Red Sombrero Violoncelle, Piano - Intermédiaire De Haske Publications
Cello and Piano - intermediate SKU: BT.DHP-1175829-401 Composed by Pascal...(+)
Cello and Piano -
intermediate
SKU:
BT.DHP-1175829-401
Composed by Pascal
Proust. De Haske String
Series. Book and Part(s).
Composed 2017. 12 pages.
De Haske Publications
#DHP 1175829-401.
Published by De Haske
Publications
(BT.DHP-1175829-401).
ISBN 9789043153034.
English-German-French-Dut
ch.
To the beat of
the Habanera rhythm, our
young cellists will
travel to the land of
multi-coloured hats.
Composer Pascal Proust
has many years of
experience as a musician
and music teacher. His
work includes several
hundred compositions for
the most diverse
instrumentations. He
wrote Red Sombrero
for cellists with an
ability of approximately
3 4 years’
experience. He paid
special attention to an
easy-to-follow,
attractive musical style.
Red Sombrero is an
ideal performance or
competition work for
young
musicians.
Op het
ritme van de Habanera,
reizen onze jonge
cellisten naar het land
van de kleurrijke
hoeden. De componist
Pascal Proust kan bogen
op een jarenlange
ervaring als muzikant en
muziekdocent. Zijn oeuvre
omvat honderden
composities voor de meest
diverse instrumentaties.
Hij schreef Red
Sombrero voor
cellisten die ongeveer
drie tot vier jaar les
hebben gehad, waarbij hij
speciaal aandacht heeft
besteed aan een makkelijk
te volgen, aantrekkelijke
muziekstijl. Daardoor is
Red Sombrero een
ideaal voordrachts- of
wedstrijdstuk voor jonge
muzikanten.
In
einem Habanera-Rhythmus
unternehmen die jungen
Cellisten eine Reise ins
Land der bunten
Hüte. Der
Komponist Pascal Proust
kann aus seiner
langjährigen Erfahrung
als Musiker und
Musikpädagoge
schöpfen, sein Oeuvre
umfasst mehrere hundert
Kompositionen für
verschiedenste
Besetzungen. Er schrieb
Red Sombrero
für Cellisten mit
ungefähr 3 4 Jahren
Unterrichtserfahrung und
legte besonderes
Augenmerk auf einen
leicht verständlichen,
attraktiven musikalischen
Stil. Dadurch eignet sich
Red Sombrero ideal
als Vortrags- und
Wettbewerbsstück
für junge
Musiker.
Cello and Piano SKU: BT.PWM8613 Transcription for Cello and Piano....(+)
Cello and Piano
SKU:
BT.PWM8613
Transcription for
Cello and Piano. By
Kazimierz
Wiłkomirski. By Karol
Szymanowski. Classical.
Book Only. Composed 1987.
44 pages. Polskie
Wydawnictwo Muzyczne
#PWM8613. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM8613).
Sonata in D
minor is Szymanowski's
earliest violin work and
was written in 1904. In
its conventional
character one clearly
feels the dependence on
the violin sonatas of
Franck ahd Brahms and the
composer's desire to
master the traditional,
three-movement cyclic
form. Sonata for violin
and piano (arranged for
cello by Kazimierz Wi
komirski), a juvenile
work, in spite of the
fact that its style is
still not crystallised,
betrays the composer's
growing interest in tone
colour and foreshadows
the bold and rich melodic
line characteristic of
Szymanowski's later
works.
Thomas Tunes Violoncelle, Piano Breitkopf & Härtel
Cello, piano (2 cellos) SKU: BR.EB-8884 8 Pieces for Cello and Piano o...(+)
Cello, piano (2 cellos)
SKU: BR.EB-8884
8 Pieces for Cello and
Piano or 2 Cellos.
Composed by Graham
Waterhouse. Stapled.
Edition Breitkopf.
Pieces for young (at
heart) cellists
Music
pedagogy. Score. 60
pages. Breitkopf and
Haertel #EB 8884.
Published by Breitkopf
and Haertel (BR.EB-8884).
ISBN 9790004184745. 9
x 12 inches. German /
English.
Graham
Waterhouse created a
little series of lovely
melodies for his son,
which he then
successfully performed at
violoncello competitions.
The eight pieces can be
played alone, as well as
in a suite with a random
sequence. The majority
are dances with
rhythmical
characteristics that are
intended to challenge the
young string players.
This also applies to the
expanded performance
techniques that are
introduced and
occasionally used here.
