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Sop… (1) Banjo Tenor Et Guitare Ad Libi… (1) Violon (ou Flûte) (1) For Soprano, solo Horn and lar… (1) Saxophone Alto ou Ténor (1) FLT(2)/PFA::Flute (Duet)/Piano… (1) Flûte A Bec Tenor Ou Flûte A… (1) Saxophone Alto ou Ténor et Pi… (1) Banjo (5 Cordes) Et Plectre (1) Flûte A Bec (Matériel pédag… (1) Voix D'Hommes Sans Accompagnem… (1) CLT/VLC/PFC::Clarinette, Violo… (1) Soli (SSATB), Choeur Mixte (SS… (1) Instruments en Do / C (1) 2 Ou 3 Trompettes (1) SATB/Accompagnement Piano (Sym… (1) Holzbläserquintett - Flöte,… (1) Chorale SAATTBB A Cappella (1) SS/SSAA/ORGA::SSAA/Accompagnem… (1) Cor Anglais (1) Fanfare Et 2 Timbales Ou Tambo… (1) 2 Cornets Et 2 Tubas (1) ChÅ“ur Mixte [SATB] et Orgue (1) OB/ORCH::Oboe, Orchestra (1) Voix d\'Enfants (1) 1 Ou 2 Flûte(s) A Bec Soprano… (1) BARITONE/PFA::Baryton/Accompag… (1) Choeur de Femmes et Orchestre/… (1) Mezzo-Soprano, 2 Sopranos Et 5… (1) BSN/PFA::Bassoon, Piano Accomp… (1) 2 Instruments En Clé De Fa (B… (1) Choeur d'Enfants (1-3 Voix) et… (1) Soprano Et Orchestre De Chambr… (1) 3 players with 12 conch shell… (1) Chorale SSA (1) Sheng et Piano (1) Violon (2 Violons) Et Piano (O… (1) Guitare, Claviers Et Guitare B… (1) Mandoline et Violon (1) Cloches ou Glockenspiel (1) Trombone Et Piano Ou Orgue (1) 4-Parties Flexible Band et Pia… (1) 4 Guitares (Quatuor) (1) 4 Guitares ou Ensemble de Guit… (1) Batterie/Percussion (1) Violon Solo et Orchestre à Co… (1) EORG/VCE::Electric Organ, Voic… (1) Livre et CD (1) Choeur Et Instruments Divers (1) Violon et Ensemble (1) BAR/SOP::Baryton/Soprano (1) Baryton ou Basse et Piano (1) Cor, Trompette et Trombone (1) SOP/TPT/ORGA::Soprano/Trompett… (1) Trompette ou Cornet ou Bugle e… (1) Violoncelle , Guitare (duo) (1) Paroles (1) Ensemble D'Altos (1) K7 Vidéo (1) Euphonium (1) Alto Et Harpe (1) Alto ou 2 Violes et Piano (1) Flûte Traversière et Piccolo… (1) Chorale SSATBB (1) Shô (Accordéon) Et Flûte Tr… (1) Sheng Solo, Percussions et Orc… (1) Voix et Piano ou Guitare (1) Solistes, Choeur Mixte, et Orc… (1) Ukulélé, Guitare, Mandoline,… (1) Basson Ou Contrebasson (1) FLT/PERC/HARP/VLN/VLC::Flûte/… (1) BSN/PFA::Bassoon/Piano Accompa… (1) 2 Instruments En Do (Flûte, H… (1) Voix Et Accords (1) 2 Hautbois (duo) (1) Piccolo, 3 Flûtes Traversièr… (1) Orgue, Trompette et Voix Mixte… (1) Mélodie, Paroles et Accords d… (1) Instruments Mélodiques en Do … (1) Instrument En Mib (1) MENSVOICES::ATTBarBB/Choral (1) SOP/SATB/UNIS/ORCH/PFA::Sopran… (1) Querflöte (oder Violine), Ba… (1) SOP/CHAM::Soprano, Musique De … (1) 1-2 Clarinettes (1) Narrateur(s), Tenor, Choeur Mi… (1) 2 Flûtes A Bec (SA) (1) Ensemble De Cuivres Et Voix (1) Flûte Traversière (Matériel… (1) Ensemble A 4 Parties (Clavier,… (1) CLT/BASS CLT/PERC/VLN/VLC::Cla… (1) Baryton, Choeur Mixte, Choeur … (1) Instrument seul et Orgue (1) Choeur SS (B) ou SA (B), 2 Vio… (1) Chorale Unison, Piano (1) Chorale Soprano seul, SATB, Cl… (1) Autres cordes pincées (1) Flûte traversière basse (1) Ténor et Orchestre (1) OB/PERC::Hautbois/Percussion (1) Choeur De Jeunes (SATB) Et Ins… (1) Quatuor A Cordes Et CD (1) Voix Elevées et Orchestre (1) Solistes ou Choeur SST (A) TB … (1) Voix Contralto et Piano (1) Musique De Chambre (1) Accordéon - Piano, Voix, Guit… (1) Film musical (1) Flûte A Bec Soprano Et Guitar… (1) Cloches, Glockenspiel ou Caril… (1) Ch?ur de femmes, Orchestre de… (1) Violine und Basso