What Was I Made For? Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts String Orchestra (Score and Parts) - Grade 3-4 SKU: HL.449308...(+)
Score and Parts String
Orchestra (Score and
Parts) - Grade 3-4
SKU: HL.4493084
By
Billie Eilish. By Billie
Eilish and Finneas
O'Connell. Arranged by
Larry Moore. Pop Specials
for Strings. Movies, Pop.
Softcover. Duration 100
seconds. Published by Hal
Leonard (HL.4493084).
UPC:
196288185413.
Larry
Moore's haunting
arrangement of Billie
Eilish's “What Was I
Made For?” transforms
the pop sensation's
introspective ballad from
Barbie into a masterpiece
for string orchestra.
Lush harmonies and
poignant melodies--shared
throughout the
orchestra--capture the
song's emotional depth,
making it a perfect
choice for adding a
contemplative touch to
your concert program.
By Mick Jagger and Keith Richards [The Rolling Stones]. Arranged by Jason Scott....(+)
By Mick Jagger and Keith
Richards [The Rolling
Stones]. Arranged by
Jason Scott. Orchestra.
Score; String Orchestra.
Pop Beginning String
Orchestra. Light Concert;
Pop; Pop/Rock; Rock.
Grade 2.5. 8 pages.
Published by Alfred Music
Publishing
Christmas Cello-bration Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
Cello Section Feature (Featuring: What Child Is This? / Oh Come, Oh Come Emma...(+)
Cello Section Feature
(Featuring: What Child Is
This? / Oh Come, Oh Come
Emmanuel / Angels We Have
Heard on High).
Arranged by Bob Phillips.
Part(s); Score; String
Orchestra. Sound
Innovations for String
Orchestra. Christmas;
Winter. 148 pages.
Published by Alfred Music
(AP.44826).
(Solo with String Orchestra). By Gloria Shayne And Noel Regney. Arranged by Robe...(+)
(Solo with String
Orchestra). By Gloria
Shayne And Noel Regney.
Arranged by Robert
Longfield. (Score and
Parts). Pop Specials for
Strings. Published by Hal
Leonard.
By Mick Jagger and Keith Richards [The Rolling Stones]. Arranged by Jason Scott....(+)
By Mick Jagger and Keith
Richards [The Rolling
Stones]. Arranged by
Jason Scott. Orchestra.
For strings w/ vln 3, pno
acc, drumset. Part(s);
Score; String Orchestra.
Pop Beginning String
Orchestra. Light Concert;
Pop; Pop/Rock; Rock.
Grade 2.5. 78 pages.
Published by Alfred Music
Publishing
(What a) Wonderful World Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Sam Cooke, Herb Alpert, and Lou Adler. Arranged by Douglas E. Wagner. Orchest...(+)
By Sam Cooke, Herb
Alpert, and Lou Adler.
Arranged by Douglas E.
Wagner. Orchestra. String
Orchestra. Pop Beginning
String Orchestra.
Graduation; Light
Concert. Grade 2.5.
Conductor Score and
Parts. 78 pages
That's What I Like Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
As recorded by Bruno Mars. Composed by Christopher Brown, Jeremy Reeves, J...(+)
As recorded by Bruno
Mars.
Composed by Christopher
Brown, Jeremy Reeves,
Jonathan Yip, Bruno Mars,
Philip Lawrence, James
Fauntleroy, Ray Romulus,
and
Ray McCollough II.
Arranged
by Michael Story. Full
Orchestra; Part(s);
Score.
Pop Intermediate
String/Full
Orchestra. Light Concert;
Pop; Pop/Rock; Radio;
Rock.
142 pages. Published by
Alfred Music
(As performed by Paramore). By Paramore. By Hayley Williams, Josh Farro and Tayl...(+)
(As performed by
Paramore). By Paramore.
By Hayley Williams, Josh
Farro and Taylor York.
Orchestra. String
Orchestra. Hot Pop
Strings. Light Concert;
Pop/Rock. Grade 2.5.
Conductor Score and
Parts. 70 pages
The Children's Carols Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
(Featuring: What Child Is This? / Lully, Lullay, Thou Little Tiny Child). Arrang...(+)
(Featuring: What Child Is
This? / Lully, Lullay,
Thou Little Tiny Child).
Arranged by Robert W.
Smith. Orchestra. String
Orchestra. Belwin
Intermediate String
Orchestra. Christmas;
Contemporary; Winter.
