| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
(14)$59.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Instruments en Mib [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb
instrument. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 864
pages. Published by Hal
Leonard.
(2)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 568
pages. Published by Hal
Leonard.
(8)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best Fake Book Ever - 5th Edition Instruments en Do [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book.
Broadway,
Country, Jazz, Pop,
Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Do-It-Yourself Alto Sax Saxophone Alto [Partition + Accès audio] Hal Leonard
Book with Online Audio and Video Alto Sax The Best Step-by-Step Guide to Start...(+)
Book with Online Audio
and Video
Alto Sax
The Best Step-by-Step
Guide to
Start Playing. Do It
Yourself.
Instruction, Method.
Softcover
Media Online. 128 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Do-It-Yourself Tenor Sax Saxophone Tenor [Partition + Accès audio] - Débutant Hal Leonard
The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Met...(+)
The Best Step-by-Step
Guide to
Start Playing. Do It
Yourself.
Instruction, Method.
Softcover
Media Online. 128 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| VH1's 100 Greatest Songs of Rock and Roll Saxophone Alto Hal Leonard
(for Alto Sax). By Various. For Alto Sax. Instrumental Solo. Softcover. 112 page...(+)
(for Alto Sax). By
Various. For Alto Sax.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| VH1's 100 Greatest Songs of Rock and Roll Saxophone Tenor Hal Leonard
(for Tenor Sax). By Various. For Tenor Sax. Instrumental Solo. Softcover. Publis...(+)
(for Tenor Sax). By
Various. For Tenor Sax.
Instrumental Solo.
Softcover. Published by
Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Beatles: Best Of The Beatles (Eb alto saxophone)
Saxophone Alto [Partition] - Intermédiaire Hal Leonard
Performed by The Beatles. For Eb alto saxophone. Format: Solo Songbook. With tra...(+)
Performed by The Beatles.
For Eb alto saxophone.
Format: Solo Songbook.
With transposed melody.
Classic rock, britpop and
psychedelic rock. 96
pages. 9x12 inches.
Published by Hal Leonard.
(
(28)$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best of the Beatles for Tenor Sax
Saxophone Tenor [Partition] Hal Leonard
Performed by The Beatles. Chart. Softcover. Size 9x12 inches. 94 pages. Publishe...(+)
Performed by The Beatles.
Chart. Softcover. Size
9x12 inches. 94 pages.
Published by Hal Leonard
Corporation.
(1)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Festival March Orchestre d'harmonie - Avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78 Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major. Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it.  The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Festival March Orchestre d'harmonie - Avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78F Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F). ISBN
9781491153239. UPC:
680160910731. Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it.  The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 25 or 6 to 4 - Débutant Hal Leonard
Jazz Ensemble (Score) - Grade 1-2 SKU: HL.7470752 By Chicago. By Robert L...(+)
Jazz Ensemble (Score) -
Grade 1-2 SKU:
HL.7470752 By
Chicago. By Robert Lamm.
Arranged by Paul Murtha.
Discovery Jazz. Classic
Rock, Rock. 12 pages.
Published by Hal Leonard
(HL.7470752). UPC:
884088543273.
12.0x9.0x0.02
inches. Recorded by
the group Chicago, this
signature hit has gone on
to become a rock classic.
Paul's easy arrangement
is playable with very
limited rehearsal time,
but still has an
authentic and
hard-driving feel.
Includes optional solos
(or soli) for any sax and
any brass instrument.
Enjoy great flexibility
with the Discovery Jazz
series! Playable with 3
saxes, 2 trumpets, 1
trombone, piano and
drums; includes optional
parts for flute,
clarinet, F horn and
tuba. $7.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Together Apart/Apart Together Music Sales
Saxophone, Accordion, Double Bass SKU: HL.14033723 Composed by Karsten Fu...(+)
Saxophone, Accordion,
Double Bass SKU:
HL.14033723 Composed
by Karsten Fundal. Music
Sales America. Classical.
Score. 15 pages. Music
Sales #KP01526. Published
by Music Sales
(HL.14033723). ISBN
9788759891322.
Danish. Together
Apart/Apart Together for
Saxophone, Accordion and
Double Bass was composed
by Karsten Fundal in
2004. Written for and
commissioned by Poing.
Programme note: This
piece is the 3rd in a row
of pieces, which
concentrates on a
rhythmical relationship
that continues to puzzle
me. It is actually two
relationships embedded.
