Les nombreux divertimenti pour cordes et vents de Haydn sont de la musique de ci...(+)
Les nombreux divertimenti pour cordes et vents de Haydn sont de la musique de circonstance d?humeur joyeuse. On connaît mal le contexte de leur composition. Cependant un grand nombre de ces divertimenti sont relativement précoces et datent de l?époque où Haydn se maintenait à flot en composant des ?uvres de commande. C?est d?ailleurs le cas du divertimento en sol majeur Hob. II:9 composé pour la formation inhabituelle comportant deux hautbois deux cors deux violons deux altos et basse continue. Il s?agit vraisemblablement d?une ?uvre de commande des années 1750. Sa vitalité débordante laisse déjà éclater le génie de Haydn.
Hob I:81-Haydn?s Symphony in G major Hob.I:81 comes from a series of three symph...(+)
Hob I:81-Haydn?s Symphony in G major Hob.I:81 comes from a series of three symphonies completed in late 1784 (nos. 81 80 and 79 presumably in that order). No autograph score survives for Hob.I:81 thus our Urtext edition is based on copyists? manuscripts and first editions. As with so many of his symphonies Haydn wrote this one to provide new music for his employer Prince Nicolaus Esterházy.Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiterhas now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104).- Based on the G. Henle Complete Edition of the Works of Joseph Haydn- Orchestral parts in a large format (25.5 x 32.5 cm)- Full score and parts (BA10983) available for sale
Symphony no. 2 D major op. 73-Lorsqu?il composa sa premi?re symphonie Brahms ?t...(+)
Symphony no. 2 D major op. 73-Lorsqu?il composa sa premi?re symphonie Brahms ?tait encore largement influenc? par l??uvre de Beethoven. Mais ce n??tait plus le cas pour la deuxi?me qui s?en d?marque tr?s nettement. Le principe de traitement des motifs ne se cantonne plus uniquement au d?veloppement mais s??tend ? tout le premier mouvement. Dans les mouvements suivants tout semble d?ailleurs aussi ?tre apparent?. La cr?ation de cette symphonie dans la salle du Musikverein de Vienne fut pour Brahms l?un des plus grands triomphes de son existence qu?il d?crivit avec enthousiaste: ?L?orchestre ici a r?p?t? et jou? avec passion et m?a f?licit? comme cela ne m?est encore jamais arriv?.? Gr?ce ? cette partitiond??tude les chefs d?orchestre ?tudiants et passionn?s de Brahms pourront appr?cier la partition tir?e de l??dition compl?te des ?uvres de Brahms (?galement parue chez G. Henle) en version urtext dans un petit format facile ? manier. Dans la pr?face l??diteur et sp?cialiste de Brahms Robert Pascall apporte des informations int?ressantes sur la gen?se et l?histoire de l??dition de cette ?uvre.
Couverture Rigide. Par GLUCK CHRISTOPH WILLIBALD. For his Paris 'Cythère assié...(+)
Couverture Rigide. Par GLUCK CHRISTOPH WILLIBALD. For his Paris 'Cythère assiégée?, Gluck drew on his eponymous opéra comique from 1759, transforming it into an opéra-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional work had progressed sufficiently for Gluck to leave behind a copy of the score as he departed from Paris. However, he was unable to supervise rehearsals or be present at the premiere (1 August 1775) or any of the subsequent 21 performances. Due to these particular circumstances, three versions of the work are to be distinguished: the original version, the performed version and the printed version.
This edition of 'Cythère assiégée? contains the original version of the main part and is printed here for the first time. The reconstruction which was necessary in order to determine the original form of this opera draws on all orchestral parts, the printed score and with regard to a large gap in Act III, pages were taken from the score copy. The four-part appendix includes the changes made to this score copy, sections that deviate from the printed score as well as the final version of Act III, also from the printed score. The last part of the appendix also presents a Divertissement in six movements by Berton, which is only available as a rare contemporary set of printed parts.
The Foreword offers detailed information regarding the work's genesis, subject matter, preparations for performance and print, premiere, reception, and this edition. Selected pages from significant musical sources, the libretto of the premiere performance, and images illuminating the performance context, have been added as facsimiles./ Répertoire / Conducteur
According to his dating of the autograph Haydn composed the Symphony no. 89 in ...(+)
According to his dating of the autograph Haydn composed the Symphony no. 89 in F major in 1787 just one year after the six so-called Paris symphonies. It was written together with its sister work the G-major Symphony no. 88 for the violinist Johann Tost who sold it to the Parisian publisher Sieber. In both works Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration richness of musical ideas and details and an idiosyncratic multicoloured use of the wind section (which still makes do without Clarinets). In contrast to the buoyant G-major symphony the F-major symphony possesses a ratherpastoral sweet character which in parts can nevertheless soar to dramatic heights. This study edition reproduces the musical text of the Haydn Complete Edition which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans both present and future.
