Fassung II-J.S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannes...(+)
Fassung II-J.S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion dem Weihnachtsoratorium dem Magnificat und der h-Moll-Messe zu den großen Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den übrigen oratorischen Werken hat Bach
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...(+)
Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
Cantata for Trinity Sunday-Es ist ein trotzig und verzagt Ding BWV 176Cantata fo...(+)
Cantata for Trinity Sunday-Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach apparently within a few weeks on texts by the contempotary Leipzig poetess Marianne von Ziegler.It is scored for Soprano Alto and Bass soloists mixed choir (SATB) 2 Oboes Oboe da caccia Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material (BA10176) choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale
from Cantata No. 147-Johann Sebastian Bach is regarded as one of the greatest co...(+)
from Cantata No. 147-Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. This chorale movement is one of his most enduring works however the melody was originally composed before Bach’s time in 1642 by Johann Schop. Utilising the already existing melody Bach wrote this setting of Jesu Joy Of Man’s Desiring in 1716 as the 10th and last movement of the church cantata ‘Herz und Mund und Tat und Leben’ (BWV 147) one of the over three hundred cantatas written by the master of the Baroque period.This edition of the familiar melody which is often performed at weddings and Christian festive seasons like Christmas and Easter is arranged for SATB Chorus and Organ. All four verses of the lyrics are provided in English translation along with the original version in German.
Passio secundum Joannem. Traditionelle Fassung (1739/1749)-J.S. Bach's Johannesp...(+)
Passio secundum Joannem. Traditionelle Fassung (1739/1749)-J.S. Bach's Johannespassion BWV 245 for SATB and Piano.Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach’s lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion using the partial autograph score is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns.
All of Bach’s six authenticated motets were written between 1723 and 1727 ...(+)
All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions. Four of his six motets were written for the funeral services of prominent members of the St Thomas’ congregation. Jesu Meine Freude (BWV 227) the longest most musically complex and earliest of the six was written in1723 for the funeral of Johanna Maria Käsin the wife of Leipzig’s postmaster. Jesu Meine Freude BWV 227 is a beautifully constructed motet for five-part mixed choir by J.S. Bach. This Urtext edition provides you with a clear and accurate realisation of the composer’s original intentions and includes thoroughly detailed editorial markings and suggestions as edited by Konrad Ameln. Urtext of the New Bach Edition Performance material and choral score (BA5132) available for sale Complete edition of the 6 Motets Vocal score with Piano reduction (BA5193-90) choral score (BA5193)
Bachs Ave Maria-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus...(+)
Bachs Ave Maria-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier das Ave Maria von J.S. Bach (nach Charles Gounod). Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16160O. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
Practical performing Urtext edition based on the latest state of Bach research. ...(+)
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition Klaus Hofmann Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts running to almost 500 pages of music are full of ambiguities and contradictions particularly regarding articulation which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research.
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...(+)
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Study score format 22.5 x 16.5cm- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreite's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festivalof the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
The story tells of the efforts of a father to compel his daughter to give up cof...(+)
The story tells of the efforts of a father to compel his daughter to give up coffee-drinking. The Coffee Cantata was written by Picander and set to music by Bach in 1732. Picander was the pseudonym of Christian Friedrich Henrici a German poet and librettist for many of Johann Sebastian Bach's Leipzig cantatas.
Mis in B-klein of Hohe Messe-The Mass in B minor BWV 232 by Johann Sebastian...(+)
Mis in B-klein of Hohe Messe-The Mass in B minor BWV 232 by Johann Sebastian Bach is a musical setting of the complete Ordinary of the Latin Mass. The work was one of Bach's last compositions not completed until 1749 the year before his death. For SATB choir with Piano accompaniment.
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...(+)
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) and study score format 22.5 x 16.5cm (TP1175) available for sale
A complete reconstruction based on the 1731 and 1744 versions of the text-In its...(+)
A complete reconstruction based on the 1731 and 1744 versions of the text-In its various reconstructed and completed version Johann Sebastian Bach’s St. Mark Passion BWV 247 occupies a fixed place in the pre-Easter concert repertoire. As the third of what were originally five Passions not only was it the latest to be written it is also the most enigmatic of the known Good Friday works composed by the Kantor of the Thomasschule. The fundamental approach behind the present version of the St. Mark Passion is to attempt to get as close as possible stylistically to the performed versions of 1731 and 1744. It is hoped that in the service of church music practice this completereconstruction will thus help to transform the third of Bach’s Passion works into a stylistically unified whole.