The 1st is a pattern that
is very inspired by the
composer Per Norgard, who
in the beginning of the
90's got very preoccupied
with the idea that you
can have rhythms that
never meet. This happens
if you start a rhythm,
like a quintuplet, on the
beat and one, like a
triplet, off beat. This
can, with different
rhythms, give very
intricate interwoven
patterns, that gives the
illusion that they are
not cyclic. In my case I
use the two ratio five to
seven, in the described
way. This rythms have the
strange property that if
you take each 5th note of
the seven and each 7 note
of the five you get a
ratio almost identical:
49:50. This is very
intriguing, as you can
use the possibility of
letting them be equal or
the possibility of
letting them interfere.
In the first case you get
an interlocking rhythm
which is smooth: an equal
rhythmic pattern. In the
second case you get a
similar situation, but
where one of them is one
short after 50 of the
other ones, which results
in a disturbing almost
equality, but not quite.
Therefore the title:
because when I use the
unequal rhythm I put the
two layers in a similar
tone register, or a
similar way of playing,
and when I use the equal
one I put them a part
tone wise speaking. This
is a very technical
description, but it is
very hard to put it in
more wide terms, but you
might compare it with
driving in a train and
looking at two fence rows
behind each other: if the
poles are placed exactly
halfway between each
other you will experience
an illusion of a fast
jump if there is enough
distance between them, as
a result of the
perspective. If they are
placed in a way that
there are almost the same
numbers of poles, like
49:50, you will
experience a very complex
pattern, which seems
unpredictable. But of
course when using it in
music the whole thing is
somewhat different, but
even then it gives an
idea of my preoccupation.
What also intrigues me is
that the relations are
very hard to use in a
musical way, and that is
also quire a challenge.'
Finally I have to say
that I enjoyed very much
writing for Poing, as
these crazy guys are
capable of doing almost
anything you want in an
nearly literal sense. -
Karsten Fundal summer
2004. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You Can't Keep A Good Band Down Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Jazz ensemble - Grade 3 SKU: CL.032-4127-00 Composed by P. Clark. Jazz En...(+)
Jazz ensemble - Grade 3
SKU:
CL.032-4127-00
Composed by P. Clark.
Jazz Ensemble. Audio
recording available
separately (item
CL.991-2012-00). Score
and set of parts.
Composed 2012. Duration 3
minutes, 13 seconds. C.L.
Barnhouse #032-4127-00.
Published by C.L.
Barnhouse
(CL.032-4127-00).
This is a great
contest/concert selection
for band's at this grade
level. Once the notes get
under the fingers it
swings hard and shows off
the whole band. The
ranges and rhythms are
very reasonable, but the
excitement generated is
off the charts! The intro
is a piano vamp, followed
by the saxes playing the
melody in unison. The
trumpets then join the
altos, while the bones
and tenors play some
background punches. The
bones and saxes trade off
playing the bridge, and
then full ensemble plays
up to the open solo
section. Following the
solos, everything quiets
way down and the gradual
buildup to a real
flag-waver of an ending
begins. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| You Can't Keep A Good Band Down Ensemble Jazz - Intermédiaire C.L. Barnhouse
Jazz ensemble - Grade 3 SKU: CL.032-4127-01 Composed by P. Clark. Jazz En...(+)
Jazz ensemble - Grade 3
SKU:
CL.032-4127-01
Composed by P. Clark.
Jazz Ensemble. Audio
recording available
separately (item
CL.991-2012-00). Extra
full score. Composed
2012. Duration 3 minutes,
13 seconds. C.L.
Barnhouse #032-4127-01.
Published by C.L.
Barnhouse
(CL.032-4127-01).
This is a great
contest/concert selection
for band's at this grade
level. Once the notes get
under the fingers it
swings hard and shows off
the whole band. The
ranges and rhythms are
very reasonable, but the
excitement generated is
off the charts! The intro
is a piano vamp, followed
by the saxes playing the
melody in unison. The
trumpets then join the
altos, while the bones
and tenors play some
background punches. The
bones and saxes trade off
playing the bridge, and
then full ensemble plays
up to the open solo
section. Following the
solos, everything quiets
way down and the gradual
buildup to a real
flag-waver of an ending
begins. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sing Ariel Vocal Score Schott
Mezzo-soprano voice, 2 soprano voices and 5 players (t.sax.(bcl) - tpt. - pf. - ...(+)
Mezzo-soprano voice, 2
soprano voices and 5
players (t.sax.(bcl) -
tpt. - pf. - vn.(va) *
db) SKU:
HL.49003206 Composed
by Alexander Goehr. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Commissioned by the
Aldeburgh Festival with
financial assistance from
the Arts Council of Great
Britain. Classical.
Score. Composed
1989-1990. Op. 51. 160
pages. Duration 45'.
Schott Music #ED 12451.
Published by Schott Music
(HL.49003206). ISBN
9790220118609.
