Bring Us, O Lord God Chorale SATB SATB A Cappella [Octavo] MorningStar Music Publishers
By Kenneth T. Kosche. For SATB choir, a cappella. All Saints/All Souls, Memorial...(+)
By Kenneth T. Kosche. For
SATB choir, a cappella.
All Saints/All Souls,
Memorial, Evening,
Lament/Grief/Sorrow.
Medium to Moderately
Difficult. Octavo.
Published by MorningStar
Music Publishers .
Octavo. All Saints/All
Souls, Memorial, Evening,
Lament/Grief/Sorrow.
Organ - intermediate/advanced SKU: JK.02024 Composed by Various. Arranged...(+)
Organ -
intermediate/advanced
SKU: JK.02024
Composed by Various.
Arranged by Clay
Christiansen. Christian,
Contemporary Christian,
Gospel, Inspirational.
Jackman Music Corporation
#02024. Published by
Jackman Music Corporation
(JK.02024).
UPC:
093285020245.
From
the renowned tabernacle
organist, Clay
Christiansen, we give you
9 Sacred Hymn Settings
for Organ. You will love
playing these glorious
renditions of familiar
hymns, including A Poor
Wayfaring Man of Grief,
Count Your Blessings, and
Praise to the Man. They
are intermediate to
advanced in difficulty
and are appropriate for
prelude, postlude, and
sacred organ performances
of any kind.
Contents: A Poor
Wayfaring Man of
Grief Count Your
Blessings God, Our
Father, Hear Us
Pray In Fasting We
Approach Thee O God,
the Eternal Father O
Thou Kind and Gracious
Father Praise to the
Man The Spirit of
God Though Deepening
Trials
Compose
r: Various Arranger:
Clay
Christiansen Difficult
y: Intermediate to
Advanced Nine Sacred
Hymn Settings for
Organ.
ChoirTrax CD Choral (Studiotrax CD) SKU: HL.339753 Composed by Joseph M. ...(+)
ChoirTrax CD Choral
(Studiotrax CD)
SKU:
HL.339753
Composed by
Joseph M. Martin. Shawnee
Sacred. General Worship,
Patriotic, Sacred. CD.
Duration 325 seconds.
Published by Shawnee
Press (HL.339753).
UPC: 840126916829.
5.0x5.0x0.145 inches.
John 15:13.
There
is no more poignant sight
than the solemn ceremony
of the folded flag. The
dignity associated with
honoring one who has
given the last full
measure of devotion is
rich with tradition and
provides a moment of deep
reverence for those in
grief. This inspiring
anthem presents three
moments with the flag as
it moves from the hands
of grief to soaring and
into the hearts of the
future. The music has a
cinematic scope,
following the text with a
theme that lifts the
message of commitment and
devotion to the heavens.
An instant classic! Score
and Parts (fl 1-2, ob, cl
1-2, bn, hn 1-2, tpt 1-3,
tbn 1-2, tbn3/tba, perc
1-3, timp, pno, hp, vn
1-2, va, vc, db)
available as a digital
download.
Organ - intermediate SKU: HL.49016122 For Organ. Composed by Haral...(+)
Organ - intermediate
SKU: HL.49016122
For Organ.
Composed by Harald
Genzmer. Edited by Franz
Lehrndorfer. This
edition: Saddle
stitching. Sheet music.
Organ Collection.
Classical. Composed
2001/2003. 19 pages.
Duration 12'. Schott
Music #ED 9991. Published
by Schott Music
(HL.49016122).
ISBN
9790001144261. UPC:
884088202545.
9.0x12.0x0.065
inches.
Funeral
music plays an important
role in music history for
the articulation of grief
and sorrow is an
essential task of music.
The important German
organ composer Harald
Genzmer (born in 1909)
wrote his 'Musik der
Trauer' in 2001, deeply
affected by the death of
his wife. The music is
full of emotion and
sentiment, expressing
grief, sorrow,
desperation, but also
fierce rebellion against
the inescapability of
fate. At the end, the
motif 'Christ ist
erstanden' can be heard
as an expression of
Christian hope.
(Lament, ye children of Israel - from Jephtha ). By Giacomo Carissimi (1605-167...(+)
(Lament, ye children of
Israel - from Jephtha ).
By Giacomo Carissimi
(1605-1674). Arranged by
Henry Clough-Leighter.
For SSATTB choir,
keyboard (organ or
piano). General,
Lament/Grief/Sorrow.
