Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Heinemann, Ernst-Günter/ Répertoire / Piano et Orchestre

Harm. Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Heinemann, Ernst-Günter/ Répertoire / Piano et Orchestre

Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -

Pratiquer des études est une partie très importante de la formation de chaque étudiant en musique, apprenant, amateurs et professionnels. Ces accompagnements nouvellement arrangé pour orchestre d'études bien connues donnent lieu à des concertos pour piano miniature, transformant ainsi la pratique des études dans une expérience entièrement nouvelle et une source de plaisir, surtout pour les débutants. Les études de Czerny de notre volume ont été prises à partir de divers opus. / Piano Et Orchestre / 72 pages / niveau : Facile / Partition + Cd

For Pianoforte et Orchestra. Par BEETHOVEN LUDWIG VAN. With numerous corrections. Piano reduction with a separate solo Piano part. The autograph to Beethoven ’s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist’s manuscript of the score with Beethoven ’s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript. Though no new sources have been available for this new edition, numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected. Thus, this new Bärenreiter Urtext edition presents Beethoven ’s famous work in the clarity which it deserves./ Répertoire / Piano et Orchestre

Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Eisen, Cliff/ Répertoire / Piano et Orchestre

[Konzert für Klavier und Orchester Nr. 1 C-Dur Opus 15] / Classique / Editeur : Hans-Werner Küthen / Partition de poche / Broché / Edition Urtext