Collection of First Editions. Edited by Rampe, Siegbert. For Organ / Harpsichord...(+)
Collection of First
Editions. Edited by
Rampe, Siegbert. For
Organ / Harpsichord /
Piano. This edition:
Urtext Edition. Playing
score. Collection. 98
pages. Published by
Baerenreiter Verlag
(German import).
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Composed by Andrew D. Gordon. Saddle stitch. Funk Music/Organ Instruction. Book ...(+)
Composed by Andrew D.
Gordon. Saddle stitch.
Funk Music/Organ
Instruction. Book and
Downloadable audio.
Duration 70 minutes.
Published by ADG
Productions
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
By Various. Edited by Michael Burkhardt. For organ, optional treble B-flat Instr...(+)
By Various. Edited by
Michael Burkhardt. For
organ, optional treble
B-flat Instruments or C
Instruments. Organ Music.
Organ. Marriage.
Moderately Difficult.
Published by MorningStar
Music Publishers
(Keyboard Music/Organ Method/studies). By Frost, Jewel. For Organ (Organ). Keybo...(+)
(Keyboard Music/Organ
Method/studies). By
Frost, Jewel. For Organ
(Organ). Keyboard Music -
Organ Method/Studies.
Southern Music. Grade 3.
32 pages. Southern Music
Company #B343. Published
by Southern Music Company
Clavichord; harpsichord; keyboard; piano SKU: HH.HH240-SOL Composed by H....(+)
Clavichord; harpsichord;
keyboard; piano
SKU:
HH.HH240-SOL
Composed
by H.O.C. Zinck. Edited
by Christopher Hogwood.
Clavichord; Harpsichord;
Keyboard; Piano. Playing
score. Edition HH Music
Publishers #HH240-SOL.
Published by Edition HH
Music Publishers
(HH.HH240-SOL).
ISBN
9790708059738.
When
Zinck's sonatas first
appeared in print in
1783, the publication was
greeted as exceptional by
the best European
critics: Their
interesting melodic
style, highly developed
turns of phrase, great
diversity of musical
ideas unified into one
great sonata style far
removed from the routine,
and finally, very
descriptive tone
painting, elevate them
and make them worthy of
the approval of
connoisseurs.
Arranged by Douglas Wagner Barbour, Rodney L. For Keyboard, Organ. Level: (Moder...(+)
Arranged by Douglas
Wagner Barbour, Rodney L.
For Keyboard, Organ.
Level: (Moderate). Print
Music Collection (Book).
Published by Hope
Publishing Company.
Arranged by Douglas
Wagner Barbour, Rodney L.
For Keyboard, Organ.
Level: (Moderate). Print
Music Collection (Book).
Published by Hope
Publishing Company.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ; Organ Duet (Performance Score) SKU: HL.49005171 Performance Sco...(+)
Organ; Organ Duet
(Performance Score)
SKU: HL.49005171
Performance Score.
Composed by Josef Blanco.
Edited by Macario
Santiago Kastner. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Playing score.
20 pages. Schott Music
#ED 4809. Published by
Schott Music
(HL.49005171).
ISBN
9790001055468. UPC:
073999698114.
9.0x12.0x0.082
inches.
2 organs
(keyboard instruments) or
2 harps or 1 harp and 1
keyboard instrument.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Chamber Music Solo Organ SKU: PR.113400450 Composed by Chen Yi. Edited by...(+)
Chamber Music Solo Organ
SKU: PR.113400450
Composed by Chen Yi.
Edited by James Higdon.
Sws. Performance Score. 8
pages. Duration 5
minutes. Theodore Presser
Company #113-40045.
Published by Theodore
Presser Company
(PR.113400450).
ISBN
9781491132326. UPC:
680160681679. 9x12
inches.
Chen Yi
describes her dramatic
study in the
organ’s
sonorities: “From
the bronze drum set on
topof the totem pole, I
imagine that our
ancestors played the
powerful low percussion
instrument,to unify the
rhythm in their group
dance; from the delicate
and magical decorations
carved onthe drum and the
pole, I imagine that the
beauty of the totem poles
is presented in
multilayerswith various
timbres from different
manuals (keyboards) and
pedals, and the ineffable
universe isharmonized in
the powerful and
brilliant grand chords
fully sounded from the
organ.†The
publicationincludes
registrations,
fingerings, and pedaling
provided by James Higdon.
TOTEM POLES
wascommissioned by the
American Guild of
Organists for its 2018
biennial national
convention. The
primitive power and the
spiritual mysteries of
the ancient totem poles
are permeated into the
rich palette, and brought
out from the sonic giant,
the solo organ.From the
bronze drum set on top of
the totem pole, I imagine
that our ancestors played
the powerful low
percussion instrument, to
unify the rhythm in their
group dance; from the
delicate and magical
decorations carved on the
drum and the pole, I
imagine that the beauty
of the totem poles is
presented in multilayers
with various timbres from
different manuals
(keyboards) and pedals,
and the ineffable
universe is harmonized in
the powerful and
brilliant grand chords
fully sounded from the
organ.
Keyboards - Organ Organ Solo SKU: AY.FRD17 Composed by John La Montaine. ...(+)
Keyboards - Organ Organ
Solo
SKU: AY.FRD17
Composed by John La
Montaine. Keyboards -
Organ. Fredonia Press
#FRD17. Published by
Fredonia Press
(AY.FRD17).
