Alle, die mit uns auf Kaperfahrt fahrenAlle meine RockerAmsterdamAramsamsam (Kanon)Auf und abBass, Bass, Bass, BassCay HavasiCowboy Bill und WinnetouDer Mond ist aufgegangenDer Sechsachtelnoten-ZugDer Sechzehntelnoten-ZugDer Siebenachtelnoten-ZugDer UhrenkanonDicke, fete RegentropfenDie Tiroler sind lustigDrei Chinesen mit dem KontrabassDunkle Wolken zieh'n heranEin nierländisch TänzleinFahrrad fahrenFroschkanonGrün sind alle meine KleiderHänsel und GretelHart und sanftHejo, spann den Wagen an (Kanon)Heut kommt der Hans zu mir (Kanon)Hier ist Fantasie gefragtIch bin schon daIndianerKol DodiKomm zu mir, tanzen wirKönigin SimoneLeiterliedMama c' und Bay C''Mama e' und Baby e''Mama f' und Baby f''Mama h' und Papa hMein Bonnie fährt über die MeereMeine Kuh hat buntes FellOma und OpaOnkel Fritz hat ZahwehPapa a und Mama a'Papa g und Mama g'RegentropfenRock and Roll im OrientSascha liebt' nicht große WorteSchlangeSonne und StrandSpiel mir mal ein LiedStändchenStern in der NachtStille ist's im dunklen WaldSur le pont d'AvignonTausend FüßeThe Banks of SacramentoTöne klettern in C DurTöne klettern in F DurTöne klettern in G DurToreroWas müssen das für Bäume seinWechselschlag und SpeisequarkWeit ist das MeerWellenreiterWidele WedeleWolken, Wellen, Wind und MeetGrifftabelleEnsemble Kunterbunt: Spiel den BluesUhuliedGespensterschuleMarko SkaceKleine IndianerKol DodiSascha liebt_ nicht große WorteTsché Tsché KuléDer FrühlingRockstinatoDrei Chinesen mit dem KontrabassUngarescaMorgen kommt der WeihnachtsmannOde an die FreudeDer Tag fängt auf unser'm KahnAlmanya (Wirbelwind und Wolkenbrüche) / Mandoline / 84 pages / Partition

If you've heard jazz guitarists like Joe Pass play chord melody you may think that the style requires an encyclopedic knowledge of music theory musical super-powers or making a deal with the devil. But fear not! This bookwill show you how to create your own satisfying chord melody arrangements on the Mandolin...and will do so in a practical applicable way.'Aaron Weinstein has many musical accomplishments. I am very proud to have playeda small part with some of them. When he was only 12 he made his first recordings and asked me to play Mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling andJoe Venuti style jazz. Not long after that Aaron became interested in the Mandolin and chords and he came by every so often to play and discuss voicings improvisation and the like. I showed him some of the Jethro Burns chordmelody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself!Fast forward a few more years and Aaron has a Berklee degree traveled the worldplaying hot Violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah one other thing: he took the art of chord-melody Mandolin style to an entirely new level! The rich harmonies of the standard jazz and showtune repertoire the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style thanks to his great ear open mind and gift at locating thingson the fretboard. And now Aaron has documented explained and shared his discoveries and approach with all of us in this book. Thank you Aaron!This is truly a step-by-step method that you will enjoy. You'll findyourself saying 'oh of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and