The level of difficulty
ranges from the first
position in Montague's
March up to the fourth
position in Henry
Hornpipe, the most
difficult piece in the
cycle. Originally
conceived for solo voice
and piano, this edition
also contains an
alternative version for
two
violoncelli.
Sonata No. 1 Violoncelle, Piano LudwigMasters Publications
Cello and Piano SKU: AP.36-M385591 Arranged by Johannes Brahms and ed./ar...(+)
Cello and Piano
SKU:
AP.36-M385591
Arranged by Johannes
Brahms and ed./arr. by
Janos Starker/ Emilio
Colon. Cello. Starker
Performance Editions.
Book. LudwigMasters
Publications #36-M385591.
Published by
LudwigMasters
Publications
(AP.36-M385591).
ISBN
9798892704243. UPC:
659359801839.
English.
Brahms
famously described this
piece as certainly not
difficult to play, and
while easier than some of
his other very
challenging works, it is
still a quality
performance piece. The
SONATA NO 1 is written as
a solo with more of a
duet feel between the
cello and piano, creating
a beautiful interweaving
of harmony and melody.
This piece written in
three movements shows
Brahms' influence by Bach
in it's more classical
and structured style. A
beautiful selection to
add to any cellist's
repertoire.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Violin, Cello and Piano SKU: BT.EMBZ14659 By András Soós. Education...(+)
Violin, Cello and Piano
SKU: BT.EMBZ14659
By András Soós.
Educational Tool. Book
Only. Composed 2009. 60
pages. Editio Musica
Budapest #EMBZ14659.
Published by Editio
Musica Budapest
(BT.EMBZ14659).
Hungarian-English-Germ
an-French.
This
volume of works by the
Viennese classical and
romantic composers
contains only
transcriptions, and only
from pieces for the
piano. In most cases the
right hand part is played
on the violin, often
alternating with or
responding to the cello,
thus the piano part is
considerably easier than
the original, and
therefore accessible to
children not yet capable
of playing the original
work. The selection
includes the most popular
pieces by the greatest
composers (Haydn,
Beethoven, Mendelssohn,
Schumann, Chopin and
Grieg), such as, for
instance, the second
movement of the
Mondschein-Sonate, and
Träumerei.
Dies
er Band beinhaltet
ausschließlich von
Klavierwerken
transkribierte Werke aus
der Wiener Klassik und
Romantik. Die Melodie der
rechten Hand wird
meistens von der Geige,
oft mit dem Cello
abwechselnd, einander
antwortend gespielt.
Dadurch ist die
Klavierstimme im
Vergleich zum Original
wesentlich leichter, also
sie ist auch für
Kinder zu meistern, die
das Originalstück
sonst noch nicht spielen
könnten. In der
Auswahl kommen die
beliebtesten Werke der
größten Komponisten
(Haydn, Beethoven,
Mendelssohn, Schumann,
Chopin und Grieg) wie z.
B. der zweite Satz der
‚Mondschein-Sonate
oder das
‚Träumerei'
vor.
Cello and piano - Level 2 SKU: VD.ED99658 Composed by Philip Hahn. Classi...(+)
Cello and piano - Level 2
SKU: VD.ED99658
Composed by Philip Hahn.
Classical. Score, solo
part. Composed 1995. 9 S.
Part. + 3 S.Stimme pages.
Verlag Dohr #ED99658.
Published by Verlag Dohr
(VD.ED99658).
Starter Solos Violoncelle, Piano [Partition + CD] - Facile Anglo Music
Cello and Piano - easy SKU: BT.AMP-347-400 20 Progressive Pieces with ...(+)
Cello and Piano - easy
SKU:
BT.AMP-347-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Starter Solos.
Tuition. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
347-400. Published by
Anglo Music Press
(BT.AMP-347-400).
ISBN
9789043138659. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20 solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The books
provide invaluable
additional material to
complement any teaching
method.Starter
Solos comes with a
play-along CD. The
advantages of playing
either with piano or CD
accompaniment are that
the beginning player can
nowexperience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playing alone.
Philip
Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie,
dynamiek,enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende
instrument.Uitgave met
cd: De voordelen van het
spelen met begeleiding -
hetzij op de piano,hetzij
op de cd - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en het
handhaven van een strak
tempo. Bij hetalleen
spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten.
