SATB choir, assembly, piano accompaniment, horn in F, violin 1, violin 2, viola,...(+)
SATB choir, assembly,
piano accompaniment, horn
in F, violin 1, violin 2,
viola, cello
SKU:
GI.G-7242INST
Composed by Tony Alonso
S.J. Arranged by Chris De
Silva. Chamber Music.
Sacred. Full score and
parts. 16 pages. GIA
Publications #7242INST.
Published by GIA
Publications
(GI.G-7242INST).
UPC:
785147724292. English.
Text Source: Inspired by
Psalm 133. Text by Tony
Alonso.
Composed by Buddy Greene. Arranged by Jack Schrader. For medium and high voice d...(+)
Composed by Buddy Greene.
Arranged by Jack
Schrader. For medium and
high voice duet (key of D
Minor). Hope's All-Time
Best Sellers series.
Christmas, Devotion,
Contemporary,
Contemporary Gospel.
Vocal score. 12 pages.
Published by Hope
Publishing Company
Mixed choir (SATB), flute, oboe, violin and viola (2. violin) (CHP) - very easy ...(+)
Mixed choir (SATB),
flute, oboe, violin and
viola (2. violin) (CHP) -
very easy
SKU:
HL.49031384
Composed
by LANG. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Choral Score. Op. 46. 7
pages. Duration 16'.
Schott Music #ED 4037-01.
Published by Schott Music
(HL.49031384).
Mixed choir (SATB), flute, oboe, violin and viola (2. violin) (FL) - very easy <...(+)
Mixed choir (SATB),
flute, oboe, violin and
viola (2. violin) (FL) -
very easy
SKU:
HL.49031385
Composed
by LANG. Sheet music.
Edition Schott.
Individual part. Op. 46.
3 pages. Duration 16'.
Schott Music #ED 4037-11.
Published by Schott Music
(HL.49031385).
Mixed choir (SATB), flute, oboe, violin and viola (2. violin) (V) - very easy (+)
Mixed choir (SATB),
flute, oboe, violin and
viola (2. violin) (V) -
very easy
SKU:
HL.49031387
Composed
by LANG. Sheet music.
Edition Schott.
Individual part. Op. 46.
4 pages. Duration 16'.
Schott Music #ED 4037-13.
Published by Schott Music
(HL.49031387).
Mixed choir (SATB), flute, oboe, violin and viola (2. violin) (Score) - very eas...(+)
Mixed choir (SATB),
flute, oboe, violin and
viola (2. violin) (Score)
- very easy
SKU:
HL.49004596
Composed
by Hans Lang. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score. Op. 46.
16 pages. Duration 16'.
Schott Music #ED 4037.
Published by Schott Music
(HL.49004596).
Mixed choir (SATB), flute, oboe, violin and viola (2. violin) (VA) - very easy <...(+)
Mixed choir (SATB),
flute, oboe, violin and
viola (2. violin) (VA) -
very easy
SKU:
HL.49031388
Composed
by LANG. Sheet music.
Edition Schott.
Individual part. Op. 46.
4 pages. Duration 16'.
Schott Music #ED 4037-14.
Published by Schott Music
(HL.49031388).
By Tony Alonso. Arranged by Chris De Silva. For SATB choir, cantor, keyboard acc...(+)
By Tony Alonso. Arranged
by Chris De Silva. For
SATB choir, cantor,
keyboard accompaniment,
violin I, violin II,
viola, cello. Easter.
Celebration Series.
Includes guitar chord
names. Sacred.
Easy/Medium. Text
language: English. 16
pages. Published by GIA
Mixed choir (SATB), flute, oboe, violin and viola (2. violin) (OB) - very easy <...(+)
Mixed choir (SATB),
flute, oboe, violin and
viola (2. violin) (OB) -
very easy
SKU:
HL.49031386
Composed
by LANG. Sheet music.
Edition Schott.
Individual part. Op. 46.
2 pages. Duration 16'.
Schott Music #ED 4037-12.
Published by Schott Music
(HL.49031386).
Composed
by Nicolaus Bruhns.
Complete orchestral
parts. Sacred vocal
music, Cantatas,
Mourning, death. Set of
Orchestra Parts. Carus
Verlag #CV 10.045/19.
Published by Carus Verlag
(CA.1004519).
ISBN
9790007140953. Language:
German.
Score and
parts available
separately - see item
CA.1004500.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. 1x
31.174/21 violin/oboe 1,
1x 31.174/22 violin/oboe
2, 1x 31.174/23 taille,
2x 31.174/31 horns 1 and
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/09. Published by
Carus Verlag
(CA.3117409).
ISBN
9790007209636. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 2.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin Solo 2. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/12. Published by
Carus Verlag
(CA.3117412).
ISBN
9790007209650. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 1.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin Solo 1. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/11. Published by
Carus Verlag
(CA.3117411).
ISBN
9790007209643. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin solo 2.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Violin solo 3. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/13. Published by
Carus Verlag
(CA.3117413).
ISBN
9790007209667. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
By Nicolaus Bruhns (1665-1697). For SATB Choir, Bassoon, 2 Violins, 2 Violas, Ba...(+)
By Nicolaus Bruhns
(1665-1697). For SATB
Choir, Bassoon, 2
Violins, 2 Violas, Basso
continuo. This edition:
Paperbound. German title:
Die Zeit meines Abschieds
ist vorhanden. Cantatas
Mourning, death. Full
score. Language: German.
