| Johann Pachelbel: Christ
lay in grim deaths
prison: Mixed Choir:
Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Barenreiter
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)East...(+)
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale
19.50 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Alessandro: Mixed Choir:
Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Oratorio in three parts-In quite characteristic fashion for the times Handel&rs...(+)
Oratorio in three parts-In quite characteristic fashion for the times Handel’s opera “Alessandro” looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel’s opera is Alessandro being in love with two women Lisaura and Rossane who compete for his favour. In addition his claim to be of divine parentage is underlined occasioning him to demand the subservience of his followers which meets with vigorous disapproval.Handel composed “Alessandro” for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King’s Theatre in London on 5 May 1726. “Alessandro” was the first of five operas for the Royal Academy operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni.Ortensio Mauro’s libretto “La superbia d’Alessandro ” which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title “Il zelo di Leonato” but with numerous alterations served as the source text for Handel’s “Alessandro”. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view it made good sense for such rivalry would surely increase public interest in the opera.It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33 Handel made substantial revisions to the opera: six numbers were deleted in their entirety the finale in part as well and the recitatives were made much shorter with the parts of Cleone and Leonato omitted
233.50 GBP - vendu par Musicroom GB |
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| Johann Sebastian Bach:
Mass in A major BWV 234
Lutheran Mass 2: Mixed
Choir: Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Einzelstimme(n) - Flöte 1] Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
6.00 GBP - vendu par Musicroom GB |
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| Johann Sebastian Bach:
Cantata BWV 80 Ein feste
Burg ist unser Gott:
Voice: Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Partition] Barenreiter
Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for t...(+)
Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
9.00 GBP - vendu par Musicroom GB |
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| Francesco Cavalli: La
Calisto: Orchestra: Score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Dramma per musica in three acts-La Calisto one of Cavalli?s most frequently pe...(+)
Dramma per musica in three acts-La Calisto one of Cavalli?s most frequently performed operas today was premiered in Venice in 1651 but didn?t achieve its first real breakthrough until the 20th century.The foundation for this success may be the rediscovery of the dramaturgic and musically masterful construction: Faustini interwove several mythological models; the love between the Nymph Kallisto and Jupiter and between Diana and the shepherd Endymion as well as Kallisto?s transformation into a bear and his emanation as a well-known constellation. Numerous amusing minor roles are included and Cavalli succeeded in combining the various storylines and characters to produce an effective musically cohesive whole.This first volume of the new Bärenreiter series of the works of Cavalli presents a critical edition of the musical text and libretto complete with an English translation and provides a comprehensive insight into the development of the genre in Italian opera life of the 17th century.Performance material available for hire.
272.00 GBP - vendu par Musicroom GB |
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| Johann Sebastian Bach:
Mass in G minor BWV 235
Lutheran Mass 3: Mixed
Choir: Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Barenreiter
Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor so...(+)
Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor solo Bass solo mixed choir (SATB) and orchestraOften overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts. Urtext of the New Bach EditionFull score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
12.00 GBP - vendu par Musicroom GB |
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| Giuseppe Verdi: Messa da
Requiem: SATB Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Carus Verlag
Among Verdi’s many compositions as a work of sacred music the Requiem r...(+)
Among Verdi’s many compositions as a work of sacred music the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Allessandro Manzoni deeply admired by Verdi and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi’s tonal language with musical means wholly in the service of a dramatized liturgy. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In addition to the musical text the score contains a detailed foreword in threelanguages a critical report with information on the source situation the edition and the various readings. The complete performance material will be available for sale.
17.10 GBP - vendu par Musicroom GB Délais: En Stock |
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| Johann Sebastian Bach:
Johannespassion: SATB Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Carus Verlag
Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Pass...(+)
Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach?s Leipzig years. In contrast to his other large-scale choral works however Bach never gave this work a definitive final form. Rather for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach?s direction in 1749. At the same time with the aid of the appendix it is possibleto perform the work in the traditional ?mixed version.?
