The Quintessential Rut-Buster 2-DVD Set-Guitar players love to jam. Call out a key lay down a one or two chord vamp the rhythm section kicks in and everybody starts to get their groove on - simple enough for seasoned players with monster improv chops and big ears.Not so easy for most intermediate and early advanced players who tend to run out of ideas and struggle communicating musically with the other members of the band.This 2-DVD set illustrates dozens of approaches for developing solid melodic and rhythmic ideas for soloing or comping over one and two-chord vamps.You'll first learn how to think melodically and then how to best express those ideas in a vamp or jam setting with the otherband members.The DVDs cover creative devices like melodic patterns call and response stutter picking guide tones horizontal lines tone targeting muffled arpeggios chromatics expressions passing tones and other techniques for generating ideas on the fly.You'll also learn how to develop ideas around unusual scales like the Super Locrian Bartok minor and harmonic minor scales.Rhythm and comping are also covered with equal emphasis; clave rhythms inversions rhythmic alteration quartal harmony bubble parts chord punches and how to clearly communicate and then lock up with the band is demonstrated in detail.

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Homemade American Music In visits with their friends and mentors Mike Seeger and Alice Gerrard trace the origins of rural American music from traditional folk cultures in the southern United States and then demonstrate how traditional music is learned played adapted and performed by younger musicians from urban backgrounds. In addition to Mike and Alice musicians include Tommy Jarrell Roscoe Holcomb Lily May Ledford Elizabeth Cotten Dewey Balfa Marc Savoy Tracy Schwarz Hank Bradley Jody Stecher Irene Herrmann Stefan Senders Will Spires Eric Thompson and Susie Rothfield. (1980 42 minutes) Sonny Terry Shoutin' the BluesIn a motel room inOakland California blind blues harmonica great Sonny Terry tells a story about his start in show business and then plays an original solo in his own amazing style created in over 50 years of playing. (1969 6 minutes) Les Blues de BalfaThrough their festival appearances concerts and recordings the Balfa Brothers became the most renowned Cajun musicians and the first group to take their traditional music outside of southwest Louisiana. Tragically just after this film was undertaken in 1979 brothers Rodney and Will were killed in a car crash. The surviving member of the group Dewey Balfa tells the history of his musical family and demonstrates the role of their musical tradition in his life as he continues to spread Cajun music and culture in schools music festivals and by playing with other musicians in local dance halls and clubs. In addition to the Balfa Brothers musicians include Allie Young Nathan Abshire Tony Balfa Rockin' Dopsie Raymond François and the Cajun Playboys and Tracy Schwarz. (1983 27 minutes) Cajun Visits Filmed at homes in rural southwest Louisiana this film presents six masters of traditional Cajun music: Denis McGee Wallace 'Cheese' Read Canray Fontenot Leopold François Robert Jardell and Dewey Balfa singing and playing traditional songs and tunes and talking about

(G-C-D-Em). Par . Impress yourself and your friends by playing this second volume of fifty more great songs with only four chords! Songs include: Body like a Back Road (Sam Hunt) ? Closer (The Chainsmokers feat. Halsey) ? Despacito (Luis Fonsi and Daddy Yankee) ? Eve of Destruction (Barry McGuire) ? Ho Hey (The Lumineers) ? Iris (Goo Goo Dolls) ? Jessie's Girl (Rick Springfield) ? Like a Prayer (Madonna) ? Mean (Taylor Swift) ? No Woman No Cry (Bob Marley) ? Perfect (Ed Sheeran) ? Rude (MAGIC!) ? She Will Be Loved (Maroon5) ? Toes (Zac Brown Band) ? Viva La Vida (Coldplay) ? Where Is the Love (The Black Eyed Peas) ? and more. / Date parution : 2021-12-09/ Recueil / Guitare

