| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shenandoah Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
(2)$150.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Shenandoah Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
$20.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Shenandoah Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor - Facile Kendor Music Inc.
By Traditional. Arranged by Halferty. For flute, oboe, Bb clarinet, french horn ...(+)
By Traditional. Arranged
by Halferty. For flute,
oboe, Bb clarinet, french
horn and bassoon.
Woodwind Quintet. Folk,
Pop, Americana. Published
by Kendor Music Inc.
Level: Grade 3 .
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Et in Terra Pax Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: HL.44002765 Score and Parts. Composed ...(+)
Concert Band - Grade 4
SKU: HL.44002765
Score and Parts.
Composed by Jan Van der
Roost. De Haske Concert
Band. Concert. Set (Score
& Parts). Composed 1998.
De Haske Publications
#0981118-010. Published
by De Haske Publications
(HL.44002765). UPC:
073999027655.
9.5x13.5x0.97
inches. This piece
was commissioned by the
'Concert Band
Vlamertinge' and is a
plea for peace: the title
translates as 'Peace on
Earth'. This is expressed
by means of the vocal
contribution expected
from the performers. In
various places of the
piece you can recognize,
the words 'Et In Terra
Pax' - an appeal for
peace - at first jumbled
together but later more
rhythmically structured,
developing into
synchronized massed
voices.The work starts
with a pentatonic theme
based on the notes D, E,
G, A and C (taken from
'ConCErtbAnD VlAmErtinGE'
and the name of the
conductor, NiCk
VAnDEnDriessChe). A
somewhat sad melody is
developed during an
orchestral climax which
leads to the
firstexplosion of sound
(measure 62 onwards).
Suddenly the opening
measures are recaptured,
albeit with a differently
colored sound: the words
'Et In Terra Pax' bring
the first movement to a
close. A restless Allegro
follows which abruptly
stops and is replaced by
a calming cho-rale-like
passage. A narrator reads
aloud the poem 'Sonnet'
by the young poet Charles
Hamilton Sorley, who was
killed during World War
I. This poem fittingly
puts into words the
cruelty and senselessness
of war. After the
expanded recapitulation
of the allegro, the
broad, almost infinite
atmosphere of the
beginning returns.
Clarinet and English horn
play the pentatonic
opening theme once more,
this time broadly, while
the words 'Et In Terra...
Pax' are repeated again
and again by the rest of
the orchestra.The
composer has purposely
avoided all forms of
aggression and bombastic
sounds regularly used in
works about war. Fear of
violence and destruction
can be heard and felt
during the allegro
passages. The charged
opening makes way in the
end for hope: May
peacefulness replace
cruelty in everyday life,
too.
Dieses Werk
wurde im Auftrag der
Concert Band Vlamertinge
geschrieben und ist ein
Pladoyer an den Frieden:
Der Titel bedeutet dann
auch 'Frieden auf Erden'.
Dies kommt unter anderem
im vokalen Anteil der
Ausfuhrenden zum
Ausdruck. An
verschiedenenStellen des
Werkes erklingen, anfangs
durcheinander dann zu
einem rhythmischen und
strukturierten
Synchrongesang vereint,
die Worte 'Et In Terra
Pax' wie ein flehendes
Gebet fur den
Frieden. Ein
pentatonisches Thema
formt den Anfang dieses
Werkes, basierend auf den
Noten D, E, G, A, und C,
die dem Namen:
'ConCErtbAnD VlAmErtingE'
und dem Namen des
Dirigenten NiCk
VAnDEnDriessChe
entstammen. Wahrend der
orchestralen Klimax, die
zu einemersten
Klangausbruch fuhrt (ab
Takt 62), entsteht eine
etwas traurige Melodie.
Plotzlich werden dann die
Eingangstakte
wiederaufgenommen, wenn
auch mit einer
veranderten Klangfarbe;
die Worte 'Et In Terra
Pax' runden den ersten
Teil daraufhin ab.
Esfolgt ein unruhiges
Allegro, das uberraschend
durch eine Choralartigen
Passage voller Ruhe
unterbrochen wird. Eine
Sprechstimme liest
wahrenddessen das Gedicht
Sonnet des jungen
Dichters Charles Hamilton
Sorley vor, der im ersten
Weltkriegfiel. Es findet
fur die Grausamkeit und
Sinnlosigkeit des Krieges
die passenden Worte.
Nachdem das Allegro,
diesmal mit einigen
Ausbreitungen, wiederholt
wird, kehrt die weite,
beinahe unendliche
Atmosphare des Beginns
wieder zuruck.