STARTER SOLOS und
SKILFUL SOLOS können
dank der im Buch und auf
der CD enthaltenen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Follow me •Best
Foot Forward •Folk
Song •My Homeland
•Missing You
•Russian Winter
•On a Carousel
•Rush Hou •A
Dynamic Start
•Short but Sweet
•Ballad
•London Bridge
•Summer Breezes
•Modal Melody
•Toon Tune
•In a Balloon
•Yankee Doodle
•SadSong
•Count Me In
•Ragtime
March
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza dubbio
la cosa più importante
al fine di un buon
apprendimento. E’
quindi importante mettere
a disposizione
dell’allievo
materiale motivante.
Nello scrivere questi
soli, PhilipSparke si
è consultato a più
riprese con insegnanti ed
allievi per mettere a
punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono inclusi nel CD.
Cello and piano - easy to intermediate SKU: HL.49044195 Composed by Georg...(+)
Cello and piano - easy to
intermediate
SKU:
HL.49044195
Composed
by George Gershwin.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String. Inspiriert
von den 24 Preludes
Chopins begann George
Gershwin er Mitte der
20er Jahre selbst
'Preludes' fur Klavier zu
schreiben. Diese
verbinden klassische
Momente mit
Jazz-Elementen zu einem
wirkungsvollen Ganzen,
konnen einzeln oder als
kleine Jazz-Son.
Softcover. 16 pages.
Schott Music #ED21485.
Published by Schott Music
(HL.49044195).
ISBN
9790001190879. UPC:
840126933604.
9.0x12.0x0.065
inches.
The
melodies from George
Gershwin's (1898-1937)
musicals, from 'Porgy and
Bess', from orchestral
pieces like 'Rhapsody in
Blue' or 'An American in
Paris', we all know them!
But the career of the
young musician started as
a pianist in a music
publishing house where he
was to encourage
customers to buy music by
playing it. Soon he began
to compose music himself
and caught the attention
of the Broadway, which
paved the way to his
international career.
Inspired by Frederic
Chopin's 24 Preludes, he
began to write his own
'Preludes' for the piano
in the mid-1920s: Of the
five preludes composed by
him, he used two for the
violin composition 'Short
Story' and presented the
other three at a concert
on 4 December 1926. These
'Preludes' combine
classical moments and
jazz elements into an
effective whole and can
be played individually or
as a little jazz sonata
(fast - slow - fast).
Thanks to the present
arrangement, the charming
miniatures are now
available in a version
for solo instrument and
piano accompaniment.
By Janice Tucker Rhoda. For Cello, Cello and Piano. CD contains piano accompanim...(+)
By Janice Tucker Rhoda.
For Cello, Cello and
Piano. CD contains piano
accompaniments as audio
and printable PDF; Also
includes complete
performances.
Instructional.
Instructional book and
CD. Published by Carl
Fischer
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Cello and Piano - Grade 4 SKU: BT.EMBZ14895 Composed by Zoltan Kodaly. Ed...(+)
Cello and Piano - Grade 4
SKU: BT.EMBZ14895
Composed by Zoltan
Kodaly. Educational Tool.
Book and Part(s).
Composed 2014. 12 pages.
Editio Musica Budapest
#EMBZ14895. Published by
Editio Musica Budapest
(BT.EMBZ14895).
Zoltán
Kodály (1882-1967)
composed Adagio for
violin and piano in 1905
and dedicated it to the
outstanding violinist
Imre Waldbauer. In 1910
Kodály made versions
of the work for both
viola and cello, while
Norbert Duka transcribed
it for double bass. In
2014 we published all
four versions of Adagio
in a new edition.Adagio
for violin and piano: Z.
14911 Adagio for viola
and piano: Z. 14894
Adagio for violoncello
and piano: Z. 14895
Adagio for double bass
and piano: Z. 14896 (The
former catalogue number
was Z.
768.)
Zoltán
Kodály (1882-1967)
komponierte sein Adagio
für Violine und
Klavier im Jahre 1905 und
widmete es dem
hervorragenden
Geigenvirtuosen Imre
Waldbauer. 1910 schuf
Kodály Fassungen
für Viola sowie
Violoncello: für
Kontrabass wurde das Werk
von Norbert Duka
bearbeitet. 2014 wurden
alle vier Fassungen des
Adagios in einer neuen
Edition in Einzelausgaben
veröffentlicht.
Skilful Solos Violoncelle, Piano [Partition + CD] - Intermédiaire Anglo Music
Cello and Piano - intermediate SKU: BT.AMP-350-400 20 Progressive Piec...(+)
Cello and Piano -
intermediate
SKU:
BT.AMP-350-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 350-400.
Published by Anglo Music
Press (BT.AMP-350-400).
ISBN 9789043138680.
