext edition based on 'Georg Philipp Telemann, Musical Works?- Cantata for the first day of Whitsun- Ideal for church services and concerts- An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) / Coeurs Et Orchestre
Score-Morton Gould's Venice for Double Orchestra and Brass Choir. Full score.Com...(+)
Score-Morton Gould's Venice for Double Orchestra and Brass Choir. Full score.Commissioned by Milton Katims for the Seattle Symphony Orchestra pursuant to a grant from the U.S. Office of Education Department of Health Education and Welfare under Title III of the Elementary and Secondary Education Act of 1965.First performance May 2 1967 by the Seattle and Spokane Symphony Orchestra under the direction of MiltonKatims in Kennedy Pavilion Gonzaga University Spokane Wash. assisted by the Gonzaga U. Brass Choir and Spokane Junior Symphony.
This may be the quintessential opening to any worship service. Using choir cong...(+)
This may be the quintessential opening to any worship service. Using choir congregation and orchestra to call the service to purpose this inspiring octavo will be performed again and again to encourage the faithful.Incorporating the beloved hymn “Come Christians Join to Sing ” your choir and congregation will resonate immediately with this towering anthem of praise.
Ad Cor for Double Choir and Orchestra was composed by Pelle Gudmundsen-Holmgreen...(+)
Ad Cor for Double Choir and Orchestra was composed by Pelle Gudmundsen-Holmgreen in 2015. Text by Ursula Andkjær Olsen (spoken text) and the Old Testament (sung text). This work was commissioned by The Crossing Chamber Choir and Donald Nally conductor with major support from The Pew Center for Arts & Heritage. First performance: Philadelphia Episcopal Cathedral (as part of 'Seven Responses') on April 24 2016. Instr.: 2x SSSAAATTTBBB chorus; 1.0+ca.1.1/1000/perc/hp.pf/str
Performed by the Indianapolis Children's Choir on their recent European tour th...(+)
Performed by the Indianapolis Children's Choir on their recent European tour these arrangements include optional English lyrics. Use the recorded pronunciation guide to help your choir learn the original Czech.Availableseparately: SATB 2-Part Treble ChoirTrax CD and IPak. Performance Time: Approx. 4:35.
Orchestration-Here is one of the most recorded octavos of all time. This beloved...(+)
Orchestration-Here is one of the most recorded octavos of all time. This beloved standard is now available with a brilliant orchestration by Brant Adams. Every choir needs to rediscover the timeless beauty of a modern carol that has become partof the Christmas vocabulary of millions around the world. A true classic brought to you by Shawnee Press! Available separately: SATB (opt. snare drums and finger cymbals); SSA (opt. snare drums and finger cymbals); TTBB (opt.snare drums and finger cymbals); SAB (opt. snare drums and finger cymbals); SA (opt. snare drums and finger cymbals); Brass and Timpani parts; Orchestration Score and Parts; StudioTrax CD.
This edition is faithful to Parry's original orchestration with the exception th...(+)
This edition is faithful to Parry's original orchestration with the exception that the Clarinets were in A and the Trumpet parts were originally written in F. Here Bb copies have been provided for both. The work may be played by orchestra alone or with the addition of a solo voice or a choir. We do not publish vocal or choral copies of this work but this orchestral edition is fully compatible with the original vocal and unison choral editions published by Roberton Publications and readily available.Duration: 2½ minutes Orchestration 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons4 Horns in F 2 Trumpets in Bb 3 Trombones TimpaniStrings (Violin 1 Violin 2 Viola Cello Bass)Voice or chorus (optional)
Orchestration/Conductor's Score-This refreshing cantata incorporates candlelight beloved carols and fresh new anthems into a rich musical tableau suitable for any size choir. Pamela Martin has provided a worshipful narration that traces the promise of theMessiah and then celebrates God's promise fulfilled in Jesus. Brant Adams provides his distinctive touch to the orchestrations and a full line of products support your group in the learning and performance of this engaging work.
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light a...(+)
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Orch CD-rom Printed Orchestration (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 2&3 Trombone 1&2 BassTrombone/Tuba Timpani Perc 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) iPrint Consort CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs Preview Pack RehearsalTrax CDs DigitalResource Kit. Duration: ca. 59:21 (full performance) ca. 48:37 (w/o opt. congregational anthems).
Above All features 12 powerful songs that are sure to find a place in any Palm S...(+)
Above All features 12 powerful songs that are sure to find a place in any Palm Sunday Easter or Communion service. This collection is ideal for choirs ensembles and student choirs and the songs can be performedindividually or in four mini-musicals leading up to Easter. As a finale the DVD Accompaniment Trax features powerful visuals for the last three songs. Titles include: O Wondrous Love The Glories of Calvary Lord of Life andLove Above All Behold the Lamb. For All You've Done O Mighty Cross I Will Glory in the Cross All the Earth Will Sing Your Praises God So Loved Saved the Day My Redeemer Lives. Orchestration includes score and parts forFlute Oboe Clarinet Trumpet 1 2 3 Horn Trombone 1 2 3 Percussion 1 2 Violin Viola Cello String Bass Rhythm (Piano/Guitar/Bass). Instrumentation varies. SATB Listening CD CD Accompaniment Trax (Split) DVDAccompaniment Trax Orchestration CD 10-Pack CD Preview Pack also available.
The always-creative Mark Hayes brings us a fresh new arrangement of a holiday fa...(+)
The always-creative Mark Hayes brings us a fresh new arrangement of a holiday favorite. Gesu Bambino is always eagerly anticipated as a solo but here it has been beautifully harmonized for SATB choir. Your accompanist getsa chance to really shine as well or you may choose the fabulous orchestration or accompaniment/performance CD. A sparkling addition to your Christmas program or worship service.
From the dynamic opening measures this holiday classic calls its listeners to j...(+)
From the dynamic opening measures this holiday classic calls its listeners to join in the magic of the yuletide. Mark Hayes has breathed new life into this old standard with an engaging jazz waltz feel lush choral harmonies creative countermelodies and a sparkling orchestration. Melodies are traded back and forth between men and women and there is a “vocal jazz” section that will make any ensemble show choir or chorus shine. Althoughthere are some divisi sections much of the arrangement features accessible unison and two-or three-part writing. The piano part is especially fun to play.