Klarinettenspielen
zusammen mit einem
Englischhorn das
pentatonische
Eingangsthema ein letztes
Mal in ausgebreiteter
Fassung, wobei das Et In
Terra Pax' durch den Rest
des Orchesters stets
wiederholt wird.Der
Komponist hat bewusst auf
jegliche Form der
Aggression oder
bombastischen Vertonung,
die in so vielen Werken
uber den Krieg zu finden
ist, vermieden. Dennoch
ist die Angst vor Gewalt
und Zerstorung vor allem
in den Allegro-Passagen
deutlich zuhoren und zu
fuhlen. Am Ende macht die
anfangliche Spannung
jedoch der Hoffnung
Platz: Moge die
Friedlichkeit auch im
taglichen Leben die
Grausamkeit
verbannen... $202.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Et in terra Pax Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0981118-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-0981118-010
Composed by Jan Van der
Roost. Inspiration
Series. Set (Score &
Parts). Composed 1998. De
Haske Publications #DHP
0981118-010. Published by
De Haske Publications
(BT.DHP-0981118-010).
This piece was
commissioned by the
‘Concert Band
Vlamertinge’ and
is a plea for peace: the
title translates as
‘Peace on
Earth’. This is
expressed by means of the
vocal contribution
expected from the
performers. In various
places of the piece you
can recognize, the words
‘Et In Terra
Pax’ - an appeal
for peace - at first
jumbled together but
later more rhythmically
structured, developing
into synchronized massed
voices.The work starts
with a pentatonic theme
based on the notes D, E,
G, A and C (taken from
‘ConCErtbAnD
VlAmErtinGE’ and
the name of the
conductor, NiCk
VAnDEnDriessChe). A
somewhat sad melody is
developed during an
orchestral climax which
leads to the
firstexplosion of sound
(measure 62 onwards).
Suddenly the opening
measures are recaptured,
albeit with a differently
colored sound: the words
‘Et In Terra
Pax’ bring the
first movement to a
close. A restless Allegro
follows which abruptly
stops and is replaced by
a calming cho-rale-like
passage. A narrator reads
aloud the poem
‘Sonnet’ by
the young poet Charles
Hamilton Sorley, who was
killed during World War
I. This poem fittingly
puts into words the
cruelty and senselessness
of war. After the
expanded recapitulation
of the allegro, the
broad, almost infinite
atmosphere of the
beginning returns.
Clarinet and English horn
play the pentatonic
opening theme once more,
this time broadly, while
the words ‘Et In
Terra... Pax’ are
repeated again and again
by the rest of the
orchestra.The composer
has purposely avoided all
forms of aggression and
bombastic sounds
regularly used in works
about war. Fear of
violence and destruction
can be heard and felt
during the allegro
passages. The charged
opening makes way in the
end for hope: May
peacefulness replace
cruelty in everyday life,
too.
Dieses Werk
wurde im Auftrag der
Concert Band Vlamertinge
geschrieben und ist ein
Plädoyer an den
Frieden: Der Titel
bedeutet dann auch
‘Frieden auf
Erden’. Dies kommt
unter anderem im vokalen
Anteil der
Ausführenden zum
Ausdruck. An
verschiedenenStellen des
Werkes erklingen, anfangs
durcheinander dann zu
einem rhythmischen und
strukturierten
Synchrongesang vereint,
die Worte ‘Et In
Terra Pax’ wie ein
flehendes Gebet für
den Frieden. Ein
pentatonisches Thema
formt den Anfang dieses
Werkes, basierend auf den
Noten D, E, G, A, und C,
die dem Namen:
‘ConCErtbAnD
VlAmErtingE’ und
dem Namen des Dirigenten
NiCk VAnDEnDriessChe
entstammen. Während
der orchestralen Klimax,
die zu einemersten
Klangausbruch führt
(ab Takt 62), entsteht
eine etwas traurige
Melodie. Plötzlich
werden dann die
Eingangstakte
wiederaufgenommen, wenn
auch mit einer
veränderten
Klangfarbe; die Worte
‘Et In Terra
Pax’ runden den
ersten Teil daraufhin ab.
Esfolgt ein unruhiges
Allegro, das
überraschend durch
eine Choralartigen
Passage voller Ruhe
unterbrochen wird. Eine
Sprechstimme liest
währenddessen das
Gedicht Sonnet des
jungen Dichters Charles
Hamilton Sorley vor, der
im ersten Weltkriegfiel.
Es findet für die
Grausamkeit und
Sinnlosigkeit des Krieges
die passenden Worte.
