Etude De Concert N°2 Transcription Pour Piano À 4 Mains. Par CHAMINADE CECILE. / Répertoire / Piano 4 Mains

2 Pianos 4 Hands-Three Piano Concertos by Russian Composer Sergei Rachmaninoff for 2 Pianos 4 Hands.

Written in 1785 during one of the most amazingly productive and creatively brilliant periods in the composer's life here are three of Mozart's best piano concertos in authoritative two-piano playing editions. Each of the works is of very different character from the intensity and passion of No. 20 to the grace and maturity of No. 22.Reprint of the G. Schirmer Inc. New York 1901 editions.

First Concert Duets is an exciting book containing jazzy piano duet arrangements of popular tunes by Mike Cornick for teacher and pupil.

Huit chefs-d\''uvre classiques arrangés pour un piano à quatre mains ! La collaboration musicale commence souvent par des duos entre le professeur et l\'élève, mais ces duos à parts égales conviennent à tous les pianistes avancés, jeunes et vieux ! Titres : Canon en ré (Pachelbel) - Duo des fleurs (Delibes) - Jesu, Joy of Man\'s Desiring (Bach) - O mio babbino caro (Puccini) - Trio avec piano en sol mineur (C. Schumann) - Symphonie concertante n° 1 (Saint-Georges) - Vocalise (Rachmaninoff) - Ouverture de Guillaume Tell (Rossini). / Partitions classique / Piano - instruments à clavier / Piano / THE WILLIS MUSIC COMPANY

Jean-François Tapray (1738-1819), né à Nomeny en Lorraine, fit une bonne partie de sa carrière à Dole puis Besançon avant de servir à Paris où on le signale comme organiste à la chapelle de l'Ecole royale militaire peu avant la Révolution. Il meurt à Fontainebleau vers 1819. Cette sonate à quatre mains, qui date probablement de 1800, est un véritable chef-d'oeuvre très inspiré par l'école viennoise de ce temps. Elle fait grand effet au concert et a l'immense mérite de donner à jouer, de manière très équilibrée, aux deux instrumentistes. Elle nécessite une bonne technique, notamment dans le superbe 3e mouvement de forme rondo-sonate. / Piano 4 Mains Et Plus

This collection features a wide selection of original works from the Renaissance, Baroque and Modern eras arranged for piano 4-hands. Focusing on easy repertoire, Duets for Fun will provide hours of enjoyment for aspiring musicians wishing to discover new material as well as develop their playing.This collection is ideal for use as teaching material, or for playing at home or in a concert with a friend. / Piano 4 Mains

Par TCHAIKOVSKI PIOTR ILITCH. The Nutcracker Suite is a piano arrangement of the concert version of the ballet of that name. Tchaikovsky used only part of the music for the ballet in the suite. The Overture, and the March which is the most important of the characteristic dances in the Suite, come from the first act of the ballet. The remaining dances originate from the second act. They are: The Dance of the Sugar Plum Fairy, in which the leading part is, in the original composition, played typically by the celeste almost all the way through; the fiery Russian 'Trepak' which reminds us of Tchaikovsky's national origins; the Arab Dance tinged with a gentle melancholy; the Chinese Dance with its tripping ostinato rhythm; the graceful Dance of the Reed Flutes; and finally the longest piece in the Suite: the Waltz of the Flowers in which Tchaikovsky, writing in the penultimate year of his life, showed his musical affinity with Johann Strauss. The Nutcracker Suite was perfomed for the first time, with great success, on 7 March 1892 at the Ninth Symphony Concert of the Russian Musical Society in St Petersburg./ Répertoire / Piano 4 Mains

It was the ?Slavonic Dances for Piano Duet? op. 46 which brought Antonín Dvorák unexpected international fame. An unerring business instinct led Fritz Simrock, at the beginning of 1878, to ask the Czech composer for some works for piano duet into which Dvorák incorporated musical themes from where he grew up. Following in the footsteps of Brahms?s ?Hungarian Dances?, Dvorák refrained from a literal portrayal of individual kinds of dance. As a result, he created unique masterpieces of European music for domestic use and concert performance.'
'
This edition of both series of the ?Slavonic Dances? is based on the ?Complete Edition of the Works of Antonín Dvorák?. The main sources are the first editions published by Simrock.'
'
- Separate editions of these works based on the ?Complete Edition of Antonín Dvorák's Works?, vol. V/5'
- New forewords (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Ivana Rentsch'
- Newly engraved in score format / [Danses Slaves pour Piano 4 Mains Opus 72] / Classique / Partition /