continuo (V… (1) Choeur De Femmes Et Orchestre/… (1) Alto et Voix (1) Concertina (1) Fifre (1) Vibraphone, 2 Marimbas, Sheker… (1) Piano Et Voix Guitare Ad Lib (1) B FLAT INST/BC INST/C INST/E F… (1) Choeur d'Enfants et Orff Intru… (1) Mallet (1) 5 Saxophones (Soprano, Alto, 2… (1) VLN/VLA/VLC/FLT/VCE::Violon, V… (1) GTR/ENS::Guitare/Ensemble d'É… (1) ALTO/PFA::Alto/Accompagnement … (1) Banjo Tablatures (1) 1 A 4 Flûte(s) A Bec Alto Ou … (1) 2 Instruments En Sib (Clarinet… (1) Flute à Bec (1) Cymbales Et Piano (1) Quintette à cordes: 2 violons… (1) Choeur A Cappella (1) B FLAT INST/C INST/E FLAT INST… (1) Maillets (1) 4 Bassons (1) HIGH VCE/FLT/OB/CLT(2)/BSN/PFA… (1) Flûte, Mezzo-Soprano, Violonc… (1) Guitare Tablatures Classique e… (1) Bongo (1) Flûte Traversière, Hautbois,… (1) Voix Variées Ou Instruments M… (1) ACDN/STR ENS::Accord?on, Ensem… (1) Flûte Et Cordes (1) 2 Parties Voix Aigues (SA) Et … (1) Clavier Et Synthétiseur (1) Solistes Et Choeur Mixte (1) Flûte Traversière, Clarinett… (1) Bongos (1) Hohe Stimme, Melodie-Instrume… (1) Voix et Piano et Voix De Femme… (1) Shô (Accordéon) Avec Et Sans… (1) Violon et Orchestre de Chambre… (1) 2 Cors En Fa ou Mib (1) BASS/PFA::Basse/Accompagnement… (1) Violoncelle ou Alto et Piano (1) Xylophone, Carillon, Vibraphon… (1) Flûte, Basson Et Harpe (1) Chorale, Orgue (1) Ensemble de Clarinettes (1) Soprano Solo, 3 Baryton Solos … (1) GTR/BGTR/DRUMS::Guitar, Bass G… (1) SOP/STR QUARTET::Soprano/Quatu… (1) Solistes, Choeur Mixte (SATB) … (1) Carillon, Vibraphone, Marimba … (1) Saxophone Soprano et Piano (1) Choeur SAM (1) 2 Flûtes à bec, Piano (1) Clarinet, Piano Accompaniment (1) Flûte à Bec, Piano (1) 3 Flûtes A Bec Soprano (1) FLT(3)/PERC::Flûte Traversiè… (1) Guitare Flatpicking et Fingerp… (1) Solistes, Choeur, Quatuor A Co… (1) SOP/PFA::Soprano, Accompagneme… (1) 4 Saxophones [SATB] (1) Xylophone, Piano (1) Choeur De Jeunes Et Piano (1) Alto et Violon (1) Hautbois Ou Clarinette (1) Contrebasse/2 Violons (1) Soprano et Piano (1) Flûte en sol, Harpe et Sextu… (1) Trombone 2 (1) Flûte Traversière, 2 Violons… (1) Chant de Femmes et Piano (1)
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Arcadiana (ADES THOMAS) Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Faber Music Limited
Par ADES THOMAS. Composed in 1994 and now firmly established as part of the cont...(+)
Par ADES THOMAS. Composed in 1994 and now firmly established as part of the contemporary string quartet repertoire, Arcadiana is one of Thomas Adès’s early masterpieces. Six of its seven movements evoke various vanished or vanishing idylls. The odd-numbered movements are all aquatic. I might be the ballad of some lugubrious gondolier; III takes a title and a figuration from a Schubert Lied; in V a ship is seen swirling away to L’Isle Joyeuse; VII is the River of Oblivion. The second and sixth movements inhabit pastoral Arcadias, respectively: Mozart’s ‘Kingdom of Night’, and more local fields. The joker in this pack is the fourth movement, the literal dead centre: Poussin’s tomb bearing the inscription ‘Even in Arcady am I’. / Ensemble Music / Répertoire / Quatuor à Cordes
25.63 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur
String Quartet No. 4
(LERDAHL FRED) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Schott
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissione...(+)
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.
