Idéale pour les musiciens pratiquant Mandoline et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence PICC02323.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Troisième suite pour mandoline seule de Picconi. / Mandoline Et Mandole / niveau : Cycle 1 / Partition

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Sonate en sol mineur, Me et basse de Auteurs Divers. Idéale pour les musiciens pratiquant Mandoline et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence ANON03302. / Mandoline Et Mandole / niveau : Cycle 2 / Partition

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Friselis de Dagosto Sylvain. Idéale pour les musiciens pratiquant Mandoline et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence DAGO02803. / Mandoline Et Mandole / niveau : Cycle 1 / Partition

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Graziella de Cangel. Idéale pour les musiciens pratiquant Mandoline et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence CANG02735. / Mandoline Et Mandole / niveau : Cycle 2 / Partition

Par HOLENKO JOHN. La plupart de la musique dans ce livre vient d'éditions ou des manuscrits de l'Angleterre dans les années 1500 fin. Il y a aussi quelques pièces français. La cistre était populaire en Italie, en Angleterre et en France. Hormis les divers ajustements apportés, il y a deux principaux types d'instruments étant joués pendant les XVIe et XVIIe siècles : le cours de 4 (quatre ensembles de chaînes doublées) et le cistre 6 cours avec plusieurs éditions de musique pour aller de pair avec les deux. Les pièces I ont choisi pour ce livre ont été écrits pour l'instrument de 4 plats et entrent dans trois catégories principales : dansent de la musique, des arrangements de la chanson et des pièces libres. Les pièces libres sont essentiellement des préludes qui explorent la gamme mélodique de l'instrument. Comme le titre l'indique, ces pièces peuvent être joués très librement et ne doivent pas avoir un tempo très strict. Les morceaux de danse ne sont pas vraiment destinées à être dansé à, mais plutôt prendre leur forme et leur rythme des danses de la Cour populaire de l'époque. Ces peut être joué avec un large éventail de tempo globale, mais une fois un tempo i... / Niveau : Débutant à Intermédiaire / Recueil / Mandoline

The mandolin has had a long and rich history in the world of classical music. Many composers including Vivaldi Beethoven and Mozart wrote works for the instrument and its sounds can still be heard in concert halls and on recordings around the world.The internationally-renowned classical mandolinist Caterina Lichtenberg makes the music of this beautiful expressive instrument accessible to players at all levels. Whether you are a newcomer to the mandolin or are already adept in bluegrass jazz or other genres herinstructional DVD will bring new ideas techniques and repertoire to your playing. From the study of Greensleeves to a Bach Menuett; from Frere Jacques to Beethoven’s Sonatina in C minor there is a wealth of material here to delight and challenge you. Caterina introduces concepts and exercises that will affect pick speed and accuracy scales vibrato tremolo arpeggios left hand fingering harmonics and more. Her clear and engaging instruction will bring new ideas techniques and gorgeous repertoire to all players of the instrument.

If you've heard jazz guitarists like Joe Pass play chord melody you may think that the style requires an encyclopedic knowledge of music theory musical super-powers or making a deal with the devil. But fear not! This bookwill show you how to create your own satisfying chord melody arrangements on the Mandolin...and will do so in a practical applicable way.'Aaron Weinstein has many musical accomplishments. I am very proud to have playeda small part with some of them. When he was only 12 he made his first recordings and asked me to play Mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling andJoe Venuti style jazz. Not long after that Aaron became interested in the Mandolin and chords and he came by every so often to play and discuss voicings improvisation and the like. I showed him some of the Jethro Burns chordmelody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself!Fast forward a few more years and Aaron has a Berklee degree traveled the worldplaying hot Violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah one other thing: he took the art of chord-melody Mandolin style to an entirely new level! The rich harmonies of the standard jazz and showtune repertoire the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style thanks to his great ear open mind and gift at locating thingson the fretboard. And now Aaron has documented explained and shared his discoveries and approach with all of us in this book. Thank you Aaron!This is truly a step-by-step method that you will enjoy. You'll findyourself saying 'oh of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and

With Online Audio-In this book Ray Valla shares the insights of a veteran bluegrass mandolinist. This is the ideal book for the intermediate to advanced player. It is filled with practical hints to improve your general musicianship and increasethe speed of your progress. For example Ray suggests learning a new tune by mastering its individual 'licks' before attempting to assemble the whole. The book's 27 well-known bluegrass tunes are shown in standard notation andtablature with arrows indicating picking direction. Illustrated with photographs charts and diagrams. Includes access to online audio.

This Mandolin Fingering Chart includes a notation guide tips on reading Mandolin TAB handy chords and a photo/diagram of the instrument. It's an invaluable reference chart for anybody learning the Mandolin ensuring you'll never forget the basics of playing this fantastic instrument. The centre of the chart depicts the basic chords that will let you play the vast majority of tunes for the Mandolin with all thecommon variations like minors 7ths and so on. What also makes this an essential Mandolin Reference Chart is the guide to reading tablature the most common and easily-accessible method of notation forstringed instruments. It describes what tablature is and how to read it.  Not only this but some common techniques that have been notated in tab are described so your practical knowledge of theMandolin will come on leaps and bounds. Hammer-ons and pull-offs slides and tremolo are all detailed on this chart providing you with the fundamentals to kick-start you Mandolin playing. With a diagramand a photograph showing the note names and locations of a Mandolin to boot this Mandolin Fingering Chart is an attractive decoration as well as a great learning tool and memory aid. Pick it up today andgive your Mandolin Fingering a boost.

Getting Into Jazz Mandolin is a breakthrough approach that takes four uncomplicated fretboard patterns (FFcP) and drills a physical familiarity into the player's fingers softening the fear of upper frets andpreparing for the harmonic alterations necessary for the effective and intuitive playing of more complex contemporary music.No longer confined to basic folk genres any mandolinist aspiring to a broadercomprehension of music including swing blues pop choro broadway and even classical can expand his or her playing through a working knowledge of jazz fundamentals.Following a brief introduction to modes theplayer is eased into jamming with audio accompaniment and eventually an initiation into the most fundamental jazz chord progression of all the 'ii V7 I' pattern. From the horizontal (melody) to the vertical (chords) and back the results are an instinctive and physical grasp of tonal centers and the improvisational fodder of effective performing.The exercises in Getting Into Jazz Mandolin place an emphasis on pinkystrength finger control and sustain and the book's exercises also develop the player's concepts of tone and melody. This book includes access to online audio. Further supportive resources including MP3 audio tracks are alsoavailable on the internet.