Doc & Merle reaches deep into the relationship between Doc and Merle Watson. It gives an historical overview of their evolution as musicians and explores the special bond between them and the North Carolina mountains they call home. It presents an entertaining and enlightening look at their lives and their music. During their 21-year career the Watsons' mastery of guitar and their unique blend of traditional bluegrass country and western blues and gospel music won them aninternational audience and numerous awardsThis documentary is a rich mixture of music informal interviews old photographs and rare film footage. The wide range of musical influences the Watsons' embraced is clearly shown through concert footage and less formal at-home picking sessions.Sixteen songs are presented ranging from Black Mountain Rag and Wabash Cannonball to Blue Suede Shoes and Freight Train Blues. Doc is reunited musically with Jack Williams his partner from the early 1950s for a rare rockabilly performance of Step It Up And Go. He also performs with Clint Howard and Fred Price playing Fire On The Mountain and Daniel Prayed and with his wife Rosa Lee for a moving rendition of Wandering Boy.This DVD is dedicated to the memory of Merle Watson who died in a tractor accident on October 23rd 1985.

Moderne Gitarrentechnik' [Modern Guitar Technique] shows how to play the instrument according to the player's personal taste, yet without any health risks. The anatomically sound approach includes the whole body, defines movements and their origin, counter-movements and postures, and addresses extensively the issue of recognizing and avoiding compensations, while taking individual physical requirements as well as the readers' aesthetic self-conception into account. Technical exercises help the player to develop the ability to play the instrument with natural means according to his preferences - and playing without pain naturally has a direct impact on the possibilities of artistic expression. / Guitare

Do you wonder why lots of practice on scales and arpeggios hasn't made you feel fluent and creative when soloing' If so, then this book is the missing link for you! Line Games is an organized series of practical studies for the development of single-note guitar technique and jazz vocabulary simultaneously. Many examples are transcribed from the recorded solos of great jazz guitarists (Wes Montgomery, Pat Martino, Joe Pass, etc.) and then the book gives you the tools to develop complete fluency in creating similar lines on your own! Randy Vincent's Line Games is a serious, well-conceived book on jazz guitar. It has a tremendous amount of useful information which can be truly helpful to guitarists seeking thorough knowledge and training in jazz music.' ' Kenny Burrell Topics Covered Include: Basic six-note scales commonly used by the jazz greats. How to use all of the chromatic notes to make playing inside the chord changes sound more interesting and melodic. Triad pairs for modern-sounding lines, as used by all the great players from Coltrane on. Exercises that will give you the tools to create many interesting chord extensions from a few simple arpeggios. How to build long lines across many chord changes. How to use thematic development for more cohesive solos. Fingerings often given to aid in getting these lines under your fingers. Plus much more! 156 pages. More Endorsements: This book is probably the most complete explanation of linear improvisation as applied to the guitar that I have come across. Randy Vincent goes into his subjects, which include a novel take on hexatonic applications, chromatic neighbor tones, and various scale forms and arpeggios, with unprecedented thoroughness. It is also refreshing to see the emphasis on thematic development, and I like how some of the great recorded guitar solos are often used as illustrative examples. I highly recommend it.' ' Ben Monder Randy has come up with another Winner. This is one of the most comprehensive studies I have ever encountered concerning single line improvisation!' ' Vic Juris With all the books on jazz improvisation available I didn't think it was possible to find one that offers a new perspective but Randy Vincent's Line Games does just that. It's a great book! There are many real- world examples of players using the archetypal bebop hexatonic sound and many examples of ways to practice and utilize the sound. In suggesting ways of practicing and using the scale Randy gets you started, but it's up to the reader to strike out on their own ' in my opinion the best way to really grasp a sound or concept. There is a whole lot of material here and I'm looking forward to working with it for a long time. Thanks, Randy!!' ' Bruce Saunders With the plethora jazz guitar books on the market today, one must sort through dozens to find one that yields the results of a tried and true method for learning to play jazz as applied to the guitar. I was pleasantly surprised to find a new book that I feel to have such qualities. This being the jazz guitar book written by Randy Vincent called Line Games for Sher Music Co. Inside, you'll find dozens of examples, explanations, techniques, and the application of the jazz language employed by all the great jazz guitarists we know and love. Great job, Randy!' ' Henry Johnson

Media Type : Book Level : Beginning Musical Genre : All Styles Series : Encyclopedia Number of pages : 336 This comprehensive reference work illustrates chords in all common forms from basic major to 13-flat-5-flat-9, grouped by root note and presented alphabetically. Each page in the encyclopedia contains one chord displayed at different positions on the guitar. Large, clear photographs show each chord position from the player's point of view, creating a comfortable familiar perspective conducive to recognition and comprehension. Each page also features large guitar fretboard diagrams, a keyboard layout graphic, and a diatonic grid depicting roots, thirds, fifths, sevenths, ninths, elevenths, and thirteenths used for that particular chord. The combination of all of these components creates a cross-reference to which all the members of the band can relate, helping them communicate musically.