Grade 2.5. Conductor
Score and Parts. 90 pages
What\'s Going On Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Pop Specials for Strings - Grade 3-4. By Marvin Gaye. Arranged by Robert Longf...(+)
Pop Specials for Strings
-
Grade 3-4. By Marvin
Gaye.
Arranged by Robert
Longfield.
Pop Specials for Strings.
RandB.
Softcover. Published by
Hal
Leonard
By Sam Cooke, Herb Alpert, and Lou Adler. Arranged by Douglas E. Wagner. Orchest...(+)
By Sam Cooke, Herb
Alpert, and Lou Adler.
Arranged by Douglas E.
Wagner. Orchestra. For
String Orchestra. String
Orchestra. Pop Beginning
String Orchestra.
Graduation; Light
Concert. 2.5 (grade 2.5).
Score. 8 pages
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18).
ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major.
A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6547S What Child is Thi...(+)
Orchestra String
Orchestra - Grade 4
SKU: FJ.ST6547S
What Child is
This?. Arranged by
Chris Thomas. Series;
String Orchestra. FJH
String Orchestra. Holiday
Pops. Score. The FJH
Music Company Inc
#98-ST6547S. Published by
The FJH Music Company Inc
(FJ.ST6547S).
English.
Here is
a stunning, cinematic
reimagining of the
classic carol What Child
is This? Reminiscent of
Vaughan Williams, this
arrangement is packed
with dramatic
suspensions, dense
harmonies, and a little
golden age of Hollywood
sound. Featuring soprano
recorder or a solo
violinist, this lush,
warm setting is certain
to take your breath
away.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6547 What Child is This...(+)
Orchestra String
Orchestra - Grade 4
SKU: FJ.ST6547
What Child is
This?. Arranged by
Chris Thomas. Series;
String Orchestra. FJH
String Orchestra.
Christmas; Holiday Pops.
Score and Part(s). The
FJH Music Company Inc
#98-ST6547. Published by
The FJH Music Company Inc
(FJ.ST6547).
English.
Here is
a stunning, cinematic
reimagining of the
classic carol What Child
is This? Reminiscent of
Vaughan Williams, this
arrangement is packed
with dramatic
suspensions, dense
harmonies, and a little
golden age of Hollywood
sound. Featuring soprano
recorder or a solo
violinist, this lush,
warm setting is certain
to take your breath
away.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Composed by Antonin
Dvorak. Edited by
Jonáš Hájek.
This edition: urtext
edition. Paperback.
Score, Set of parts. Opus
40. Baerenreiter Verlag
#BA11564_00. Published by
Baerenreiter Verlag
(BA.BA11564).
ISBN
9790260109148. 31 x 24.3
cm inches. Key: B-flat
major. Preface: David R.
Beveridge.
The
discovery of a lost
source to AntonÃn
Dvorák's
â??Nocturneâ? in B
major op. 40 provides new
insights into the genesis
of the composition and
the composer's intended
final form of this
lyrical little piece for
string
orchestra.
The
musical material of what
was later to be named
â??Nocturneâ? was
initially elaborated in
the String Quartet in E
minor; subsequently it
was used in the original
version of the String
Quintet in G major as its
second movement. However
Dvorák then extracted
it again, expanding and
editing it afresh. The
final result was the
â??Nocturneâ? for
string orchestra (two
violins, viola,
violoncello, double
bass). The first edition
was published by Bote and
Bock in 1883.
The
authorized second copy of
the work that had served
as a template for the
first printing was
discovered by the editor
Jonáš Hájek in a
privately owned
collection. This enabled
him to resolve the
several ambiguities
caused by the existence
of multiple versions and
to unveil the authentic
â??Nocturneâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33 Composed by Sean O...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33
Composed by Sean
O'Loughlin. SWS - FS.
Carl Fischer Young String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
8+16+16+4+10+10+10+3
pages. Carl Fischer Music
#YAS33. Published by Carl
Fischer Music (CF.YAS33).
ISBN 9780825858468.
UPC: 798408058463. 8.5 X
11 inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33F Full Score...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33F
Full Score.
Composed by Sean
O'Loughlin. Carl Fischer
Young String Orchestra
Series. Full score. With
Standard notation. 8
pages. Carl Fischer Music
#YAS33F. Published by
Carl Fischer Music
(CF.YAS33F).