ISBN
9790302114581.
A
short suite for solo
organ, adapted by the
composer from his Songs
of the Nativity, Op. 13.
Consists of four
selections: That Hallowed
Season, At the Creche,
Cuckoo, and Now Begin on
Christmas Day.
Organ SKU: SU.80101247 For Organ. Composed by Frederick Frahm. Key...(+)
Organ
SKU:
SU.80101247
For
Organ. Composed by
Frederick Frahm.
Keyboard, Organ. Score.
Zimbel Press #80101247.
Published by Zimbel Press
(SU.80101247).
This set of
voluntaries for organ
manuals forms a triptych
for liturgical use. They
may be played as a set in
order, or individually
per the
performer’s
discretion. They were
composed for a modest two
manual organ. The
voluntaries, reminiscent
of the Vierne or Litaize
‘liturgical
preludes’, are not
based on any pre-existing
tunes. Published by:
Zimbel Press.
Keyboard solo SKU: CA.5101010 Composed by Wolfgang Amadeus Mozart. Edited...(+)
Keyboard solo
SKU:
CA.5101010
Composed
by Wolfgang Amadeus
Mozart. Edited by
Siegbert Rampe. This
edition: Paperbound.
Stuttgarter
Mozart-Edition. German
title: Sechs Sonaten Fur
Vl (Fl), Vc Und Pfte.
Full score. 48 pages.
Carus Verlag #CV
51.010/10. Published by
Carus Verlag
(CA.5101010).
ISBN
9790007087241.
Scor
e available separately -
see item CA.5101000.
Organ SKU: SU.80101407 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101407
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101407.
Published by Zimbel Press
(SU.80101407).
Three Autumn
Sketches after a
Watercolor by Maria
Willscher (2017) are
dedicated to Hans-Peter
Bahr. The music is
inspired by a watercolor
painting by Maria
(Neumann) Willscher
(1922-1998) entitled
Herbststimmung. The three
movements explore moods
and colors of autumn as
reflected in the
painting. In the first
movement, Herbststimmung
(Autumn Mood), a musical
line falls under gentle
undulation. A central
section is a wistful
chorale. The second
movement, Herbstfarben
(Autumn Colors), reflects
on the subtle variety and
gradations of autumn
colors with constantly
shifting armonic colors.
The final movement,
Sonnenuntergang (Sunset),
is inspired by the
serenely beautiful colors
of an autumn sunset,
imagining the sun's
departing rays
illuminating the autumn
landscape.
Instrumentation: Organ
Duration: 16' Composed:
2017 Published by: Zimbel
Press.
Organ SKU: SU.80101345 For Organ. Composed by Emma Lou Diemer. Key...(+)
Organ
SKU:
SU.80101345
For
Organ. Composed by
Emma Lou Diemer.
Keyboard, Organ. Score.
Zimbel Press #80101345.
Published by Zimbel Press
(SU.80101345).
Organ Duration:
7' Composed: 2013
Published by: Zimbel
Press A three movement
work suitable for recital
or service use. The first
movement is a bright and
vibrant march, marked
unwavering. In Air, a
lyrical melody is
presented over a lush
accompaniment. The final
Toccata abounds with
energetic syncopations
and cross-rhythms,
bringing the work to an
affirmative
conclusion.
Keyboard and Organ Works of Autograph Sources. By Froberger, Johann Jacob. Edite...(+)
Keyboard and Organ Works
of Autograph Sources. By
Froberger, Johann Jacob.
Edited by Rampe,
Siegbert. For Organ/
Piano. Johann Jacob
Froberger: Neue Ausgabe
samtlicher Werke, Bd. 1.
Urtext Edition
(paperbound). Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006488339.
Organ SKU: SU.80101519 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101519
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101519.
Published by Zimbel Press
(SU.80101519).
The five pieces
in this collection were
all originally written
for churches/organs on
Nantucket Island,
Massachusetts. Nantucket
and its landscape have
been one of the most
prominent themes across
my entire musical output.
Each of the two sets of
sketches can be used on
its own as a diptych for
concert or service
(prelude/postlude.) The
first set is extremely
easy; the second set
moderately easy. Any of
the four pieces may be
played individually. If
all four are used
together it is suggested
that they be kept in the
given order. Old North
Musings is a separate,
slightly longer work.
Contents: Two Nantucket
Sketches (Idyll & Danza
rustica); Two Nantucket
Sketches (Set 2: Prelude
& Shanty), and Old North
Musings.Organ Duration:
18’ Composed:
2018/21 Published by:
Zimbel Press.
Organ SKU: SU.80101142 For Organ. Composed by Sandra Gay. Keyboard...(+)
Organ
SKU:
SU.80101142
For
Organ. Composed by
Sandra Gay. Keyboard,
Organ. Score. Zimbel
Press #80101142.
Published by Zimbel Press
(SU.80101142).
This volume in
the Footnotes series
contains six hymn
preludes for pedals alone
on Christmas carols and
hymn tunes. The six tunes
represented are Vom
Himmel Hoch, Still Still
Still, In Dulci Jubilo,
Stille Nacht, Coventry
Carol, and Personent
Hodie. Published by:
Zimbel Press.