8.25x11.75x0.499 inches.
English. W.H.
Auden: Sing, Ariel, sing
* Spenser: He ceast * E.
Pound: Tell her that
sheds * Milton: Such a
sacred and home-felt
delight * Th. Campion:
Rose-cheeked Laura, come
* Milton: Such sober
certainty * Shakespeare:
O you are well-tun'd now!
* W.B. Yeats: Old lecher
with a love on every wind
* J. Hollander: Across
the street a tenor whine
* Collins: With woeful
measures wan Despair *
Th. Hardy: Thus I,
faltering forward * W.H.
Ausen: ... rebuke * C.
Raine: There is so much
to celebrate * Coleridge:
I see them all *
Hollander: ... my
unground grain * W.
Stevens: The time of year
has grown indifferent *
W.H. Auden: ... unanxious
one, sing * P. larkin: I
squeezed up the last
stair to the room in the
roof * Shakespeare: Thou
hast nor youth nor age *
W. Stevens: The palm at
the end of the mind * W.
Stevens: Without human
meaning * H. Vaughan:
All's in deep sleep and
night * W. Stevens: The
rock of autumn,
glittering * W.H. Auden:
... brillantly,
lightly. $68.00 - Voir plus => Acheter | | |
| If You Go Away (Ne me quitte pas) Orchestre d'harmonie LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gt...(+)
Concert Band; Orchestra
2.2.2.2: Sax(4-SATB,
opt.): 4.3.3.1:
Timp.Perc(5):
Hp.Gtr(opt.): Str
(9-8-7-6-5 in set)
SKU: AP.36-A782890
Arranged by Jacques Brel
and ed./arr. by Richard
Hayman. Full Orchestra
Score & Parts;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Masterwork Arrangement.
Score and Part(s).
LudwigMasters
Publications #36-A782890.
Published by
LudwigMasters
Publications
(AP.36-A782890). UPC:
676737927707.
English. Belgium
singer, actor, and
composer Jacques Brel
(1929-1978) wrote the
music and lyrics for Ne
me quitte pas (If You Go
Away) in 1959. The song
was later adapted with
English lyrics by Rod
McKuen, and the work is
considered a pop standard
with recordings by many
artists. This
orchestration was
completed by Richard
Hayman (1920-2014), who
had a very successful
career as chief music
arranger for the Boston
Pops Orchestra, an
association that lasted
over 50 years, and who
also served as a pops
conductor for various
orchestras including the
Detroit Symphony
Orchestra, the St. Louis
Symphony, and the Grand
Rapids Symphony.
Instrumentation: 2.2.2.2:
Sax(4-SATB, opt.):
4.3.3.1: Timp.Perc(5):
Hp.Gtr(opt.): Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $70.00 - Voir plus => Acheter | | |
| If You Go Away (Ne me quitte pas) Orchestre d'harmonie LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: Sax(4-SATB, opt.): 4.3.3.1: Timp.Perc(5): Hp.Gt...(+)
Concert Band; Orchestra
2.2.2.2: Sax(4-SATB,
opt.): 4.3.3.1:
Timp.Perc(5):
Hp.Gtr(opt.): Str
(9-8-7-6-5 in set)
SKU: AP.36-A782899
Arranged by Jacques Brel
and ed./arr. by Richard
Hayman. Full Orchestra
Condensed Score;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Masterwork Arrangement.
Score. LudwigMasters
Publications #36-A782899.
Published by
LudwigMasters
Publications
(AP.36-A782899). ISBN
9798888526729. UPC:
676737927936.
English. Belgium
singer, actor, and
composer Jacques Brel
(1929-1978) wrote the
music and lyrics for Ne
me quitte pas (If You Go
Away) in 1959. The song
was later adapted with
English lyrics by Rod
McKuen, and the work is
considered a pop standard
with recordings by many
artists. This
orchestration was
completed by Richard
Hayman (1920-2014), who
had a very successful
career as chief music
arranger for the Boston
Pops Orchestra, an
association that lasted
over 50 years, and who
also served as a pops
conductor for various
orchestras including the
Detroit Symphony
Orchestra, the St. Louis
Symphony, and the Grand
Rapids Symphony.
Instrumentation: 2.2.2.2:
Sax(4-SATB, opt.):
4.3.3.1: Timp.Perc(5):
Hp.Gtr(opt.): Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $4.00 - Voir plus => Acheter | | |
| Ain't It the Truth - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.032-3506-01 Composed by P. Clark. Jazz Ensemble. Audio re...(+)
Grade 3 SKU:
CL.032-3506-01
Composed by P. Clark.