My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.
My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes
167.61 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur
String Quartet
(ZIMMERMANN BERND ALOIS) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Schott
Par ZIMMERMANN BERND ALOIS. With this edition, Schott publishes the early two-mo...(+)
Par ZIMMERMANN BERND ALOIS. With this edition, Schott publishes the early two-movement string quartet by Bernd Alois Zimmermann for the first time. In a letter the composer wrote: 'I am still messing around with my quartet. This probably is the most concentrated work of composition - and the most abstract.'
The string quartet belongs within the context of his early works which focussed on chamber music, unlike those of later years. Until 1945, he created a number of piano pieces and songs, a Suite for Violin and Piano as well as a String Trio (ED 7563)./ Répertoire / Quatuor à Cordes
30.52 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur
La cantina (ALAKOTILA
TIMO) Quatuor à cordes: 2 violons,
alto, violoncelle [Set de Parties séparées] Fennica Gehrman
String quartet no. 3. Par ALAKOTILA TIMO. Timo Alakotila's La cantina (String qu...(+)
String quartet no. 3. Par ALAKOTILA TIMO. Timo Alakotila's La cantina (String quartet no. 3, 2013) was commissioned by a distinguished Finnish string quartet Kamus. The title of the quartet in four movements was inspired by the ongoing renovation in the composer's basement (ital. La cantina) after a water damage. The first movement leads from tentative dialogues to a powerful unison. The lyrical second movement (San Giovanni) is followed by a mysterious and wistful waltz. The finale (Fretta) rushes ahead all the way until the end. Composer, musician Timo Alakotila (b. 1959) is a distinguished, active and versatile talent in the Finnish music scene whose long career working with different genres of music - folk music in particular - has been ground-breaking. Alakotila's works showcase his versatility: he has produced highly acclaimed classical music compositions and arrangements for Pekka and Jaakko Kuusisto, the Meta4 quartet, the Kamus and Tempera quartets, Eeva Oksala, Dalia Stasevska and Jorma Hynninen, among others. / Date parution : 2023-01-24/ Répertoire / Quatuor à Cordes
47.52 EUR - vendu par LMI-partitions Délais: Sur commande
The Wedding Collection:
String Quartet: Score and
Parts Quatuor à cordes: 2 violons,
alto, violoncelle Schott
8 Favourite Pieces Arranged for String Quartet-This unique collection of 8 piece...(+)
8 Favourite Pieces Arranged for String Quartet-This unique collection of 8 pieces is the latest addition to the popular Schott String Quartet series. Arranged by Barrie Carson Turner the romantic repertoire including Wagner's 'Bridal Chorus' 'Arrival of the Queen of Sheba' by Handel and Mendelssohn's celebrated 'Wedding March' is ideal for commemorating that special day.The Schott String Quartet SeriesWith the first books in the series focusing on baroque classical and romantic styles The Schott String Quartet series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer' which features original compositions each book contains originalarrangements of well known themes which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance.