Everybody knows it, and for many a player it was perhaps the first tentative attempt to coax sounds out of the piano: Chopsticks. The origin of this popular piano piece, like that of most folksongs, cannot be ultimately settled today. Legend has it that it was written by Ferdinand Loh and that the designation of the work 'F. Loh: Walzer' eventually turned into 'Flohwalzer'.But no matter who actually wrote the waltz: It is, without doubt, one of the most famous piano pieces and known all over the world. In France, it is called 'Côtelettes' [Chops], in Great Britain 'Chopsticks', and in Mexico 'Los Changuitos' (Little Monkeys). Technically speaking, however, it is not even a waltz. It is composed in 2/4 time and, with regard to style, rather is a polka or a galop.Eric Mayr transcribed the 16-bar original into a concert version for piano duet. / Piano 4 Mains

It was the ?Slavonic Dances for Piano Duet? op. 46 which brought Antonín Dvorák unexpected international fame. An unerring business instinct led Fritz Simrock, at the beginning of 1878, to ask the Czech composer for some works for piano duet into which Dvorák incorporated musical themes from where he grew up. Following in the footsteps of Brahms?s ?Hungarian Dances?, Dvorák refrained from a literal portrayal of individual kinds of dance. As a result, he created unique masterpieces of European music for domestic use and concert performance.'
'
This edition of both series of the ?Slavonic Dances? is based on the ?Complete Edition of the Works of Antonín Dvorák?. The main sources are the first editions published by Simrock.'
'
- Separate editions of these works based on the ?Complete Edition of Antonín Dvorák's Works?, vol. V/5'
- New forewords (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Ivana Rentsch'
- Newly engraved in score format / [Dances Slaves pour Piano 4 Mains Opus 46] / Classique / Partition /

Pantomimes, pour piano à 4 mains et dispositif électronique stéréo, est pensé comme un rêve, une déambulation, un parcours initiatique se déroulant entre le moment où l'enfant doit aller dormir et celui où il se réveille. Ces rêves nocturnes, peuplés de personnages divers, fantastiques, grotesques, poétiques, ont une évolution constante, le faisant passer par des pays tantôt merveilleux, tantôt e'rayants, et des états allant de l'apaisement à la passion, de la joie à la peur. Puis lorsque la danse devient furie, vient le moment de revenir à la réalité. L'oeuvre se présente comme une suite de tableaux pensée selon une progression pédagogique, abordable dès la 'n du premier cycle de piano (environ la quatrième année selon les normes usuelles en conservatoire) jusqu'aux niveaux préprofessionnels :La Pantomime n'est pas seulement une évocation musicale, elle est aussi perceptible dans la mise en scène et les modes de jeux demandés aux interprètes, puisque chaque tableau demande à l'un ou l'autre, parfois aux deux, des utilisations non conventionnelles de l'instrument (autres que le jeu sur le clavier). Ainsi transformés en marionnettes, les pianistes investissent alors un matériau sonore total et pourtant uniquement dédié au piano (sans préparation ni autres arti'ces), créant un univers repris et développé par la partie électronique avec laquelle ils dialoguent.Tous les fichiers électroniques nécessaires sont disponibles en téléchargement via notre site www.edu.billaudot.com (versions avec clic pour le travail, en plusieurs vitesses, en quadriphonie pour un concert, player'). Ces fichiers sont à déclencher très précisément lorsque le symbole correspondant apparaît dans la partition. / Piano / Billaudot

This volume is an ideal supplement to The Classical Piano Method: Method Book 3 (ED 13563) - contains easy to intermediate repertoire, suitable for pianists who have completed Method Book 2 of the series, or for those returning to the instrument after a break - includes a selection of 23 beautiful classical duets and arrangements of well-known classical pieces, with straightforward accompaniments ideal for a teacher or friend - comes with a CD recording of all pieces played by professional concert pianists on a grand piano, providing model performances to hel you learn - offers full demonstration tracks on the CD, as well as the accompaniments alone, for play-along purposes - presents pieces in a progressively graded format, providing you with relevant repertoire as your playing develops / Piano 4 Mains

Rhapsody in Blue catapulté George Gershwin dans une carrière de renommée mondiale. Elle a le jazz dans la salle de concert l'aide d'un langage musical qui était fraîche, spontanée, et uniquement américain. Cette édition est basée sur la version 2-piano, d'abord publié en 1924 par Warner Brothers Music Corporation. Pédale de rédaction et les doigtés sont inclus. 48 pages. / Piano 4 Mains Et Plus