9x12 inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Nice to See You Again
•Pony and Trap
•Summer Siesta
•Spring (Vivaldi)
•A Victorian Ballad
•Trumpet Tune
•Promenade
•Greensleeves
•Could You Repeat
That? •Alladale
Aria •Scales of
Justice •Largo from
Winter (Vivaldi)
•Waltz with
Variations •Atthe
Circus - Adagio (Mozart)
- Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag
Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025367 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025367
Cello
and Piano. Composed
by Simon Laks. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Bote & Bock #M202538630.
Published by Bote & Bock
(HL.48025367).
Kurt Weill Songs Violoncelle, Piano [Partition + CD] Universal Edition
(Violoncello and Piano with CD of Performance and Play-Along Tracks Book/CD). Co...(+)
(Violoncello and Piano
with CD of Performance
and Play-Along Tracks
Book/CD). Composed by
Kurt Weill (1900-1950).
Arranged by Martin
Reiter. For Cello, Piano
Accompaniment. String
Solo. Universal Edition
#UE34682. Published by
Universal Edition
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-15. Published by
Breitkopf and Haertel
(BR.OB-5283-15).
ISBN
9790004332832. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-19. Published by
Breitkopf and Haertel
(BR.OB-5283-19).
ISBN
9790004332856. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Set
of parts. 78 pages.
Duration 23'. Breitkopf
and Haertel #OB 5283-30.
Published by Breitkopf
and Haertel
(BR.OB-5283-30).
ISBN
9790004332887. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-16. Published by
Breitkopf and Haertel
(BR.OB-5283-16).
ISBN
9790004332849. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
CD
available
here (Selections
from the Cello
Repertoire). Compiled,
ed., arr., and composed
by Carey Cheney. For
Cello and Piano. String -
Cello Studies or
Collection. Companion CD
also available (see item
21620X). Instrumental
Solo Book and Piano
Accompaniment Book. 88
pages. Published by
Alfred Publishing.
Violoncello & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-45029<...(+)
Violoncello & Piano or CD
Play Back / Play Along -
Grade 1
SKU:
MA.EMR-45029
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren.
Violoncello & CD Playback
(Play Along). Score and
parts. Duration 16'15.
Editions Marc Reift #EMR
45029. Published by
Editions Marc Reift
(MA.EMR-45029).
Grandfather
Clock / Snail, come out
to play! / Rain is
Falling / Joy To The
World / William Tell /
Tenderness / Let's Climb
the Ladder / Little
Ladybird / It's Christmas
/ Santa Claus's Toy /
Pirouette, Cacahuete /
Doctor Staccato...
Music from All Nine Films. Composed by John Williams. Instrumental Play-Along....(+)
Music from All Nine
Films.
Composed by John
Williams.
Instrumental Play-Along.
Disney, Movies. Softcover
Audio Online. 24 pages.
Published by Hal Leonard
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025366 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025366
Cello
and Piano. Composed
by Hans Winterberg.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Bote & Bock
#M202538104. Published by
Bote & Bock
(HL.48025366).
UPC:
196288194279.
Hans
Winterberg, born in
Prague in 1901, lived
through almost the entire
period of the 20th
century and was
influenced as a composer
by its most important
artistic innovations.
Already a brilliant
pianist as an adolescent,
he studied with Alois
Hába and Alexander von
Zemlinsky in Prague. Both
his life and his music
reflect the
Austrian-Czech-Jewish
cultural symbiosis; he
saw himself as a bridge
builder between Western
and Eastern, i.e. Slavic,
cultures. Owing to his
Jewish ancestry, he was
deported to the Terezin
concentration camp after
the annexation of
Czechoslovakia by Nazi
Germany. He was the only
Jewish representative of
the Czech musical
avant-garde of the 1920s
and 1930s to survive the
Shoah and, in 1947,
followed his non-Jewish
wife and their daughter
to the FRG in the course
of the expulsion of the
German-speaking
population from
Czechoslovakia.
Winterberg's fascinating
oeuvre, which was kept
under lock and key in a
German music archive for
years after his death, is
now being made accessible
in first editions due to
a cooperation between the
Exilarte Center for
Banned Music at the
University of Music in
Vienna and Boosey &
Hawkes. The first printed
edition is Winterberg's
Cello Sonata, composed in
1951, in which all the
characteristics of his
unmistakable personal
style come to the fore:
dance-like energy,
polyrhythm, intimate yet
unsentimental melos,
subtle handling of
folkloristic material,
and an unerring sense of
form and balance. This
work is of medium
technical and great
interpretative
difficulty.