32 Pièces traditionelles. Par . \'Irish Folk Tunes\' (\'Airs populaires irlandais\') est un recueil de merveilleuses pièces pour piano solo héritées de la riche tradition musicale populaire d?Irlande. C?est à l?auteur et arrangeur expérimenté Barrie Carson-Turner que l?on doit les indications fournies avec chacune des pièces, ainsi que les explications sur leur contexte et leur histoire. Ce volume est accompagné de pistes audio comprenant des enregistrements de toutes les mélodies. Les traductions en allemand et en français de tous les textes sont accessibles par téléchargement du PDF sur le site web de Schott Music. Adapté aux musiciens de niveaux 3 à 8. Édité dans la collection de best-sellers \'World Music\', où l?on trouve également de la musique anglaise, galloise, écossaise, d?Europe centrale, d?Amérique, d?Argentine, de l?Inde, de Chine et de Corée. / Niveau : Moyen / Date parution : 2022-11-12/ Recueil / Piano

Classique / Partition / Sonate pour piano n° 2, dans la seconde rédaction de l'auteur, datant de 1948. Il fut le compositeur soviétique le plus joué à l?Ouest. La liste de ses interprètes est prestigieuse: Hermann Scherchen, Leopold Stokovski, Eugène Ormandy, Nikolai Malko, Frederic Stock, aimèrent et dirigèrent ses symphonies en Europe et aux Etats-Unis. Serge Koussevitsky, Albert Couts, Constantine Sarajev, Nikolai Golovanov, Evgeny Mravinsky, Oskar Fried, George Sebastian et Eugen Senkar firent de même en URSS. Quant à ses ?uvres pour le piano, elles furent ardemment défendues par des monstres sacrés du clavier comme Serge Prokofiev, Samuel Feinberg, Heinrich Neuhaus, Walter Gieseking ou Sviatoslav Richter. Aujourd?hui, l?on redécouvre enfin l?un des plus grands compositeurs russes du XXe siècle dont Chant du Monde est l?éditeur pour le monde entier.

Satie?s ?Ogives? und Gymnopédies? are milestones in the history of modern music. The four metrically free ?Ogives? (meaning pointed arches) reflect the influence of the French New Gothic or Neo-Gregorian movement in architecture with their clear lines and echo effects. The three ?Gymnopédies? proceed with a swaying, chordal momentum, and Satie?s radically sparse writing makes ironic reference to the dance of young warriors in ancient Sparta during gymnopaedia rituals.

The pieces are easy to play and are ideal for teaching purposes. Information on performance practice by Satie specialist Steffen Schleiermacher offer insight into Satie?s music aesthetics.

- Urtext edition based on all sources and current scholarship
- Easy to play
- Ideal for teaching purposes
- With practical suggestions for performance (Eng/Ger)
- With an informative foreword (Eng/Ger) and critical commentary (Eng)

Jens Rosteck
is a musicologist, cultural historian and author. He has written books on Kurt Weill and Lotte Lenya, Oscar Wilde, Bob Dylan, Jane and Paul Bowles, Hans Werner Henze, and a dissertation on Darius Milhaud?s Claudel operas. He resides in Southern France and was for many years an author for the music encyclopaedia MGG, writing on French music.

Steffen Schleiermacher
studied as ?Meisterschüler? at the ?Berliner Akademie der Künste? and in the class of Aloys Kontarsky at the ?Musikhochschule Köln?. He runs the concert series musica nova at the ?Gewandhaus Leipzig?, was a founder of the Ensemble Avantgarde and gives concerts and lectures as a composer, pianist and conductor throughout Europe, the USA, South America and Asia. He has been the recipient of scholarships (including the Villa Massimo Rome) and numerous recording prizes, and is ?Chevalier des Arts et Lettres?. He has made approx. 60 CD recordings including the complete piano works by Cage and numerous piano works by Satie. / Classique / Partition / Agrafé /

32 Traditional Pieces-Irish Folk Tunes presents a collection of beautiful pieces for solo piano drawn from the rich tradition of Irish folk music. Experienced author and arranger Barrie Carson-Turner provides notes on all of the pieces explaining their background and history. The volume is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8.Part of the best selling World Music series which also includes music from England Wales Scotland Eastern Europe America Argentina India China and Korea.

32 Traditional Pieces-Scottish Folk Tunes presents a collection of beautiful pieces for solo Piano drawn from the rich tradition of Scottish folk music. Experienced author and arranger Barrie Carson-Turner provides notes on all of the pieces explaining their background and history.This volume is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as PDF downloads from the Schott Music website.This book is suitable for players of grades 3-8 and is part of the best selling World Music series which also includes music from England Ireland Scotland Eastern Europe America Argentina India China andKorea.