Octavo. Scripture: Judges
11:38-40. 8 pages.
Published by E.C Octavo
General,
Lament/Grief/Sorrow
A Lament Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9718 Composed by Meredith Tompkins. ...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9718
Composed by
Meredith Tompkins. 8
pages. Duration 2
minutes, 23 seconds. Carl
Fischer Music #CM9718.
Published by Carl Fischer
Music (CF.CM9718).
ISBN 9781491160978.
UPC: 680160919574. Key: D
major. English. Manmohan
Ghose.
Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. A Lament is one
of his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his father's
death and eventually the
passing of his wife, he
never again made it back
to England as he had
wished to before his own
death. The text of this
piece has been paired
with a mixolydian modal
structure and a blend of
musical elements designed
to invoke a nostalgic,
dream-like atmosphere. In
the words of the
composer: I like to think
of this piece as a
metaphorical hall of
mirrors. The original
'image' of the melody
becomes the source for
multiple echoes and
imitations that blossom
into layers of polyphonic
movement. As a nod to the
poet's birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and voices.
This piece functions as
an excellent educational
introduction or further
study into the concept of
modes. When presenting
this piece to a choir,
directors may find it
helpful to identify G as
the tonal center and
follow up with an
explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats. Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. “A
Lament†is one of
his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his
father’s death and
eventually the passing of
his wife, he never again
made it back to England
as he had wished to
before his own
death. The text of
this piece has been
paired with a mixolydian
modal structure and a
blend of musical elements
designed to invoke a
nostalgic, dream-like
atmosphere. In the words
of the composer: “I
like to think of this
piece as a metaphorical
hall of mirrors. The
original
‘image’ of
the melody becomes the
source for multiple
echoes and imitations
that blossom into layers
of polyphonic
movement.†As a nod
to the poet’s
birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and
voices. This piece
functions as an excellent
educational introduction
or further study into the
concept of modes. When
presenting this piece to
a choir, directors may
find it helpful to
identify G as the tonal
center and follow up with
an explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats.
SATB choir SKU: ST.EM17 Composed by Henry Lichfild. Edited by Edmund H Fe...(+)
SATB choir
SKU:
ST.EM17
Composed by
Henry Lichfild. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart and David
Scott. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM17. Published by
Stainer & Bell Ltd.
(ST.EM17).
ISBN
9790220210297.
CONT
ENTS A seely Sylvan
(SSAT (or A) B) Alas
my Daphne, stay (SSAT (or
A) B) All ye that
sleep in pleasure
(SSATB) Arise, sweet
heart (SSAT (or A) B)
Ay me, that life should
yet remain (SSATB) Ay
me, when to the air (SSAT
(or A) B) Cruel, let
my heart be bless'd (SSAT
(or A) B) First with
looks he liv'd
(SSATB) I always
lov'd to call my lady
Rose (SSATB) If this
be love, to scorn (SSAT
(or A) B) Injurious
hours (SSAT (or A) B)
My heart oppress'd (SSAT
(or A) B) O come
Shepherds all together
(SSATB) O my grief,
were it disclosed
(SSATB) Shall I seek
to ease my grief?
(SSATB) Shepherd
Claius seeing (SSATB)
Sweet Daphne, stay thy
flying (SSATB) Sylvan
justly suffered
(SSATB) When first I
saw those cruel eyes
(SSAT (or A) B)
Whilst that my lovely
Daphne (SSATB).
Voice & Piano SKU: ST.LS19 Composed by Anonymous, Nicholas Lanier, Richar...(+)
Voice & Piano
SKU:
ST.LS19
Composed by
Anonymous, Nicholas
Lanier, Richard Alison,
Thomas Campion, Thomas
Giles, Thomas Lupo,
Thomas Morley, Thomas
Robinson, and Tobias
Hume. Edited by David
Greer. Vocal music. To
the Lute, Bandora,
Cittern and Lyra Viol.
Edited by David Greer. No
Lute Tablature is
printed. Vocal score.
Stainer & Bell Ltd.
#LS19. Published by
Stainer & Bell Ltd.
(ST.LS19).
ISBN
9790220215209.