Dvd 1-If you think of the guitar fingerboard as unknown and remote territory full of mystery and confusion we have the road map and compass for you! The C-A-G-E-D system provides you with a complete understanding of the entire neck of the guitar so you can find your way around without ever getting lost again! Guitarist Ernie Hawkins calls it ‘The Magic Key ’ and on this DVD he lays out a clear and easy method for finding any chord note or lick in any key anywhere on the fingerboard. He shows you how five basic chord shapes moved up and down can reveal all the scales intervals and voicings you’ll need to play any kind of music. Ernie patiently andthoroughly provides hours worth of drills exercises practice tips and the basic theory necessary to help you understand the principles behind this important system. His amazing lesson teaches the fundamentals of how a guitar works in a clear step-by-step way that will open your eyes give you security and confidence and forever change your guitar playing life!

This DVD supplements the popular and creative method of the same title for teaching guitar to young children. From the beginning it integrates chord playing with note reading. The student starts with easy one finger chord formsand strums accompaniments to numerous songs. Note reading is then methodically and carefully introduced. The method features Ron Wheeler's colorful cartoon artwork.

Hawaiian slack key guitar is one of the world???s great guitar traditions. Called ki ho???alu in Hawaiian it developed in the 19th century. Legend has it the first guitars were brought by cowboys imported from Alta California to deal with wild cattle. By day the paniolo taught the Hawaiians to rope and ride by night they serenaded them with the soft sounds of Spanish guitars...Written in tablature and standard musical notation Old-Time Hawaiian Slack Key Guitar features 24 of the essential instrumentals every aspiring slack key player should know. These are the classic melodies with a couple originals played just as you???d hear them in a backyard party kani kapila full ofinteresting twists and turns sometimes richly complex but always nahenahe as natural and refreshing as an ocean breeze.Mark Kailana Nelson is an entertainer musician and educator. His love for slack key guitar led him to travel to Hawai???i and study with many of the masters of the art. Along with Keola Beamer he is the author of Mel Bay???s Learn to Play Hawaiian Slack Key Guitar the first widely-available slack key instruction manual. Famed Hawaiian educator Aunty Nona Beamer gave him the Hawaiian name Kailana Gently Floating on the Sea and encouraged Mark to continue to teach Hawaiian music to all who wish to learn.Includes: - Tablature and standard notation - Notes on tunings reading music and tablature - Newly revised and correction transcriptions Learn to play: Pua Lena/Kealoha/E Huli Ho???i Mai/Hula O Makee Mauna Loa/Pauoa Liko Ka Lehua Kowali Paniolo Slack Key Ku???u Lei Awapuhi Melemele (My Yellow Ginger Lei) Ahe Lau Makani Nanea Kou Maka i ka Le???ale???a Moloka???i Waltz Moana Chimes Old Timer???s Hula/Slack Key Hula Hula Blues Taro Patch Blues Tiare Tahiti Kaulana Na Pua Playful Popoki ???Ulupalakua Kanaka Waiwai Kimo???s Slack Key Papakolea Suitable for intermediate guitarists. Includes access to online audio.

Nostalgie Op.78 for Guitar solo by the Danish composer Poul Rovsing Olsen (1922-1982). Composer's programme note: Nostalgie was composed in December 1976. In the four movements of the work the listener is confronted with music which flirts with recollections of not far distant albeit bygone times. The lyrically dramatic introduction is followed by a toccata a Spanish dance then a waltz. At times we are close to the past then we are suddenly drawn away from it. The music is infatuated ironic nostalgic. Nostalgie is dedicated to Erling Møldrup. Poul Rovsing Olsen(Lerchenborg Music Days 1978)