Nachdem das Allegro,
diesmal mit einigen
Ausbreitungen, wiederholt
wird, kehrt die weite,
beinahe unendliche
Atmosphäre des Beginns
wieder zurück.
Klarinettenspielen
zusammen mit einem
Englischhorn das
pentatonische
Eingangsthema ein letztes
Mal in ausgebreiteter
Fassung, wobei das
“Et In Terra
Pax’ durch den
Rest des Orchesters stets
wiederholt wird.Der
Komponist hat bewusst auf
jegliche Form der
Aggression oder
bombastischen Vertonung,
die in so vielen Werken
über den Krieg zu
finden ist, vermieden.
Dennoch ist die Angst vor
Gewalt und Zerstörung
vor allem in den
Allegro-Passagen deutlich
zuhören und zu
fühlen. Am Ende macht
die anfängliche
Spannung jedoch der
Hoffnung Platz: Möge
die Friedlichkeit auch im
täglichen Leben die
Grausamkeit
verbannen…. $229.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Interplay for Piano 4-Hands and Orchestra 1 Piano, 4 mains [Conducteur] C. Alan Publications
Composed by David Gillingham. Arranged by Dennis Wright. Score only. Duration 9:...(+)
Composed by David
Gillingham. Arranged by
Dennis Wright. Score
only. Duration 9:30.
Published by C. Alan
Publications (CN.06191).
$40.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Joy Revisited Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 3:30
(1)$18.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Upon a New Horizon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, C...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Claves, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Gong, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo and more. -
Grade 4 and up SKU:
CF.SPS2 Suite for
Band. Composed by
Larry Clark. FS-SWS. Carl
Fischer Symphonic
Performance Series. Score
and Set of Parts. With
Standard notation. Carl
Fischer Music #SPS2.
Published by Carl Fischer
Music (CF.SPS2). ISBN
9780825837272. UPC:
798408037277. 9 X 12
inches. Three
contrasting movements
(Into the Future, Who Has
Ever Touched the Sun? and
Rondo: In the Nick of
Time) make a modern
suite, that is an
excellent study in
coloristic scoring for
the modern concert band.
The syncopations and use
of angular melodic ideas
will be somewhat
challenging for advancing
bands and help to make
Upon a New Horizon an
ideal showpiece for
contest and festival
performances. Duration:
9'. $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bravery and Grace Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Snare Drum and more. -
Grade 2 SKU:
CF.YPS214 Composed by
George Sweet. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+1+2+3+16+2
pages. Duration 2
minutes, 49 seconds. Carl
Fischer Music #YPS214.
Published by Carl Fischer
Music (CF.YPS214).
ISBN 9781491152331.
UPC: 680160909834. Key:
Bb major. This new
piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bravery and Grace Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Snare Drum and more. -
Grade 2 SKU:
CF.YPS214F Composed
by George Sweet. Young
Band (YPS). Full score.
With Standard notation.
16 pages. Carl Fischer
Music #YPS214F. Published
by Carl Fischer Music
(CF.YPS214F). ISBN
9781491153017. UPC:
680160910519. This
new piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Black Light Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3 and
more. - Grade 3.5 SKU:
CF.CPS228 Composed by
George Sweet. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+1+2+2+
2+2+4+8+2+28+4 pages.
Duration 4 minutes, 35
seconds. Carl Fischer
Music #CPS228. Published
by Carl Fischer Music
(CF.CPS228). ISBN
9781491152546. UPC:
680160910045. Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was a
large influencing factor
for George Sweet in the
composition of this
piece. Richly scored
for the modern concert
band, Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass. Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was
an influencing factor on
the composition of the
piece. Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass.This begins
with strict motor
accompaniment. Take care
to maintain equal balance
among the different
“moving
parts†so that they
blend to create a solid
whole both here and
throughout the piece. The
primary thematic material
is stated by the trumpets
and horns at m. 12. This
material is the basis for
much of the harmonic and
thematic material that
follows. A slightly
varied statement of the
main theme is presented
again at m. 26 with a
different type of motor
accompaniment. This leads
to a B-section at m. 44,
which is a bold
fanfare-like presentation
of the main material.
Another series of
variations on the main
theme begins at m. 50 and
incorporates many
different textural and
harmonic ideas in the
accompaniment. Once
again, be careful to not
let any one “moving
part†overwhelm
another and keep the
texture evenly balanced.
 A second, broader
presentation of the
B-section occurs at m. 90
and leads to a subdued
C-section at m. 100 with
new melodic material
presented in the trumpet.