With Critical Report. Par BARTOK BELA. The Béla Bartók Complete Critical Editi...(+)
With Critical Report. Par BARTOK BELA. The Béla Bartók Complete Critical Edition is a joint project of G. Henle Publishers, Munich and Edition Musica Budapest. The volume at hand was edited by Klára Móricz. By publishing Concerto for Orchestra the score for one of Bartók’s truly importantorchestra works is now available. The well readable introduction describes the genesis of this work that Bartók wrote during the last part of his life under special circumstances. The critical commentary contains documents the process of compositionin detail, and also transcriptions of the extensive sketches. / Móricz, Klára / Répertoire / Orchestre
Brahms s?acharna pendant des ann?es sur l??criture de sa premi?re symphonie. Son...(+)
Brahms s?acharna pendant des ann?es sur l??criture de sa premi?re symphonie. Son impuissance face ? l??uvre de Beethoven semblait le paralyser. ? ce propos il ?crivit d?ailleurs un jour ? son ami le chef d?orchestre Hermann Levi: ?Je ne composerai jamais de symphonie! Tu n?as aucune id?e de ce que cela peut avoir d?impressionnant pour nous d?entendre toujours un tel g?ant (Beethoven) marcher derri?re soi?. Brahms y parvint pourtant en octobre 1876 et sa premi?re symphonie donna lieu aussit?t aux premi?res ex?cutions ? couronn?es de succ?s ? ? Karlsruhe Mannheim Munich et Vienne. Cette ?uvre publi?e dans le cadre de notre nouvelle ?dition compl?te des ?uvres de Brahms faitl?objet ici d?une ?dition en format d??tude. Dans la pr?face ? cette ?dition urtext en petit format notre ?diteur et sp?cialiste de Brahms Robert Pascall apporte des informations int?ressantes sur la gen?se et l?histoire de l??dition de l??uvre.
In G Major-The performance material available up till now for Dvorák?s sun-fill...(+)
In G Major-The performance material available up till now for Dvorák?s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver?s copy which was actually discovered in a rubbish bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions were simply slips of the copyist?s pen.This new edition with score and orchestral parts in an enlarged format is accompanied bya detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlarged formatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages
In G Major-The performance material available up till now for Dvorák?s sun-fill...(+)
In G Major-The performance material available up till now for Dvorák?s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver?s copy which was actually discovered in a rubbish bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions were simply slips of the copyist?s pen.This new edition with score and orchestral parts in an enlarged format is accompanied bya detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlarged formatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages
G major-Mahler's Symphony No.4 In G Major was written at the turn of the century...(+)
G major-Mahler's Symphony No.4 In G Major was written at the turn of the century between 1899 and 1901. It is comprised of four movements for a small orchestra which last around one hour (The shortest of the symphonies composed by Mahler). This work features on the 2010 A Level Syllabus. First performed on November 25th 1901 in Munich and first recorded in May 1930 by the New Symphony Orchestra of Tokyo.
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
Op. 45 Nr. 2-Dvorák?s ?Slavonic Rhapsodies? Op.45 were composed in 1878 and iss...(+)
Op. 45 Nr. 2-Dvorák?s ?Slavonic Rhapsodies? Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.Now the ?Slavonic Rhapsodies? are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák?s authorised first edition as his principal source.A work that initiated Dvorák?s so-called ?Slavonic period?New Urtext edition incorporating every known sourceForeword (Eng/Cz/Ger) and Critical Commentary (Eng) bythe editorFull score & parts (BA10402) available for sale
Symphony No. 8 In G Major Op. 88. With its Bohemian echoes and thematic diversit...(+)
Symphony No. 8 In G Major Op. 88. With its Bohemian echoes and thematic diversity, Symphony No. 8 enjoys a special status among lovers of Antonín Dvorák's music.
For a long time, the performance material for this work has been notorious for its myriad mistakes. For his edition of Dvorák's 8th Symphony, editor Jonathan Del Mar was therefore faced with the task of making comprehensive corrections. He has taken into account the engraver?s copy, which was actually discovered in a trash bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist?s pen.
This study score edition is complemented by the full score and orchestral parts (BA10418).
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that ...(+)
This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....(+)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G BWV 1049.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....(+)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.3 In G Major BWV 1048. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....(+)
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G Major BWV 1049. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