15.20 GBP - vendu par Musicroom GB |
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| Francesco Durante:
Magnificat in B: SATB
Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Carus Verlag
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most importan...(+)
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical 'modern' elements its various forms never sound archaic rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Crüger: Nun komm der Heiden Heiland - Cornelius Freundt: Wie schön singt unsder Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph lieder Joseph mein - Johann Crüger: Fröhlich soll mein Herze springen - Gregor Joseph Werner: Der Tag der ist so freudenreich The string parts for these movements are included in the parts Carus 10.270/11-14.
18.90 GBP - vendu par Musicroom GB |
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| Johann Sebastian Bach:
Mass in A major BWV 234
Lutheran Mass 2: Mixed
Choir: Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
9.50 GBP - vendu par Musicroom GB |
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| Francesco Durante:
Magnificat in B: SATB Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most importan...(+)
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical 'modern' elements its various forms never sound archaic rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Crüger: Nun komm der Heiden Heiland - Cornelius Freundt: Wie schön singt unsder Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph lieder Joseph mein - Johann Crüger: Fröhlich soll mein Herze springen - Gregor Joseph Werner: Der Tag der ist so freudenreich The string parts for these movements are included in the parts Carus 10.270/11-14.
108.00 GBP - vendu par Musicroom GB |
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| Johann Sebastian Bach:
Mass in A major BWV 234
Lutheran Mass 2: Mixed
Choir: Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
6.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Vesperae Solennes De
Confessore K.339: SATB:
Parts Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Set of Wind Parts-We know that Mozart held his Vespers in high regard since he o...(+)
Set of Wind Parts-We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae Solennes De Confessore K. 339 both call for four Vocal parts two Violins two Clarini Kettledrums Basses (Violoncello Double Bass and Bassoon) three Trombones and Organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms anautonomous unit; the Doxology at the end is derived from the themes of the various Psalms.Urtext of the New Mozart EditionPerformance material (BA4894) vocal score (BA4894-90) available for sale
17.00 GBP - vendu par Musicroom GB |
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| Charles Gounod: Requiem
in C: Piano: Vocal Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Charles Gounod's Requiem Op. Posth in C for SATB and Piano.Charles Gounod compos...(+)
Charles Gounod's Requiem Op. Posth in C for SATB and Piano.Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson Maurice. According to information handed down while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil Henri Busser but the only complete version from the pen of Gounod is the version for large orchestra which is published here for the first time in a critical edition.Gounod?s Requiem unlike many contemporary settings of the Mass of the Dead is not characterized by darkness and terror. Rather with all of itstrepidation expressed through a marked chromaticism an atmosphere of hopeful expectation of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod?s death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press.
14.60 GBP - vendu par Musicroom GB |
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| Johann Sebastian Bach:
Mass in A major BWV 234
Lutheran Mass 2: Mixed
Choir: Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
6.00 GBP - vendu par Musicroom GB |
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| James MacMillan: A Child
Is Born In Bethlehem:
Men's Voices: Vocal Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Boosey and Hawkes
Composed in 1978 this is a setting of a Dutch traditional carol. The work opens ...(+)
Composed in 1978 this is a setting of a Dutch traditional carol. The work opens with an extended passage for solo Oboe molto rubato. The vocal writing includes sections for various combinations of voice-parts both with and without the Oboe. A further solo oboe passage brings the work soflty to a close. Suitable for advanced standard performers. The oboe part is available as a free download from Boosey.com.
3.25 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Messiah HWV 56: Mixed
Choir: Part Soli, choeur mixte et accompagnement Barenreiter
Oratorio in three parts-Messiah occupies a unique position in Handel???s work. E...(+)
Oratorio in three parts-Messiah occupies a unique position in Handel???s work. Even if it does not represent the absolute zenith several other oratorios could challenge it in this respect its strongly universal character and directness of expression which appeal to men of all creeds make it the most renowned work in the whole of the composer???s monumental output.That this oratorio is unquestionably a work of individual character is shown by all its features: its material which presents liturgical traditions alongside popular elements; its structure which combines an ever-changing variety of elements from opera cantata concerto and anthem; its musicalorganization which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner with great artistry most accomplished technique and superb invention.Urtext of the Halle Handel EditionFull score and performance material (BA4012) vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22.5 x 16.5cm (TP175) available for sale.
11.00 GBP - vendu par Musicroom GB |
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