The Vocal score for Johann Sebastian Bach's The Passion Of Our Lord  arranged f...(+)
The Vocal score for Johann Sebastian Bach's The Passion Of Our Lord  arranged for Soprano Alto Tenor and Bass soli SATB chorus Orchestra and Organ. Included in this volume is the Vocal score for the Soprano Tenor Alto and Bass as well as Piano accompaniment. Â
Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein fe...(+)
Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein feste Burg ist unser Gott for SATB and Orchestra.Bach's Reformation cantata based on what is probably Martin Luther's most famous hymn evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716 now missing which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730 Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on in the 1730s or 1740s Bach replaced the introductory chorale movement with achorale setting which was unique spacious and motet-like in its style; this uniquely in this respect incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets timpani as playing score) by Wilhelm Friedemann Bach are available.
Cross Staff Cantata (Kreuzstabkantate)-Ich Will Den Kreuzstab Gerne Tragen 'Kreu...(+)
Cross Staff Cantata (Kreuzstabkantate)-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
Cross Staff Cantata (Kreuzstabkantate)-Ich Will Den Kreuzstab Gerne Tragen 'Kreu...(+)
Cross Staff Cantata (Kreuzstabkantate)-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
Johann Sebastian Bach's extraordinary legacy to all musicians and music-lovers i...(+)
Johann Sebastian Bach's extraordinary legacy to all musicians and music-lovers is celebrated here with a selection of choruses from the great cantata canon. This volume provides a perfect and accessible introduction to the choral works of the genius-composer ranging from the well-loved 'Jesu Joy Of Man's Desiring' to the little-known but beautiful 'Chaconne' 'Meine Tage In Dem Leide' and 'O Jesu Christ Meins Lebens Licht'. An excellent source for concert programming and liturgical use.
Kyrie-Gloria-Messe-Johann Christoph Altnickol's Missa in D for SATB.The Missa in...(+)
Kyrie-Gloria-Messe-Johann Christoph Altnickol's Missa in D for SATB.The Missa in d composed around 1750 is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time the clarity of this composition show the influence of his teacher but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass presented here in a first edition represents a high point in this widely disseminated genre.
Jesu Priceless Treasure is one of very few Bach motets which are in five parts....(+)
Jesu Priceless Treasure is one of very few Bach motets which are in five parts. Of all of Bach's motets it is the longest the most varied and has the greatest emotional range. It is founded on the hymn Jesu Meine Freude by Johannes Franck and the melody which Bach has used as the main feature of this motet is the one set to Franck's hymn by Johann Cruger and appeared first in his Praxis Pietatis Melica. The motet seems to have been written for the funeral of Frau Reese in 1723.This piece for SSATB voices can be sung unaccompanied or with the Piano Accompaniment provided in this edition.
Bachs famous instrumental arioso is set here with a simple Latin text. The expre...(+)
Bachs famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts richly enhancing this choral work. A beautiful way to introduce your singers to importantworks of the master composers.
Bachs famous instrumental arioso is set here with a simple Latin text. The expre...(+)
Bachs famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts richly enhancing this choral work. A beautiful way to introduce your singers to importantworks of the master composers.
for Sight-Singing and Performance-As a follow-up to his popular 31 Bach Chorales...(+)
for Sight-Singing and Performance-As a follow-up to his popular 31 Bach Chorales for Sight-Singing and Performance (HL 08743236) here is a collection of 30 more! Each chorale includes English and German texts along with pedagogical suggestions to help yoursingers build skills and develop musical literacy. A great tool for school church and community groups. For chorale titles click on “songlist”.
1. Choir 2. Choir Organ-Version of 1736 (final version)Bach???s St. Matthew Pa...(+)
1. Choir 2. Choir Organ-Version of 1736 (final version)Bach???s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas???s Church Leipzig in a version of which the copy made by Bach???s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale
Adapted from the chorales of J.S. Bach and previously found in the Novello Pari...(+)
Adapted from the chorales of J.S. Bach and previously found in the Novello Parish Chior Book PCB.1167. This short set of chorale movements is written for unaccompanied SATB choir. Text is provided in Latin with English translation.
The treasured Bach chorale prelude set for brass quintet and voices. Available: ...(+)
The treasured Bach chorale prelude set for brass quintet and voices. Available: SATB Unison/2-Part Instrumental Pak ShowTrax Cassette. Performance Time: Approx. 3:10.