Par PROUST PASCAL. Une courte histoire, une petite danse... tels qu'on les vivait jadis dans nos villages. Pour un petit concert ou pour les examens de début de 1er cycle des jeunes instrumentistes. - Pascal PROUST - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Flûte Traversière 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 10 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Facile / Répertoire / Flûte Traversière et Piano

Two charming sight-reading pieces for Flute and Piano written for the examinations at the Paris Conservatoire by Paul Taffanel. Composed between 1883 and 1884 and once thought to be lost these were re-discovered in the Conservatoire library and reworked by the Taffanel scholar and BBC Proms producer Edward Blakeman. Part of the French Flute Encores Series and suitable for Grades 6 - 7.

Par CONNESSON GUILLAUME. Vingt ans après ma première sonate pour flûte et piano Le rire de Saraï, cette deuxième sonate n'est pas sous-tendue cette fois par une narration, son sujet est simplement le plaisir de chanter. Elle se présente en quatre mouvements contrastés, Modéré ? Vif ? Lent ? Très Vif et Joyeux. Le premier mouvement, calme et lyrique, est de forme ternaire. Une douce mélodie se développe en arche et mène à un pont sur la tête du thème. Une deuxième idée commence, haletante, portée par un crescendo passionné. La mélodie du début revient ensuite dans une couleur plus claire, soutenue par de doux carillons au piano. Le deuxième mouvement, le plus développé de la sonate, est très rapide et d'esprit scherzo. Bâti en cinq sections, il commence par le motif principal du mouvement à la flûte, tout en vitesse et légèreté. Le deuxième thème, autoritaire et vertical, est donné par le piano. Une deuxième section, plus lente, rappelle l'esprit du premier mouvement. Puis la course folle reprend alors en combinant les deux premiers motifs. La quatrième section retrouve le calme lyrisme de la deuxième, un instant de suspension du temps avant le retour du vertige de la vitesse qui s'évapore de manière inattendue. Le troisième mouvement, d'un seul tenant, lent et hiératique, est une déploration funèbre qui oppose le minéral du piano au mélismatique douloureux de la flûte, devenue une sorte de aulos grecque. Le cortège passe devant nous, empli de cris douloureux et de sanglots, puis se fond dans la nuit. Enfin, le Final expose au piano un thème d'accords, qui servira de refrain varié, puis la flûte bondit avec deux motifs rythmiques très joyeux. Commence alors une récapitulation de tous les thèmes de la sonate, entrecoupés du thème d'accords. À la fin, un nouveau thème au lyrisme exultant apparaît. Il sera suivi par une coda endiablée sur le thème de refrain devenu frénétique. / Date parution : 2023-07-31/ Répertoire / Flûte Traversière et Piano

A fun collection of Christmas solos and duets-Christmas Flute Basics is a collection of fun and festive flute repertoire. Leap through the twelve days of Christmas in twelve stages including Christmas-themed improvisations warm-ups and studies and your favourite Christmas tunes with piano accompaniment or as duets for 2 flutes or flute and clarinet. Each stage wraps together musical and technical elements to help focus your festive playing.

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment. Level: Beginner The First Book of Classical Flute offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second flute part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Attractive pieces arranged by the great flautist Paul Taffanel from the orchestral Suite Algerienne by Saint-Saens a friend and colleague of Taffanel. French Flute Encores Series. Edited by Edward Blakeman to suit flautists of all ages. Grades 5-6.

36 Repertoire Pieces with piano accompaniment-Solos For Flute: 36 Repertoire Pieces With Piano Accompaniment is a collection of fantastic Flute pieces and arrangements with Piano Accompaniment compiled and edited by David Peck.These will provide an enjoyable challenge for the advancing flautist.The solo Flute part is also included on a separate insert.

Reduction for flute and piano. This suite was commissioned by Cookham Festival Society first performed in 1979. Originally scored for solo flute harpsichord and strings. Duration 16 minutes.

pour fl?te et piano-Pierre Boulez a ?crit sa Sonatine pour fl?te et piano en janvier et f?vrier 1946 puis en a fait une r?vision d?taill?e en avril 1949. Sa version r?vis?e de l??uvre est parue en 1954 chez Amphion (DA 163). Devant les erreurs d?impression de cette premi?re ?dition une ?dition corrig?e ?tait souhaitable depuis quelque temps. Pierre Boulez a donc aujourd?hui saisi l?occasion d?effectuer en plus des modifications et des compl?ments issus de l?exp?rience de la pratique de l?ex?cution de l??uvre. ? c?t? des indications concernant la dynamique et l?articulation les changements concernent essentiellement des d?tails de l?agogique et du tempo. Toutes les corrections ont ?t? approuv?es personnellement par Pierre Boulez.