Requiem in C Major Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...(+)
(Arrangement for soli,
choir and organ).
Composed by Charles
Francois Gounod
(1818-1893). Edited by
Barbara Grolmann.
Arranged by Zsigmond
Szathmary. For SATB vocal
soli, SATB choir, organ.
This edition: Paperbound.
C-Dur (C major). Choir
and Organ. German title:
Requiem. End of the
church year, Mourning,
death. Full score.
Language: Latin. Posth..
48 pages. Duration 35
minutes. Published by
Carus Verlag
By Franz Joseph Haydn (1732-1809). Edited by Feldigl. For SATB Vocal Soli, SATB ...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Feldigl. For SATB Vocal
Soli, SATB Chorus,
[0.2.0.2-2.2.0.0],
Timpani, Organ, Strings.
This edition: Urtext.
Choral. Vocal score.
Duration circa 75
minutes. Published by
Edition Peters
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Moza...(+)
Klavierauszug nach dem
Urtext der Neuen
Mozart-Ausgabe. By
Wolfgang Amadeus Mozart.
Edited by Fellerer, Karl
Gustav;Schroeder, Felix.
Arranged by Focke,
Martin. For Soprano solo,
Alto solo, Tenor solo,
Bass solo, Mixed
Choir-SATB, Trumpet (2),
Trombone (3), Strings,
Organ. Piano
Reduction/Vocal Score. KV
321. Duration 24'.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006459674. (BA4893 90)
Four Passion Meditations Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Oxford University Press
Composed by Bob Chilcott. Vocal score. 28 pages. Duration 15'. Oxford University...(+)
Composed by Bob Chilcott.
Vocal score. 28 pages.
Duration 15'. Oxford
University Press
#9780193519763. Published
by Oxford University
Press (OU.9780193519763).
(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by ...(+)
(nach Worten der Heiligen
Schrift). By Johannes
Brahms (1833-1897).
Arranged by Johannes
Brahms. For Soli SB, SATB
Choir, Piccolo, 2 Flute,
2 Oboe, 2 Clarinet, 2
Bassoon, 4 Horn, 2
Trumpet, 3 Trombone,
Tuba, 3 Timpani, Harp, 2
Violin, Viola, Cello,
Contrabass, [Organ]. This
edition: paperbound. Full
score available
separately - see item
CA.2705500. Requiem;
Occasions: Mourning,
Death; Use during church
year: End of the church
year. Piano/Vocal score.
Language: German. 45. 96
pages. Duration 70 min
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Set of Orchestra
Parts. Composed 1852. Op.
147. Duration 40 minutes.
Carus Verlag #4068719.
Published by Carus Verlag
(CA.4068719).
ISBN
9790007311384. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâs time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be âfashioned with
great loveâ. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâs partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
.
Score and parts available
separately - see item
CA.4068700.
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Set of Orchestra
Parts. Composed 1852. Op.
147. Duration 40 minutes.
Carus Verlag #4068709.
Published by Carus Verlag
(CA.4068709).
ISBN
9790007311322. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâs time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be âfashioned with
great loveâ. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâs partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
.
Score and parts available
separately - see item
CA.4068700.
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Choral Score.
Composed 1852. Op. 147.
Duration 40 minutes.
Carus Verlag #4068706.
Published by Carus Verlag
(CA.4068706).
ISBN
9790007239725. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâs time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be âfashioned with
great loveâ. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâs partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
.
Score available
separately - see item
CA.4068700.
(Kantate zum 1. Advent). By Johann Sebastian Bach (1685-1750). Edited by Ulrich ...(+)
(Kantate zum 1. Advent).
By Johann Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
For Soli STB, SATB Choir,
[Bassoon], Strings (2
Viola), Organ. This
edition: paperbound. BWV
61. Full score available
separately - see item
CA.3106100. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Advent.
Level 3. Piano/Vocal
score. Language:
German/English. Composed
1714. 24 pages. Duration
23 min. Published by
Carus Verlag
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Vocal score.
Composed 1852. Op. 147.
Duration 40 minutes.
Carus Verlag #4068703.
Published by Carus Verlag
(CA.4068703).
ISBN
9790007239718. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences
ââ¬â after
all, Schumann is not
generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannââ¬â¢s
time with the pragmatism
of its intended use by a
local choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be
ââ¬Åfashioned
with great
loveââ¬Â.
The demanding
orchestral mass can be
realized with limited
means. The solo parts can
be filled from the choir.
The work, which the
composer himself did not
have published, is here
reissued on the basis of
Schumannââ¬â¢s
partial autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Carus digital:
Extra digital products.