CONT
ENTS
ALISON,
Richard O Lord, turn
not away thy face (AATB
or AAT) When we sat
in Babylon (AATB or
AAT)
ANONYMOUS But this,
and then no more (C -
C) How can the tree
but waste (B - B)
Sweet are the thoughts
that savour of content (D
- F) Those eyes that
set my fancy on a fire (A
- B)
CAMPION,
Thomas More now with
measur'd sound (Duet: D -
E and G - A) Now hath
Flora robb'd her bow'rs
(Duet: D - E and D -
G) Woo her and win
her (F - E)
GILES, Thomas Triumph
now with joy and mirth (D
- D)
HUME,
Tobias Cease, leaden
slumber, dreaming (F
sharp - F) Fain would
I change that note (D -
G) Soldier's Song: I
sing the praise of
honour'd wars (G - G)
Tobacco! Tobacco! Sing
sweetly for tobacco! (D -
F) What greater grief
(D - F)
LANIER,
Nicholas Bring away
this sacred tree (D -
F)
LUPO,
Thomas Shows and
nightly revels (D - E
flat) Time that leads
the fatal round (D -
E)
MORLEY,
Thomas O grief! e'en
on the bud (F - E
flat)
ROBINSON,
Thomas Now, Cupid,
look about thee (D -
G).
Choral (TTBB Choir) SKU: HL.419542 Composed by Joseph M. Martin. Shawnee ...(+)
Choral (TTBB Choir)
SKU: HL.419542
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship,
Patriotic, Sacred.
Octavo. 12 pages.
Duration 325 seconds.
Published by Shawnee
Press (HL.419542).
UPC: 196288060949.
6.75x10.5x0.029 inches.
John 15:13.
There
is no more poignant sight
than the solemn ceremony
of the folded flag. The
dignity associated with
honoring one who has
given the last full
measure of devotion is
rich with tradition and
provides a moment of deep
reverence for those in
grief. This inspiring
anthem presents three
moments with the flag as
it moves from the hands
of grief to soaring and
into the hearts of the
future. The music has a
cinematic scope,
following the text with a
theme that lifts the
message of commitment and
devotion to the heavens.
An instant classic! Score
and Parts (fl 1-2, ob, cl
1-2, bn, hn 1-2, tpt 1-3,
tbn 1-2, tbn3/tba, perc
1-3, timp, pno, hp, vn
1-2, va, vc, db)
available as a digital
download.
Little Angel Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422880 Composed by Phyllis Avidan L...(+)
Chamber Music flute,
piano
SKU:
PR.114422880
Composed
by Phyllis Avidan Louke.
Set of Score and Parts.
12+4 pages. Duration 11
minutes, 30 seconds.
Theodore Presser Company
#114-42288. Published by
Theodore Presser Company
(PR.114422880).
ISBN
9781491135143. UPC:
680160686995.
LITTL
E ANGEL was composed in
loving memory of a
friend’s daughter
who was stillborn, to
commemorate a life
unlived. The first
movement, Hopes and
Dreams, opens the work
with sweet optimism and
charm. The second
movement, Anticipation
and Loss is a musical
setting of joy followed
by profound sadness.
LITTLE ANGEL concludes
with Finding Peace as the
third movement opens with
grief and longing,
followed by a plaintive
cadenza, and finally
ending with peace and
hope. Little Angel was
commissioned by Janelle
Barrera in loving memory
of her daughter Daisy
Rose who was stillborn,
to commemorate a life
unlived.Little Angel is
written for flute and
piano in three
movements:1. Hopes and
Dreams: The first
movement begins with
three brief statements
that are introspective
and hopeful, looking
toward the future,
followed by a lyrical
melody in 3/4 meter.2.
Anticipation and Loss:
The second movement opens
with a playful melody in
mixed meter combining
simple time and compound
time. At letter C, the
tempo slows, and the tone
becomes decidedly more
serious and eventually
more somber.3. Finding
Peace: The third movement
opens with a melody
expressing grief and
longing, followed by a
plaintive cadenza, and
finally ending with peace
and hope.
Composed by Behzad
Ranjbaran. Premiered by
the Philadelphia
Orchestra, Yannick
Nezet-Seguin, Music
Director, Jeffrey Khaner,
flute; Verizon Hall,
Philadelphia.
Contemporary. Large
Score. With Standard
notation. Composed 2013.
Duration 28 minutes.
Theodore Presser Company
#416-41515L. Published by
Theodore Presser Company
(PR.41641515L).
UPC:
680160621750.