Arrangé pour Piano par Henry Roche. Ballet innovatrice de David Bintley ' Still Life ' au Café Penguin a reçu sa première au Royal Opera House, Covent Garden en 1988 et a été depuis une sensation dans le monde de la danse. Succédant à des représentations et des reprises récemment au Royaume-Uni, l'Europe et a rencontré les réponses enthousiastes tant par le public et les critiques de l'Australie. Simon Jeffes est un aventurier musical qui ont traversé les frontières avec un sentiment de plaisir. Il a commencé comme un compositeur d'avant-garde, mais par le biais de son guin Pen de que café Orchestra ensuite développer un espéranto musical attachant qui fait son travail presque impossible à catégoriser, travailler avec tout le monde depuis les Sex Pistols au Ballet Royal, (The Times, 1997) quelle sorte musique est-ce ? Idéalement, je suppose que c'est le genre de musique que vous voulez entendre, musique qui va lever votre esprit. C'est le genre de musique jouée par des gens de montagne imaginaires, sauvage, libre, créant des sons d'une qualité subtile, onirique. Simon Jeffes. Pour plus de musique par la FAC de Penguin... / Piano / Partition

32 Traditional Pieces-English Folk Tunes presents a collection of beautiful pieces for solo Piano drawn from the rich tradition of English folk music. Experienced author and arranger Barrie Carson-Turner provides notes on all of the pieces explaining their background and history.The volume is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8.Part of the best selling World Music series which also includes music from England Ireland Scotland Eastern Europe America Argentina India China and Korea.

Benet Casablancas' Haikus for solo Piano. Widely regarded as one of the leading Spanish composers of his generation Casablancas studied in Vienna at the Academy of Music and in Barcelona at the Universidad Autònoma from which he graduated with a degree in philosophy before gaining a PhD in musicology. His music firmly rooted in the great modernist tradition is notable for its great individuality structural complexity and extraordinary richness of textural detail. In the 1990s he became more concerned with harmony timbral differentiation and instrumental virtuosism. Critics highlight his concern for balancingconstructional rigour and expressive strength lyricism dramatic character and whimsical register. Benet Casablancas' works are performed regularly around Europe Canada US Japan and Latin America. His first opera 'L´Enigma Di Lea' was commissioned by Gran Teatre del Liceu de Barcelona for its 2017 season. In 2013 he was appointed first composer in residence for the Barcelona Symphony Orchestra and L´Auditori and was awarded with the most prestigious composition prize in Spain the National Music Prize granted by the Spanish Ministry of Culture.

A baker's dozen selections from the soundtrack to this 2015 live-action Disney feature inspired by the classic fairy tale featuring compositions by Patrick Doyle who also penned the music for Disney's Brave. Includes the single “Strong” by Sonna Rele. Songs with lyrics are presented in P/V/G arrangements and the others are Piano solo. Also includes eight pages of gorgeous full-colour photos from the film! Cinderella opened in March 2015 across most of Europe with high initial earnings in most countries. The music for the film is composed by Scottish composer Patrick Doyle whose output includes music forHarry Potter and the Goblet of Fire.  

Le Boogie-Woogie a fait danser l'Amérique puis l'Europe pendant toute une décennie, au point qu'il est difficile de se représenter les années 30 avec un autre fond musical. Avec Boogie for Piano, le Boogie-Woogie a gardé son cachet original. / Recueil /

Par WEISSMAN DICK. Ce livre plaira aux pianistes qui veulent apprendre à improviser dans de nombreux styles courant aujourd'hui y compris de blues, rock, musique latino-américaine, pays, New Age, World, etc.. La série non-jazz improvisation est un concept qui a germé dans l'esprit de Dick Weissman, alors qu'il fréquentait école de musique. Il a écrit un arrangement de 15 pièces de vieux rythme square dance, Cripple Creek et voulait que le trombone à prendre un solo dans le cadre de l'arrangement. Quand le tromboniste gardé jouant un solo de bebop qui était tout à fait inapproprié pour le graphique, Dick a réalisé que - en plus des nombreux musiciens qui ne pas improviser - il y a même des jazzmen qui ne savent pas comment improviser hors des limites de leurs propres origines stylistiques. La série non-jazz improvisation comprend principalement des nouvelles musiques originales qui visent à montrer comment d'improviser dans de nombreux styles musicaux, y compris: * Blues * pays * American folk * latino-américain * World music, y compris l'Amérique du Sud, Europe de l'est et d'Asie * étrange... / Niveau : Débutant à Intermédiaire / All Styles - Improvisation / Recueil / Piano

Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on. / Date parution : 2022-11-29/ Répertoire / Piano

Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on. / Date parution : 2022-11-29/ Répertoire / Piano

Friday a.m. For solo piano. This expansive miniature was written in 1981 in response from the composer to the emotional impact of listening to the Adagietto from Mahler?s 5th Symphony. Indeed, the main melody of my piece follows the melodic line of Mahler?s, but takes off in a different direction and ?gradually metamorphosises into a lighter style reminiscent of a jazz improvisation? as though we move from the philharmonic hall in Central Europe to a Manhattan jazz club around 2am, when everything is subdued and transient? (McLachlan).