Volume 47 - I Got Rhythm - Japanese Edition by Jamey Aebersold. For any C, Eb, B...(+)
Volume 47 - I Got Rhythm
- Japanese Edition by
Jamey Aebersold. For any
C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. Bird practiced
and recorded 'I Got
Rhythm' in 12 keys on 28
separate occasions.
Intermediate, advanced.
Book and CD. Language:
Japanese. Published by
Jamey Aebersold Jazz
Composed by George Gershwin (1898-1937), Ira Gershwin, arranged by Kirby Shaw, e...(+)
Composed by George
Gershwin (1898-1937), Ira
Gershwin, arranged by
Kirby Shaw, edited by
Teena Chinn. Octavo for
SATB choir and piano
accompaniment (optional
guitar, bass and drums).
With chord names. Series:
Pop choral octavo (SATB).
12 pages. Published by
Alfred Publishing.
Composed by George Gershwin (1898-1937), Ira Gershwin, arranged by Kirby Shaw, e...(+)
Composed by George
Gershwin (1898-1937), Ira
Gershwin, arranged by
Kirby Shaw, edited by
Teena Chinn. Octavo for
SATB choir and piano
accompaniment (with
optional bass, guitar and
drums). With chord names.
Series: Pop choral octavo
(SSA). 12 pages.
Published by Alfred
Publishing.
(Vocal Solo or B-Flat Trumpet Solo with String Orchestra (featuring: I Got Rhyth...(+)
(Vocal Solo or B-Flat
Trumpet Solo with String
Orchestra (featuring: I
Got Rhythm / Fascinating
Rhythm / Strike Up the
Band)). By George
Gershwin and Ira
Gershwin. Arranged by
Douglas E. Wagner.
Orchestra. For string w/
trumpet, voice, pno,
drumset). Masterworks;
Part(s); Score; String
Orchestra. Pop Concert
String Orchestra. Form:
Medley. Light Concert;
Masterwork Arrangement;
Pop; Standard. Grade 4.
144 pages. Published by
Alfred Music Publishing
(Rhythm Section (Piano,
Bass, Drum Set)). For
Rhythm Section. Book; CD;
Mixed Instruments -
Flexible Instrumentation;
Play-Along. Alfred Jazz
Play-Along Series. Jazz.
136 pages. Published by
Alfred Music Publishing
Volume 7 - Miles Davis Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarine...(+)
By Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. 8 jazz originals
written by Miles Davis.
Play-Along Categories:
Artists. Level:
intermediate, advanced.
Book with CD. Published
by Jamey Aebersold Jazz.
I Got Rhythm * 'S Wonderful * They Can't Take That Away from Me * ...(+)
I Got Rhythm * 'S
Wonderful *
They Can't Take That
Away
from Me * I'll Build
a
Stairway to Paradise *
Love
Is Here to Stay *
Embraceable
You * Fascinating Rhythm.
Composed by Ira Gershwin
and
George Gershwin
(1898-1937).
Arranged by Adam Podd and
Matt Podd. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Great
American Songbook;
Secular.
Choral Octavo. 24 pages.
Alfred Music #00-47665.
Published by Alfred Music
I Got Rhythm * 'S Wonderful * They Can't Take That Away from Me * ...(+)
I Got Rhythm * 'S
Wonderful *
They Can't Take That
Away
from Me * I'll Build
a
Stairway to Paradise *
Love
Is Here to Stay *
Embraceable
You * Fascinating Rhythm.
Composed by George
Gershwin
(1898-1937) and Ira
Gershwin.
Arranged by Adam Podd and
Matt Podd. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Great
American Songbook;
Secular.
Choral Octavo. Alfred
Music
#00-47666. Published by
Alfred Music
Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet...(+)
By Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. The essence of modern
music and some of the
most important music this
century. Play-Along
Categories: Artists.
Level: intermediate,
advanced. Book with CD.
Published by Jamey
Aebersold Jazz.