The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions. In writing my
flute concerto, I aimed
not only to highlight the
modern flautist's ability
to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages. Two prominent
characters permeate the
first movement of my
concerto. They are marked
in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively. The
lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others. In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. The solo flute is
left out in an agitated
middle section that
references the first
movement. In the third
section of the movement
the solo flute returns in
meditative fashion
culminating in a duet
with the harp. The third
movement is written as
one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
Some of the materials
from the earlier
movements are presented
again with joyous
character. The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy.
By Elizabeth Alexander. For Women's Chorus and Piano (SSA choir and piano). Comm...(+)
By Elizabeth Alexander.
For Women's Chorus and
Piano (SSA choir and
piano). Community Chorus,
High School Chorus,
Concert Music. Funeral &
Memorial Services, Native
American, Grief & Loss,
Secular, Choral.
Moderate. Octavo. Text
language: English.
Duratio. Octavo. Funeral
& Memorial Services,
Native American, Grief &
Loss, Secular, Choral.
Composed
by Peteris Vasks. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Score and
Parts. Composed 2004. 56
pages. Duration 25'.
Schott Music #ED9809.
Published by Schott Music
(HL.49033305).
ISBN
9790001137911. UPC:
884088408053.
9.0x12.0x0.202
inches.
String
Quartet No. 5 consists of
two contrasting
movements. The first
movement, being present,
immediately leads to an
atmosphere of high
emotional tension. The
prevailing atmospheric
elements of the music are
dramatic and passionate,
alternating with each
other like a
kaleidoscope. In contrast
to that, a second theme
is intoned three times -
an invitation, a memory
of the existence of
another world, a
light-house which
illuminates the twilight
in which we live so
often. But this
invitation remains
unheard. The first
movement concludes with
dissonances in the upper
register - a cry of utter
desperation.The second
movement, so distant ...
yet so near, is the calm,
unhurried vocal section
of the quartet. A
forgiving, loving look at
a world tortured by grief
and contradictions.
Gradually, the singing
becomes more personal,
more emotional and more
dramatic. The rhythmic
figure of a funeral march
in the recapitulation of
the second movement is a
gesture of loss.
Eventually, the quartet
loses itself in an
atmosphere of
light-filled grief.
Peteris Vask.
SKU: SU.28060141 Composed by Jesse Jones. Chamber Music, String Trio/Quar...(+)
SKU: SU.28060141
Composed by Jesse Jones.
Chamber Music, String
Trio/Quartet/Quintet. Set
of Parts. Subito Music
Corporation #28060141.
Published by Subito Music
Corporation
(SU.28060141).
A colossal,
single movement quartet
that traces the five
stages of grief. string
quartet Duration: 35'
Composed: 2013 Published
by: Distributed
Composer.
Thanks to God Chorale SSATB SSATB, Piano - Intermédiaire MorningStar Music Publishers
SSATB choir and keyboard - Intermediate SKU: MN.50-8800 Composed by V. Ea...(+)
SSATB choir and keyboard
- Intermediate
SKU:
MN.50-8800
Composed
by V. Earle Copes.
Thanksgiving, All
Saints/All Souls,
Funeral, National
Songs/Patriotic,
Lament/Grief/Sorrow.
Octavo. MorningStar Music
Publishers #50-8800.
Published by MorningStar
Music Publishers
(MN.50-8800).
UPC:
688670588006.
Based
on WYLDE GREEN with
inclusive language
version ofPraise We Now
Famous Men text.
Patriotic occasions,
Memorial Day,
Independence Day,
Thanksgiving Day and All
Saints Day. Mostly Unison
and SATB, grandiose
ending.
Piano - easy SKU: HL.49008695 Waltzes of Longing, Grief and Hope. ...(+)
Piano - easy
SKU:
HL.49008695
Waltzes of Longing,
Grief and Hope.
Composed by Ludwig van
Beethoven. This edition:
Saddle stitching. Sheet
music. Einzelausgaben
(Single Sheets).
Classical. 8 pages.
Schott Music #ED0282.
Published by Schott Music
(HL.49008695).
ISBN
9790001085519. UPC:
884088107130.
9.0x12.0x0.022
inches.
Jesus! Chorale SATB SATB, Piano Lorenz Publishing Company
Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Choral scor...(+)
Composed by Mary
McDonald. Choral,
cantatas. Eastertide,
Holy Week. Choral score.
Lorenz Publishing Company
#55/1188L. Published by
Lorenz Publishing Company
(LO.55-1188L).
Full orchestra SKU: LO.30-3538L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3538L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. Full score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3538L. Published by
Lorenz Publishing Company
(LO.30-3538L).
UPC:
000308148961.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!