15.99 GBP - vendu par Musicroom GB
Franz Joseph Haydn: The
String Quartets - 12
Volumes In A Slipcase:
String Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] - Intermédiaire/avancé G. Henle
The String Quartets in a Slipcase-All of Joseph Haydn's 69 string quartets in 1...(+)
The String Quartets in a Slipcase-All of Joseph Haydn's 69 string quartets in 12 paperback Urtext study editions collected together in a slipcase.All of the study scores minutely follow the musical text contained in the uncontested reference edition by theJoseph Haydn Institute in Cologne whose scholarly critical Haydn Complete Edition is also published by Henle Publishers. Each quartet opus reflects the latest in scholarly research and is introduced by an informative preface. Themusical text fulfils the highest aesthetic demands.A welcome present for every chamber music fan and the basis for every serious quartet player who wishes to play or study these works.
188.75 GBP - vendu par Musicroom GB
Bent Sørensen: Angels'
Music String Quartet
No.3: String Quartet:
Study Score Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] - Intermédiaire/avancé Wilhelm Hansen
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988...(+)
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and
26.99 GBP - vendu par Musicroom GB
Bent Sørensen: String
Quartet No.3 'Angel's
Music': String Quartet:
Instrumental Quatuor à cordes: 2 violons,
alto, violoncelle Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premier...(+)
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true to say that inthe Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and closer
57.50 GBP - vendu par Musicroom GB
String Quartet No. 3
(Cortege) - Score and
Parts: String Quartet:
Score & Parts Quatuor à cordes: 2 violons,
alto, violoncelle Lauren Keiser Music Publishing
This string quartet is a reflection on emperors and kings their works their pa...(+)
This string quartet is a reflection on emperors and kings their works their passions and the inevitable passge of time. Specifically it follows the career of Artashes who ruled Armenia about twenty-two hundred years ago (190-160 BC) founded theArmenian capital Artashat and abducted his beautiful bride Satenik. The composer was struck by a 19th century painting of Artashes funeral with its grand and seemingly endless cortege the wailing throng lining the road the deceased king borne instate on a royal carriage all led by regal horsemen and a colorful phalanx of musicians. The music is divided into five short scenes played without pause: I. Cortege II. Theft III. Build IV. Cortege V. Farewell. Commissioned by the DilijanChamber Music Seriesfor the Lark Musical Society. Duration: c. 14 minutes
102.99 GBP - vendu par Musicroom GB
String Quartet No. 3
(Cortege) - Full Score:
String Quartet: Score Quatuor à cordes: 2 violons,
alto, violoncelle Lauren Keiser Music Publishing
This string quartet is a reflection on emperors and kings their works their pa...(+)
This string quartet is a reflection on emperors and kings their works their passions and the inevitable passge of time. Specifically it follows the career of Artashes who ruled Armenia about twenty-two hundred years ago (190-160 BC) founded theArmenian capital Artashat and abducted his beautiful bride Satenik. The composer was struck by a 19th century painting of Artashes funeral with its grand and seemingly endless cortege the wailing throng lining the road the deceased king borne instate on a royal carriage all led by regal horsemen and a colorful phalanx of musicians. The music is divided into five short scenes played without pause: I. Cortege II. Theft III. Build IV. Cortege V. Farewell. Commissioned by the DilijanChamber Music Seriesfor the Lark Musical Society. Duration: c. 14 minutes
57.50 GBP - vendu par Musicroom GB
Hans Abrahamsen: String
Quartet No.2: String
Quartet: Score Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] - Intermédiaire/avancé Wilhelm Hansen
String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Han...(+)
String Quartet No.2 was composed by Hans Abrahamsen in 1981. Programme note: Hans Abrahamsens's second string quartet was commissioned by the Lerchenborg music-week of 1981 during which it was first performed by the Gaudeamus Quartet. In Hans Abrahamsen's second quartet it is the continuous alternation of soberness and drama that first catches the listner's ears: the lyrical/gestural tradition as we know it from Arnold Schoenberg and Alban Berg pitched - not against - but around the 'sober barbarism' which is characteristic of rhytmic neo-classicism. Both the first and the last movement of th is quartet are emotional at manylevels: sad - and still seething with life and always unpredictable in their development it is night twilight and white-hot light. Sparkling diamonds set off by scarlett velvet. The two middle movements link the contrasts without cushioning: the second movement a gruelling stripped rhythmical drill followed by a hushed far-off dance in triple meter which shifts and hesitates all the time though. There is an ambience of the classics glimpsed through many veils. The second quartet is music which is fraught with danger in its ambiguous relation to tradition: the past emerges as a most relevant and living ghost. The Beauty and the Beast as musical drama.
15.50 GBP - vendu par Musicroom GB
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