ISBN
9780825858475. UPC:
798408058470. 8.5 X 11
inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Beethoven, Inc. Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Richard Meyer. Orchestra. String Orchestra. String Orchestra. Form: Medley. C...(+)
By Richard Meyer.
Orchestra. String
Orchestra. String
Orchestra. Form: Medley.
Classical. Grade 2.5.
Conductor Score and
Parts. 124 pages.
Published by Alfred Music
Publishing
(Concerto for Flute and Strings). By Carl Vine (1954-). Orchestra. For Flute, St...(+)
(Concerto for Flute and
Strings). By Carl Vine
(1954-). Orchestra. For
Flute, String Orchestra.
Masterworks; Score;
String Orchestra. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
High School Musical 2 Orchestre à Cordes [Conducteur et Parties séparées] Hal Leonard
By Matthew Gerrard, Robbie Nevil And Jamie Houston. Arranged by Robert Longfield...(+)
By Matthew Gerrard,
Robbie Nevil And Jamie
Houston. Arranged by
Robert Longfield. (Score
and Parts). Pop Specials
for Strings. Published by
Hal Leonard.
Score Only.
Composed by Ludwig van
Beethoven. Arranged by
Carrie Lane Gruselle.
Series; String Orchestra.
FJH Beginning Strings.
Masterwork Arrangement.
Score. The FJH Music
Company Inc #98-ST6527S.
Published by The FJH
Music Company Inc
(FJ.ST6527S).
English.
What
better way to end a
concert than with a
joyous and triumphant
Beethoven finale! Set in
the key of D, this
dynamic arrangement
enables less-experienced
musicians to perform with
resonating confidence
while still retaining the
excitement and
determination of the
original.
Outstanding!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
(First Movement). By Antonio Vivaldi (1678-1741). Arranged by Brendan Mcbrien. O...(+)
(First Movement). By
Antonio Vivaldi
(1678-1741). Arranged by
Brendan Mcbrien.
Orchestra. Masterworks;
String Orchestra.
Highland String
Orchestra. Form:
Transcription. Baroque;
Masterwork Arrangement.
Grade 3.5. Conductor
Score and Parts. 124
pages. Published by
Alfred Music Publishing
One Foot Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
As Performed by Walk the Moon. By Ben Berger, Ryan McMahon, Ryan Rabin, Eli M...(+)
As Performed by Walk the
Moon. By Ben Berger, Ryan
McMahon, Ryan Rabin, Eli
Maiman, Nicholas
Petricca,
Kevin Ray, and Sean
Waugman
[Walk the Moon]. By Ben
Berger, Ryan McMahon,
Ryan
Rabin, Eli Maiman,
Nicholas
Petricca, Kevin Ray, and
Sean
Waugman. Arranged by
Victor
Lopez. Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop; Rock. Part(s);
Score. 78
pages. Alfred Music #00-
46696. Published by
Alfred
Music
Score Only.
Composed by Victor Ewald.
Arranged by Bob Lipton.
Series; String Orchestra.
FJH String Orchestra.
Quintet, Opus 5, from
which the Allegro
Moderato is the third and
final movement, reflects
Russian romanticism at
its finest. Originally
written for brass, it has
become a favorite of
brass musicians the world
over. Music written for
brass is technicall.
Masterwork Arrangement.
Score. Duration 4:15. The
FJH Music Company Inc
#98-ST6172S. Published by
The FJH Music Company Inc
(FJ.ST6172S).
English.
Origina
lly written for brass,
this exceptional work by
Victor Ewald translates
beautifully for strings.
What is more, this gives
your students a great
opportunity to play an
extended and fully
realized piece of Russian
Romantic music without
anything being watered
down. An excellent
addition to the
repertoire!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Score Only.
Composed by Bruce W.
Tippette. Series; String
Orchestra. FJH Beginning
Strings. Score. The FJH
Music Company Inc
#98-ST6551S. Published by
The FJH Music Company Inc
(FJ.ST6551S).
English.
What
lurks in the lair at
midnight? The answer is
revealed in this engaging
work for beginning string
orchestra. Using only the
first six pitches of the
D Major scale and based
largely on step-wise
motion, this piece evokes
images of a night-time
excursion into the
unknown. Optional piano
and low tom-tom are
included to enhance and
support the
orchestra.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5