A whimsical march-like
section pushes to the
return of the
introductory motor
material at m. 131. A
final heroic presentation
of the main thematic
material results in a
somewhat ambiguous coda,
which brings the piece to
a dramatic
conclusion. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Black Light Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3 and
more. - Grade 3.5 SKU:
CF.CPS228F Composed
by George Sweet. Concert
Band (CPS). Full score.
With Standard notation.
28 pages. Carl Fischer
Music #CPS228F. Published
by Carl Fischer Music
(CF.CPS228F). ISBN
9781491153222. UPC:
680160910724. Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was a
large influencing factor
for George Sweet in the
composition of this
piece. Richly scored
for the modern concert
band, Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass. Black
light is defined as
infrared or ultraviolet
light which is invisible
to the naked eye. The
idea of an entire spectra
existing out of the range
of human perception was
an influencing factor on
the composition of the
piece. Black Light is
written in a
post-minimalist style and
is also heavily
influenced by the work of
American composers Steve
Reich, John Adams, and
Philip Glass.This begins
with strict motor
accompaniment. Take care
to maintain equal balance
among the different
“moving
parts†so that they
blend to create a solid
whole both here and
throughout the piece. The
primary thematic material
is stated by the trumpets
and horns at m. 12. This
material is the basis for
much of the harmonic and
thematic material that
follows. A slightly
varied statement of the
main theme is presented
again at m. 26 with a
different type of motor
accompaniment. This leads
to a B-section at m. 44,
which is a bold
fanfare-like presentation
of the main material.
Another series of
variations on the main
theme begins at m. 50 and
incorporates many
different textural and
harmonic ideas in the
accompaniment. Once
again, be careful to not
let any one “moving
part†overwhelm
another and keep the
texture evenly balanced.
 A second, broader
presentation of the
B-section occurs at m. 90
and leads to a subdued
C-section at m. 100 with
new melodic material
presented in the trumpet.
A whimsical march-like
section pushes to the
return of the
introductory motor
material at m. 131. A
final heroic presentation
of the main thematic
material results in a
somewhat ambiguous coda,
which brings the piece to
a dramatic
conclusion. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lyric Music Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
By Robert Starer (1924-2001). Concert band - solo trumpet feature. Suitable for ...(+)
By Robert Starer
(1924-2001). Concert band
- solo trumpet feature.
Suitable for advanced
middle school, high
school, community and
college bands. Grade 3.
Conductor Condensed
Score. Duration 4:00.
Published by Manhattan
Beach Music
$12.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Character Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Concert Band Alto Saxophone, Baritone Saxophone, Bass Clarinet, Bass Drum, Basso...(+)
Concert Band Alto
Saxophone, Baritone
Saxophone, Bass Clarinet,
Bass Drum, Bassoon,
Bells, Clarinet,
Euphonium, Flute, Flute
II, Horn, Oboe, Snare
Drum, Tambourine, Tenor,
Tenor Saxophone, Timpani,
Triangle, Trumpet, Tuba -
Grade 1 SKU:
CF.BPS20F Full
Score. Composed by
Larry Clark. Carl Fischer
Beginning Performance
Series. Full score. With
Standard notation. 12
pages. Carl Fischer Music
#BPS20F. Published by
Carl Fischer Music
(CF.BPS20F). ISBN
9780825844546. UPC:
798408044541. 9 X 12
inches. Key: Bb
major. Using only
the first six notes young
players are taught, Larry
Clark encourages upright
thinking with this aptly
titled, somewhat stern
piece. The music's
seriousness and amazing
variety of harmonic
sophistication belie the
narrow range of the
materials involved. An
excellent piece for
contest and festivals,
Character will make a
very strong impression
whenever it is performed.
Duration: 2' 20. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Not So Silent Night Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
By Anonymous. Arranged by Sean O'Loughlin. Concert Band. For Flute, Oboe, Clarin...(+)
By Anonymous. Arranged by
Sean O'Loughlin. Concert
Band. For Flute, Oboe,
Clarinet, Bass Clarinet,
Alto Saxophone, Tenor
Saxophone, Baritone
Saxophone, Bassoon,
Tenor, Horn, Trumpet,
Baritone (Bass Clef),
Tuba, Timpani, Mallet
Percussion, Percussion I,
Percussion II. Carl
Fischer Beginning
Performance Series.
Classical. Grade 1. Full
Score. Standard notation.
