(16 Songs Arranged for Solo Guitar in Standard Notation and Tab). By Various. Gu...(+)
(16 Songs Arranged for
Solo Guitar in Standard
Notation and Tab). By
Various. Guitar Solo.
Softcover. Guitar
tablature. 72 pages.
Published by Hal Leonard
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Itsuki Lullaby Chorale 3 parties 3 parties aigues Hal Leonard
Choral (3 Part Treble choir) SKU: HL.153263 (Japanese Lullaby). Ar...(+)
Choral (3 Part Treble
choir)
SKU:
HL.153263
(Japanese
Lullaby). Arranged by
Sheila Feay-Shaw. Henry
Leck Creating Artistry.
Concert, Festival,
Japanese. Octavo. 12
pages. Published by Hal
Leonard (HL.153263).
UPC: 888680095666.
6.75x10.5
inches.
This
Japanese lullaby is a
traditional song sung by
girls far away from home
as they worked as nannies
in upper class
households. The gentle
sounds of flute and wind
chimes support the
plaintive quality of the
melody, presented in
canon and simple
harmonization over the
arpeggios in the piano or
optional marimba
accompaniment.
15 Gentle Arrangements by Phillip Keveren. Composed by Various. Arranged by Ph...(+)
15 Gentle Arrangements by
Phillip Keveren. Composed
by
Various. Arranged by
Phillip
Keveren. Piano Solo
Songbook.
Children, Lullaby.
Softcover.
40 pages. Published by
Hal
Leonard
Score Only Concert Band (Score) - Grade 2 SKU: HL.4005148 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4005148
Composed
by Richard L. Saucedo.
MusicWorks Grade 2.
Latinx. Softcover. 12
pages. Published by Hal
Leonard (HL.4005148).
UPC: 888680694937.
9.0x12.0x0.045
inches.
Recognizing
the need for well-paced
lyric pieces for young
players, Richard Saucedo
gives us The Lullaby in
the Mirror. This
heartfelt and touching
work features a mournful
melody that winds its way
through a variety of
moods, and will stay in
your memory long after
the music has ended.
Simply beautiful! Dur:
3:10.
SATB a cappella (Baritone Solo) Choral (BARITONE VOICE / SATB) Arranged by Phi...(+)
SATB a cappella (Baritone
Solo) Choral (BARITONE
VOICE /
SATB)
Arranged by Philip
Lawson.
Choral. A Cappella,
Concert,
Festival, Hebrew, Jewish,
Lullaby. Octavo. 16
pages.
Duration 270 seconds.
Published by Hal Leonard
Lullaby (Op. 57, No. 2) was first composed in 1908 for Voic...(+)
Lullaby (Op. 57, No. 2) was
first composed in 1908
for Voice and Piano, with
lyrics by Christina
Rosssetti. It was
transcribed for Cello or
Violin and Piano by the
famous cellist
Charles Warwick
Evans (1885-1974) in
1918
SSA Choral (SSA/CELLO) SKU: HL.1328270 Arranged by Susan Brumfield. Chora...(+)
SSA Choral (SSA/CELLO)
SKU: HL.1328270
Arranged by Susan
Brumfield. Choral
Exploration. Octavo. 16
pages. Duration 265
seconds. Published by Hal
Leonard (HL.1328270).
UPC: 196288183624.
6.75x10.5x0.036
inches.
Julie
Last's gentle Celtic
ballad “A Nightingale's
Lullaby” takes on new
life in a delicately
lovely SSA arrangement by
Susan Brumfield. A treat
for the ears, with
fanciful yet meaningful
lyrics set to a lilting
melody. Beautifully
simple harmonies combine
with a sensitive piano
accompaniment and lyrical
cello part to cast a
peaceful spell.
Clarinet and Piano SKU: HL.14018819 Composed by Nicola LeFanu. Music Sale...(+)
Clarinet and Piano
SKU: HL.14018819
Composed by Nicola
LeFanu. Music Sales
America. Classical. Book
[Softcover]. Music Sales
#NOV361053. Published by
Music Sales
(HL.14018819).
ISBN
9780853609827.
Comm
issioned by The Muhlfeld
Trio in 1988, Lullaby is
one of a pair of pieces
by Lefanu based around
twilight and night. The
piece features six
miniatures, illustrating
a mother's experiences
watching her child
drifting into slumber.
The miniatures are
performed without breaks,
as one continuous piece,
with fluctuations,
surprises and long
stretches of blissful
chords and undulating
textures. The clarinet
part is also included on
a separate insert. The
second piece of the pair,
Nocturne for Cello and
Piano, is available: item
code NOV361054.
Piano, Voix et Guitare [Feuillet] - Intermédiaire Hal Leonard
Performed by Billy Joel. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Billy Joel.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Soft rock
and pop rock. G Major. 5
pages. 9x12 inches.
Published by Hal Leonard
By Billy Joel. By Billy Joel. Arranged by Philip Lawson. King's Singers Choral...(+)
By Billy Joel. By Billy
Joel.
Arranged by Philip
Lawson.
King's Singers Choral. A
Cappella, Pop. Octavo.
Duration 210 seconds.
Published by Hal Leonard
Performed by Billy Joel, arranged by Kirby Shaw. Octavo for TTBB choir (a cappel...(+)
Performed by Billy Joel,
arranged by Kirby Shaw.
Octavo for TTBB choir (a
cappella). G Major.
Series: Hal Leonard
Choral. 8 pages.
Published by Hal Leonard.
Performed by Billy Joel, arranged by Phillip Lawson. Octavo for SATTBB choir (A ...(+)
Performed by Billy Joel,
arranged by Phillip
Lawson. Octavo for SATTBB
choir (A Cappella). With
piano rehearsal part. G
Major. Series: Hal
Leonard King's Singer's
Choral. 8 pages.
Published by Hal Leonard.
Composed by Billy Joel. Edited by Anne Raugh. Arranged by Deke Sharon. For Chora...(+)
Composed by Billy Joel.
Edited by Anne Raugh.
Arranged by Deke Sharon.
For Choral (SSAA A
Cappella). Choral.
Octavo. Published by
Contemporary A Cappella
Publishing