Réglage anglaise du Psaume 127 pour SSATB a cappella. Commandée par le marquis et la marquise de Salisbury pour marquer le 400e anniversaire de Hatfield House. Première représentation le 11 Septembre il ya 2011 par The Sixteen, dirigé par Harry Christophers. / Choeur Mixte (SATB)

Paramètre de James Biery du texte traditionnel XIIIe siècle Ave Maria alterne entre mouvement ondulant et simplicité homophonique tout en vol stationnaire autour d'une pédale-point g. Chacune des deux sections principales de la chanson de dévotion dévoile ces deux idées contrastées. / Choeur Mixte (SATB) A Cappella

Cinq mouvements pour choeur mixte de travail a cappella avec divisi mutiple et semi-refrain.Un réglage d'un poème de Michael Roberts Symmons (en anglais) avec le texte latin de la messe et une rime en anglais traditionnels. Co-commandé en 2006 par l'Ensemble Vocal Contemporain Université de l'Indiana, ZaterdagMatinee, le Three Choirs Festival et Soundstreams Canada.Enregistrement: BIS SACD 1719, par Pays-Bas Radio Choir, dirigé par Celso Antunes.'La musique elle-même a été une révélation: un mélange hypnotique d'éléments traditionnels et contemporains ... un vaste chorale de chants et de chuchoter, de crier et de parler, de siffler et de contrôler les lignes disparates afin qu'elles merveilleusement fusionnées ... Le co-créateur de Sun-Chiens était poète britannique Michael Roberts qui Symmons adresses symboliques et mythiques de théologie. Les chiens, les mendiants, les soleils et les étoiles se transforment en métaphores ... Le tout réglé sur les oreilles, comme par magie ... 'Indiana Herald-Times.Convient pour les chorales de pointe standard. / Choeur Mixte (SATB) A Cappella / 48 pages / niveau : Difficile / Partition

Pièce d'hommage anniversaire la première fois en 2006 dans un restaurant de Glasgow par un quatuor d'étudiants de la Royal Scottish Academy of Music and Drama. Le texte est l'éloge bien connu ' À rire souvent et beaucoup - À gagner le respect des gens intelligents... ', un poème de Bessie Stanley mais souvent attribuée à tort à Ralph Waldo Emerson. Convient pour les artistes interprètes ou exécutants standards intermédiaires. / Choeur Mixte (SATB) A Cappella

Les Motets de Strathclyde sont motets de communion définissant propres de la masse pour divers dimanches et fêtes. Adapté pour les chorales standards intermédiaires. Le Cantique de Zachariah prend chapitre Luke comme son texte : versets 68-79, qui est habituellement parlé dans le cadre de Laudes ou Matins. / Choeur Mixte A Cappella

Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue

Par MACMILLAN JAMES. A setting of passages from the Book of Revelation, with particular reference to the angels who appear with seven trumpet blasts, heralding a series of apocalyptic scenes. Commissioned by Jeffrey Skidmore, director of Ex Cathedra, and first performed by them at Birmingham Town Hall in 2015. The composer states, ?There is a vividness and strangeness in these dramatic texts, which are endlessly fascinating and disturbing. The instruments used here are based on the various instrumental types mentioned throughout scripture ? trumpets, harp, bells, cymbals, tabor, rebec.? These are scored for mostly in their modern forms, but shofars (Jewish ritual temple trumpets) and early trumpets are also used. The choral writing shows a similar contrast between traditional and contemporary scoring, with polyphony and homophony alongside extended vocal techniques, including Sprechstimme. Leading choral director Paul Spicer comments, ?This is an extremely dramatic work which draws the listener into the apocalyptic story line ? The ending is cataclysmic.? / Niveau : Difficile / Date parution : 2022-11-08/ Répertoire / Choeur SATB et Piano

Salvator Mundi: Grand Amour a été commandée par le Festival de Swansea et créée par Côrdydd, menée par James Sioned à l'église Sainte-Marie, le 9 Octobre Chepstow 2011. Il combine deux textes sacrés: la prière latine, des Salvator Mundi '(Sauveur du monde) et les versets de l'Evangile de saint Jean (15:12

Were You There? was expertly composed by James Whitbourn for SATB Chorus and Organ. The piece was written for Stephen Cleobury and the Choir of King's College, Cambridge.British composer and conductor James Whitbourn had an international reputation as a composer from the start of his career as a Programme maker at the BBC- during his time there he produced many award-wining programmes and developed a style that gave him a direct connection with an audience.This well accomplished composer has received many awards for his work including, among others, two Grammy nominations and a Royal Television Society Award. / Choeur Mixte (SATB) Et Orgue

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

Combining the 'Ubi Caritas? text with two dramatically different 'Holy Thursday? texts of the same name by William Blake, James Lavino has created a work for SATB divisi choir, SATB semi-chorus and organ that is both thrilling and thought provoking. Chosen by Philip Brunelle for the Cathedral series and performed by his world renowned 'Vocal Essence? choir, this work requires both advanced singers and conductor but produces a powerful emotional impact. / Choeur Mixte (SATB) Et Piano

Le paramètre de prière de Padre Pio est après la Communion. Il a été commandé par la Fondation de la Genèse et première réalisée par The Sixteen, menée par Harry Christophers, en juin 2008 à la cathédrale de Westminster, Londres et enregistré sous le label CORO. Padre Pio (1887-1968), de son vivant un homme controversé et Saint, a été canonisée St. Pie de Pietrelcina en 2002. Il est connu officieusement comme ' le saint patron de soulagement du stress ', en accord avec son fameux dictum, ' Prier, espère et ne vous inquiétez pas. ' Un paramètre puissant par James MacMillan de sa propre version anglaise du texte du Pio d'origine italienne, le travail est adapté à l'utilisation de service et de concert. Des interprètes standards intermédiaires à avancé. / Choeur Mixte (SATB) Et Orgue

Cette masse a été commandé pour la gloire de Dieu dans l'année du millénaire du Jubilé, et a d'abord été effectuée sur la fête du Corpus Domini par la chorale de la cathédrale de Westminster, à Londres, avec Andrew Reid (orgue), réalisé par Martin Baker.Le réglage a été adapté à la nouvelle traduction anglaise en 2012. La première représentation de cette version a été donnée lors de la fête de Corpus Christi 2013 par le Choeur de la cathédrale de Westminster, avec Peter Stevens (orgue), réalisé par Martin Baker. / Choeur Mixte (SATB) Et Orgue

Une définition de la création par James Weldon Johnson (1871-1938) provenant de sa collection de sermons poétiques, and ldquo - Dieu Trombones, and rdquo - ce travail s'inscrit dans le style du poème, circulant librement dans le changement d'humeur du texte. / Choeur Mixte (SATB) Et Piano