20 pages. Published by C
full score Cantatas
Mourning, death
By Luigi Cherubini (1760-1842). Edited by Wolfgang Hochstein. For SATB Choir, 2 ...(+)
By Luigi Cherubini
(1760-1842). Edited by
Wolfgang Hochstein. For
SATB Choir, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 3
Trombones, Timpani,
Tamtam, 2 Violins, 2
Violas, Cello,
Contrabass. Full score
available separately -
see item CA.4008600.
Genres: Requiem; Use /
Occasion: Mourning,
Death. Study score.
Language: Latin. 184
pages. Duration 50 min.
Published by Carus Verlag
Composed
by Nicolaus Bruhns.
German title: Die Zeit
meines Abschieds. Sacred
vocal music, Cantatas,
Mourning, death. Single
Part, basso continuo. 4
pages. Carus Verlag #CV
10.045/15. Published by
Carus Verlag
(CA.1004515).
By Johann Michael Bach. Edited by Bergmann, Hans. For Soli SATB, Bassoon, 2 Viol...(+)
By Johann Michael Bach.
Edited by Bergmann, Hans.
For Soli SATB, Bassoon, 2
Violins, 3 Viola, Basso
continuo. This edition:
paperbound. Easter and
Eastertide. Score.
Language: German/English.
32 pages. Duration 5 min
(Marienantiphon). By Wolfgang Amadeus Mozart (1756-1791). Edited by Christine Ma...(+)
(Marienantiphon). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Christine Martin.
Arranged by Paul Horn.
For Solo Soprano, SATB
Choir, 2 Flutes, 2 Oboes,
2 Horns, 2 Violins, 2
Violas,
Cello/Bassoon/Contrabass,
Organ. This edition:
paperbound. KV 127.
Stuttgart Urtext
editions; Occasions:
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary, Daily hours; Use
during chuch year: Easter
and Eastertide. Level 3.
Score. Language: Latin.
48 pages. Duration 17 min
By Liam Lawton. Arranged by John Mccann. For Voices: SATB, solo, assembly. Instr...(+)
By Liam Lawton. Arranged
by John Mccann. For
Voices: SATB, solo,
assembly. Instruments:
Oboe, string quartet (2
violins, viola, cello)
(instruments optional).
Keyboard accompaniment.
Celebration Series
Sacred. Level: easy. 10
pages. Published by GIA
Publications.
(The Groovy Version of OX). By Christoph Schonherr. Edited by Klaus Konrad Weige...(+)
(The Groovy Version of
OX). By Christoph
Schonherr. Edited by
Klaus Konrad Weigele. For
Solo, SATB Choir, 2
Trumpet/Flugelhorn,
Sax/Flute, 2 Violin,
Viola, Cello, Pianoforte
(Keyboard), Electric Bass
(Contrabass), Percussion.
Magnificats, Advent,
Christmas. Choral score.
Language: Latin. Composed
2004/2005. 28 pages.
Duration 40 min.
Published by Carus Verlag
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 1.
Composed 1729. BWV 156. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.156/11. Published by
Carus Verlag
(CA.3115611).
ISBN
9790007208776. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 2.
Composed 1729. BWV 156. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.156/12. Published by
Carus Verlag
(CA.3115612).
ISBN
9790007208783. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
SATB Choir, Organ & Viola (or violin/cello) SKU: SU.80101179 For SATB ...(+)
SATB Choir, Organ & Viola
(or violin/cello)
SKU:
SU.80101179
For
SATB Choir, Organ & Viola
(or violin/cello).
Composed by Frederick
Frahm. Vocal/Choral,
Sacred Choral. Choral
Octavo. Zimbel Press
#80101179. Published by
Zimbel Press
(SU.80101179).
This work is a
setting of Psalm 80
(Restore Us, O God) as
paraphrased in 1673 by
John Milton. The text is
used frequently in the
season of Advent (on the
First Sunday), or would
also be appropriate for
Good Shepherd Sunday in
the Season of Easter. The
majestic work was
commissioned for
performance on a day when
new tapestries and
paraments were dedicated
for use in a parish and
the music is knit
together with a
commanding viola part
(with alternates for
violin or cello). The
instrumental part is
available as a free PDF
download from the Zimbel
website
(http://www.zimbel.com/).
20 pages Published by:
Zimbel Press
Minimum order quantity: 8
copies. Perusal copies
are available by
contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). To order
quantities fewer than 8,
please write to
sales@subitomusic.com.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola solo 1-3.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
Viola solo 1-3. Composed
1729. BWV 174. 16 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/14. Published by
Carus Verlag
(CA.3117414).
ISBN
9790007209674. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Single Part,
Viola. Composed 1729. BWV
174. 4 pages. Duration 23
minutes. Carus Verlag #CV
31.174/16. Published by
Carus Verlag
(CA.3117416).
ISBN
9790007209698. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Set of Orchestra
Parts. Composed 1729. BWV
174. Duration 23 minutes.
Carus Verlag #CV
31.174/19. Published by
Carus Verlag
(CA.3117419).
ISBN
9790007187248. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3117400.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun, Praise and
thanks. Single Part,
Organ. Composed 1729. BWV
174. 16 pages. Duration
23 minutes. Carus Verlag
#CV 31.174/49. Published
by Carus Verlag
(CA.3117449).
ISBN
9790007209711. Language:
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