Choir Secular SKU: AP.47668 I Got Rhythm * 'S Wonderful * They Can't T...(+)
Choir Secular
SKU:
AP.47668
I Got
Rhythm * 'S Wonderful *
They Can't Take That Away
from Me * I'll Build a
Stairway to Paradise *
Love Is Here to Stay *
Embraceable You *
Fascinating Rhythm.
Composed by George
Gershwin and Ira
Gershwin. Arranged by
Adam Podd and Matt Podd.
This edition: SoundPax.
Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Great American Songbook;
Secular. Part(s). 12
pages. Alfred Music
#00-47668. Published by
Alfred Music (AP.47668).
UPC: 038081543611.
English.
This
seamless 4½-minute
tour through seven
timeless standards pays
tribute to the American
songwriting team of
George and Ira Gershwin.
Smart voice leading and
classic choral arranging
techniques remain
faithful to the cherished
melodies and
jazz-influenced
harmonies. Listen closely
for additional Gershwin
themes tucked into brief
interludes between the
enchanting songs. Live
clarinet, bass, and drums
(in the opt. SoundPax)
add an elegant touch in
concert.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Choir Secular SKU: AP.47667 I Got Rhythm * 'S Wonderful * They Can't T...(+)
Choir Secular
SKU:
AP.47667
I Got
Rhythm * 'S Wonderful *
They Can't Take That Away
from Me * I'll Build a
Stairway to Paradise *
Love Is Here to Stay *
Embraceable You *
Fascinating Rhythm.
Composed by George
Gershwin and Ira
Gershwin. Arranged by
Adam Podd and Matt Podd.
This edition: SoundTrax
CD. Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Great American Songbook;
Secular. CD. Alfred Music
#00-47667. Published by
Alfred Music (AP.47667).
UPC: 038081543604.
English.
This
seamless 4½-minute
tour through seven
timeless standards pays
tribute to the American
songwriting team of
George and Ira Gershwin.
Smart voice leading and
classic choral arranging
techniques remain
faithful to the cherished
melodies and
jazz-influenced
harmonies. Listen closely
for additional Gershwin
themes tucked into brief
interludes between the
enchanting songs. Live
clarinet, bass, and drums
(in the opt. SoundPax)
add an elegant touch in
concert.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Jazz Ensemble plus opt. vibes - Grade 3 SKU: KN.61033 Composed by Lars Ha...(+)
Jazz Ensemble plus opt.
vibes - Grade 3
SKU:
KN.61033
Composed by
Lars Halle. Jazz Journey.
Fast Swing. Kendor Music
Inc #61033. Published by
Kendor Music Inc
(KN.61033).
UPC:
822795610338.
Show
off your rhythm section
with this high-powered
be-bop chart for
advancing groups based on
I Got Rhythm changes.
Solos for piano, bass,
and drums plus a soli for
the rhythm entire section
provides a great
opportunity to shine. A
guitar chord chart by Jim
Greeson is included in
each set as well as an
optional vibes part.
Duration ca 4:15.
Jazz Ensemble plus opt. vibes - Grade 3 SKU: KN.61033S Composed by Lars H...(+)
Jazz Ensemble plus opt.
vibes - Grade 3
SKU:
KN.61033S
Composed by
Lars Halle. Jazz Journey.
Kendor Music Inc #61033S.
Published by Kendor Music
Inc (KN.61033S).
UPC:
822795610338.
Show
off your rhythm section
with this high-powered
be-bop chart for
advancing groups based on
I Got Rhythm changes.
Solos for piano, bass,
and drums plus a soli for
the rhythm entire section
provides a great
opportunity to shine. A
guitar chord chart by Jim
Greeson is included in
each set as well as an
optional vibes part.
Duration ca 4:15.
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
(Lesson Book 1 2-CD Set). By Nancy Faber and Randall Faber. For Piano. Faber Pi...(+)
(Lesson Book 1 2-CD
Set). By Nancy Faber and
Randall Faber. For Piano.
Faber Piano Adventures®.
Primer/Level 1. CD only.
Faber Music #CD1016.
Published by Faber Music