Full Score. Composed
1852. Op. 147. Duration
40 minutes. Carus Verlag
#4068700. Published by
Carus Verlag
(CA.4068700).
ISBN
9790007239701. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â??
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâ??s time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be â??fashioned with
great loveâ?. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâ??s partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
Composed by Antonia Bembo (1643-1715). Edited by Conrad Misch. Soli, Choir and I...(+)
Composed by Antonia Bembo
(1643-1715). Edited by
Conrad Misch. Soli, Choir
and Instruments (Piano,
Organ, Orchestra). First
edition. Choral. Score
and parts. Published by
Furore Verlag
(FV.FUE-6710).
(No. 2 from Alpha and Omega ). By Gwyneth W. Walker (1947-). Arranged by Gwynet...(+)
(No. 2 from Alpha and
Omega ). By Gwyneth W.
Walker (1947-). Arranged
by Gwyneth W. Walker. For
SAB vocal soli, SATB
choir, Piano, or Brass
Quint, Percussion, Organ
or Orchestra. Choral,
Christmas. Duration 4
minutes, 45 seconds.
Published by E.C.
Schirmer Publishing
(Kantate zum Osterfest (Fruhfassung)). By Johann Sebastian Bach (1685-1750). Edi...(+)
(Kantate zum Osterfest
(Fruhfassung)). By Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
Soli SATB, SATB Choir,
[Cornetto, 3 Trombones]
(Chorduplierung), Strings
(2 Viola), Organ. This
edition: paperbound. BWV
4. Full score available
separately - see item
CA.3100400. Cantatas;
Stuttgart Urtext
editions; Use during
chuch year: Easter and
Eastertide. Level 4.
Piano/Vocal score.
Language: German/English.
Composed 1707/08 (?) (vor
1714). 48 pages. Duration
22 min
(Kantate zum 4. Advent (Rekonstruktion: Uwe Wolf)). By Johann Sebastian Bach (16...(+)
(Kantate zum 4. Advent
(Rekonstruktion: Uwe
Wolf)). By Johann
Sebastian Bach
(1685-1750). Arranged by
Uwe Wolf. For Soli SATB,
SATB Choir, Trumpet, Oboe
d'Amore, Bassoon, 2
Violins (Violin solo),
Viola, Cello/Contrabass,
Organ. This edition:
paperbound. BWV 147a.
Full score available
separately - see item
CA.3114700. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Advent.
Level 4. Piano/Vocal
score. Language:
German/English. Composed
1716. 24 pages. Duration
18 min
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-Sa
«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Magnificat in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
By Franz Schubert. Edited by Reiser, Salome. For Soli SATB, SATB Choir, 2 Oboes,...(+)
By Franz Schubert. Edited
by Reiser, Salome. For
Soli SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, Organ.
D 486. Full score
available separately -
see item CA.7005300.
Magnificat; Stuttgart
Urtext editions; Use
during church year:
Advent, Christmas.
Piano/Vocal score.
Language: Latin. Composed
1815. 24 pages. Duration
9 min. Published by Carus
Verlag (German import).
(Kantate zum Sonntag Estomihi). By Johann Sebastian Bach (1685-1750). Edited by ...(+)
(Kantate zum Sonntag
Estomihi). By Johann
Sebastian Bach
(1685-1750). Edited by
Hans Grischkat. For Soli
SATB, SATB Choir, Oboe,
Bassoon, Strings, Organ.
This edition: paperbound.
BWV 159. Full score
available separately -
see item CA.3115900.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Special Days, Lent and
Passiontide, Holy Week.
Piano/Vocal score.
Language: German/English.
Composed 1729. 16 pages.
Duration 17 min.
Published by Carus Verlag
(Kantate zum Reformationsfest). By Johann Sebastian Bach (1685-1750). Edited by ...(+)
(Kantate zum
Reformationsfest). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SAB, SATB Choir, [2
Flutes], 2 Oboes, 2
Horns, Timpani, Strings,
Organ. This edition:
paperbound. BWV 79. Full
score available
separately - see item
CA.3107900. Cantatas,
Psalms, German; Stuttgart
Urtext editions;
Occasions: Praise and
thanks; Use during chuch
year: Special Days,
Reformation day. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1725 (?). 32
pages. Duration 17 min
By Dietrich Buxtehude. For SATB soli, SATB, organ (piano) (2 trumpet, bassoon, t...(+)
By Dietrich Buxtehude.
For SATB soli, SATB,
organ (piano) (2 trumpet,
bassoon, timpani, strings
ad lib). (Eng). Sacred
Choral Works. Duration
13'. Published by C.F.
Peters.