Jazz Ensemble. Audio
recording available
separately (items
CL.991-2006-01 &
CL.991-2006-02). Extra
full score. Composed
2006. Duration 3 minutes,
10 seconds. C.L.
Barnhouse #032-3506-01.
Published by C.L.
Barnhouse
(CL.032-3506-01).
A hard drivin'
gospel rock chart by Paul
Clark that is full of
appeal. Starts out with
one trumpet and two alto
saxes and builds into a
powerhouse. Contains an
open solo section for the
soloists of your choice.
Ranges are very
reasonable and it's a
perfect choice for any
performance by mid-level
jazz ensembles. Sure to
be a favorite of your
band and their audiences!
A real winner! $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ain't It the Truth Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Paul Clark. Jazz Ensemble. Grade 3. Score and set of parts. Composed 2006. Du...(+)
By Paul Clark. Jazz
Ensemble. Grade 3. Score
and set of parts.
Composed 2006. Duration
0:03:10
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Exemplary Orchestre d'harmonie Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet, Tuba,
Vibraphone, alto
Saxophone and more. -
Grade 0.5 SKU:
CF.PPS49F Composed by
Richard Summers. Primer
Band (PPS). Full score.
With Standard notation.
12 pages. Carl Fischer
Music #PPS49F. Published
by Carl Fischer Music
(CF.PPS49F). ISBN
9781491152614. UPC:
680160910113. Exemp
lary is
a mature musicalÂÂ
piece for beginning
bands. Even though
only the first six
notes of the Bb-major
scale are used
with simple rhythms,
students and teachers
will find many, fun
musical challenges
that provide
opportunities for for
growth. As the title
suggests, performances
of Exemplary should
serve as a desirable
model, be worthy of
imitation, and should
represent the absolute
best in
musicianship. Exemplar
y is a mature musical
piece for beginning
bands. Even though only
the first six notes of
the Bb-major scale are
used, and simple
rhythms are used to
compose this piece, it
has many musical
challenges that will
enhance students’
musical growth. There are
some very musical ideas
and sections in this
piece that should be
explored. Just as this
title suggests, Exemplary
should serve as a
desirable model, be
worthy of imitation, and
should represent the best
possible example of its
kind. If you describe
something as exemplary,
it should be extremely
good. With all of these
challenges, the piece
also has some nice
melodies and is fun to
play.  Notes to the
ConductorThere are
marcato and legato
styles, many dynamic
markings (sometimes
different between
woodwinds, brass, and
percussion) major and
minor third intervals,
and challenging beginning
percussion writing (that
should not be
overplayed). Four-measure
phrasing should be
observed. When a
crescendo occurs, it
should connect to the
next note without taking
a breath. These are
teachable concepts that
will benefit the
musicianship of the
students and take them to
a higher level of
performance.  . $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Exemplary Orchestre d'harmonie Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet, Tuba,
Vibraphone, alto
Saxophone and more. -
Grade 0.5 SKU:
CF.PPS49 Composed by
Richard Summers. Primer
Band (PPS). Set of Score
and Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+2+1+12+2 pages.
Duration 2 minutes. Carl
Fischer Music #PPS49.
Published by Carl Fischer
Music (CF.PPS49). ISBN
9781491151938. UPC:
680160909438. Exemp
lary is
a mature musicalÂÂ
piece for beginning
bands. Even though
only the first six
notes of the Bb-major
scale are used
with simple rhythms,
students and teachers
will find many, fun
musical challenges
that provide
opportunities for for
growth. As the title
suggests, performances
of Exemplary should
serve as a desirable
model, be worthy of
imitation, and should
represent the absolute
best in
musicianship. Exemplar
y is a mature musical
piece for beginning
bands. Even though only
the first six notes of
the Bb-major scale are
used, and simple
rhythms are used to
compose this piece, it
has many musical
challenges that will
enhance students’
musical growth. There are
some very musical ideas
and sections in this
piece that should be
explored. Just as this
title suggests, Exemplary
should serve as a
desirable model, be
worthy of imitation, and
should represent the best
possible example of its
kind. If you describe
something as exemplary,
it should be extremely
good. With all of these
challenges, the piece
also has some nice
melodies and is fun to
play.  Notes to the
ConductorThere are
marcato and legato
styles, many dynamic
markings (sometimes
different between
woodwinds, brass, and
percussion) major and
minor third intervals,
and challenging beginning
percussion writing (that
should not be
overplayed). Four-measure
phrasing should be
observed. When a
crescendo occurs, it
should connect to the
next note without taking
a breath. These are
teachable concepts that
will benefit the
musicianship of the
students and take them to
a higher level of
performance.  . $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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