From the most ecstatic trumpeting orchestral jubilation of the start of the Gloria to the tender pained longing in the Soprano and Tenor duet of the Laudamus te or the unstoppable fugue of the Cum sancto Spiritu the Mass in B minor is as exhilarating to the listeners as it is exhausting to performers. This edition of the Vocal score is edited by Frank Damrosch.

Uses: General Revival Scripture: Psalm 37:23-24; Luke 12:26-28; Philippians 4:19 Alive with gospel goodness this song of assurance and follow-ship has become a sanctuary standard since its first release. Trusting Jesus is a subject appropriate for any time of year and the cheerful styling found in this choral is immediately engaging.

Vocal Score Large Print-The story of the composition of Mozart's Requiem has a strange fabulous quality that is entirely typical of the events of his life. Whether we are considering his amazing exploits and achievements as a youthful virtuoso and maestro or the depth of his financial misfortunes in Vienna in the late 1780s there is little that is mundane about the main biographical facts.It comes as no surprise then to find that these facts have often been coloured and embroidered to enhance their emotional effect and to create a legend about this most remarkable musician. The simple story of the genesis of the Requiem is in itself striking - that in the last weeks of his lifeMozart was working on a Mass for the Dead that this work was the result of an anonymous commission and that the commissioner's envoy in order to avoid giving an address paid Mozart several unannounced visits like a messenger from another world - this story can easily be filled out with portents and hints of the supernatural.Even the account by Franz Niemetscheki (first published in 1798 based on information given by Mozart's widow Constanze and later receiving 'official' approval by being incorporated into the Mozart biography by Constanze's second husband Georg von Nissen) writes of the commissioner's agent appearing 'like a ghost' and Friedrich Rochlitz's account goes much further in suggesting that the composer was possessed by a demoniac and feverish desire to complete the Requiem and conscious of approaching doom

Dances Of Time is a diverse collection of five choral songs addressing different aspects of time. Texts ranging from biblical to twentieth century are set to Chilcott's attractive and characterful music drawing on elements of dance forms in various styles.The work opens with a rhythmic setting of Henry VIII's famous text 'Pastime with good company' before the contrastingly wistful and reflective 'Today'. The carpe diem sentiment of 'Gather ye rosebuds' is heightened through its setting as a lively jig and in 'To every thing there is a season' a central section presents the paired images of the text from Ecclesiastes enclosed by almosthymn-like outer segments. The infectiously positive 'Life has loveliness' sums up the overall message of the collection: despite the passing of time we can celebrate the present through music and singing.

(with O Sacred Head Now Wounded)-Uses: Holy Week Good Friday Scripture: Isaiah 53:3-7 - Luke 23:33-34 - Romans 5:6-9 The epic moments surrounding the crucifixion are portrayed in vivid poetry and dramatic music with this creative effort. The theatre of the Word is evident in this poignant tableau as the voices and instruments deliver a powerful score suggesting the horror of the Savior's death. The dotted rhythms and crushing harmonic language of the piece confront us even as they transport us to that ancient hill of suffering. Quoting O Sacred Head Now Wounded in its final moments this piece not only honors the dying Savior but reminds us of the life that is ours through His sacrifice. Includes Violinand Cello parts.

This Christmas carol commissioned by the Finnish broadcasting company Yle and first performed in Helsinki by Helsinki Chamber Choir conducted by Nils Schweckendiek is based on three texts two by William Shakespeare and one by George Wither. The largely homophonic textures combine with Rautavaara’s characteristically rich and often chromatic harmonies to form a very effective and satisfying work a bit different from the usual Christmas offering.

Shawnee Press Cathedral Series-Uses: Creation/Earth Day spring concert generalScripture: Psalm 19:1-2; Isaiah 45:18; Psalm 8Here is a powerful new anthem of challenge for choirs everywhere. A virtuoso piano part and colorfulchoral writing characterize this celebration of the Creator God! Commissioned by a high school for a special concert performance the composer pulled out all the stops in decorating this general text with lots of interestingchoral effects and very impressionistic compositional techniques. Duration: ca. 3:46.

A rhythmic setting of the resurrection story Stan Pethel's driving and energetic Christ is Risen Sing Hallelujah! is a marvelous “jump start” for your early service. Excitement and electricity fill the airfrom the first chord to the final “Hallelujah ” and that sense of uncontainable joy will linger long after the song has ended. Particularly suited for contemporary worship this intoxicating message of resurrectionpraise is easily approachable by small or large youth or adult mixed ensembles. The verses are generally unison bursting into parts on the chorus “Christ is risen sing hallelujah!” Great joy for Easter morning!

Uses: AdventScripture: Proverbs 20:27; John 8:12; II Corinthians 4:6An Advent anthem with a unique perspective this creative text reminds us that our seasonal candles are symbols of Christ theworld's true Light. The music is in the style of a lament suggesting our longing for the birth of the Savior. Affirm the promise of the coming of God's Son with this quickly learned and effective original. Violin (or C instrument)part included. Duration: ca. 2:37.

Uses: GeneralScripture: Psalm 146:2; Psalm 109:30From the driving opening to the final punctuated chords this anthem is a brilliant paean of praise that is rich with choral opportunities to encourageworship. The repetitive rhythmic motive is quickly learned and the toccata-like piano part maintains a constant stream of energy to propel the piece to unbounded jubilation. The contrasting middle section offers relief with deepresonating chords that enrich the text. After an arresting accelerando a wall of climbing 4ths brings a virtuosic element to the piece and enables a striking recapitulation and festive codetta.

This lively neo-spiritual is a bright spot for any choral performance or worship service. Let Your Light So Shine is rhythmic and bursting with energy and excitement. A must for any choir!

Written for SSATBarB choir. Nation shall speak peace unto nation is the motto of the British Broadcasting Corporation. This paraphrase of the text from the Book of Micah was compiled for the BBC’s coat of arms by the College of Arms in 1933.

Paperback-A wonderful processional Wilberg's Bring a torch Jeanette Isabella is a joyful carol. A catchy brightly articulated countermelody distinguishes this from other settings. The women sing alone then the men and all join together for a triumphant finish. Orchestral material is available on hire.

with My Faith Looks Up to Thee and My Faith Has Found a Resting Place. wo of our most profound hymn texts are given thoughtful consideration in this fresh approach. Beginning with an expressive harmonic stack that sensitively shares the faith passage from Hebrews, this anthem moves with regal dignity, creating a choral credo that is essential in its theological content and is programmable during many occasions. Refined writing!

Using a traditional American melody Barbara Heastings has used the words of Isaac Watts and John Newton to create a beautiful Lenten anthem. She also smuggles in sound bytes of Amazing Grace to strengthen its ties to American soil. All these things wedded together offer a communion or Lenten selection that is easy to medium in difficulty.