12 pages. Published by
Carl Fischer
$7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Fledgling [Conducteur] Carl Fischer
Band Bass Clarinet, Bass Drum, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium,...(+)
Band Bass Clarinet, Bass
Drum, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Glockenspiel, Horn,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3,
Percussion 4, Snare Drum,
Suspended Cymbal,
Tambourine and more.
SKU: CF.YPS260F
Composed by Patrick Glenn
Harper. Full score. 24
pages. Carl Fischer Music
#YPS260F. Published by
Carl Fischer Music
(CF.YPS260F). ISBN
9781491164006. UPC:
680160922796. A
bird is considered to
have fledged at the time
when its wing muscles and
feathers are sufficiently
developed for flight.
When young birds have
reached this stage, but
are still dependent on
their parents for care
and feeding, they are
referred to as
fledglings. This piece
musically follows a
fledgling as it begins
the long process of
learning to fly. It
starts out tentatively,
gains ability, struggles,
and then eventually
soars.In all instances
where a longer note is
tied to an eighth note,
players should release,
stopping the sound, on
the eighth note. For
example, a dotted half
note tied to an eighth
note should have a
definite stop at the
beginning of beat
4.Measures 20–26:
The sudden changes in
dynamics should be
exaggerated to produce a
somewhat pronounced
awkward effect.Measures
52–57: The flute,
oboe, and clarinet parts
should produce a constant
flowing sound in the
slurred eighth notes,
breathing on the
eighth-note
rests.Measures
66–67: Make sure
the staccatos are very
short and pronounced, but
do not cover the melody
in the low brass and
reeds.Measures
72–86: Emphasize
the accents on the
upbeats in the percussion
instruments.Measure 83:
Emphasize the crescendo
to forte and then
immediately drop to
mezzo-forte. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Vigor Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, C...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Finger Cymbals,
Flute 1, Flute 2, Horn 1,
Horn 2, Horn 3, Horn 4,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2 and more. - Grade 4 and
up SKU: CF.SPS20
Full Score and
Parts. Composed by
Sean O'Loughlin. FS-SWS.
Carl Fischer Symphonic
Performance Series. Score
and Set of Parts. With
Standard notation.
32+2+12+6+12+12+12+12+6+4
+6+6+4+4+6+6+6+4+4+4+4+6+
6+4+6+6+8+2+4+18+4 pages.
Carl Fischer Music
#SPS20. Published by Carl
Fischer Music (CF.SPS20).
ISBN 9780825851599.
UPC: 798408051594. 9 X 12
inches. Key: Eb
major. Full of
spirit and life, this
expansive work features
marvelous dialogue among
the sections of the band.
Somewhat Coplandesque in
style, it has vigorous
percussion parts that add
lots of punch! This is an
especially effective
concert opener! $100.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Trolls! Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Crash Cymbals, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet, Crash
Cymbals, Euphonium,
Euphonium T.C., Floor
Tom, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Timpani, Triangle,
Trombone and more. -
Grade 1 SKU:
CF.BPS73 Composed by
Peter Terry. Beginning
Performance Series. Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+2+3+2
+1+2+4+16 pages. Duration
2 minutes, 21 seconds.
Carl Fischer Music
#BPS73. Published by Carl
Fischer Music (CF.BPS73).
ISBN 9780825892240.
UPC: 798408092245. 9 x 12
inches. Key: G
minor. Trolls are
magical beings in
Scandinavian folk tales
that are known for being
slow and not particularly
bright. This piece shows
both sides of the story:
trolls as the
destructive, brutal thugs
of the magical world, and
the somewhat silly and
dim-witted creatures
found in books and
movies. This is Peter
Terry's first piece in
the Carl Fischer
catalogue. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Not So Silent Night Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Crash C...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Chimes,
Clarinet, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Sleigh
Bells, Snare Drum,
Tambourine, Timpani,
Triangle, Trombone and
more. - Grade 1 SKU:
CF.BPS48 Full
Score and Parts.
Composed by Anonymous.
Arranged by Sean
O'Loughlin. Carl Fischer
Beginning Performance
Series. Score and Set of
Parts. With Standard
notation. Carl Fischer
Music #BPS48. Published
by Carl Fischer Music
(CF.BPS48). ISBN
9780825864339. UPC:
798408064334. 9 X 12
inches. Key: Bb
major. Using the
basic melodic shape of
Silent Night, Sean
O'Loughlin has written a
lively piece that goes in
a quite different, more
up-to-date direction than
the familiar, reflective
Carol. The noise makers
of the percussion section
are given a lively role
to play, and the
introduction, by the low
brass, of God Rest Ye
Merry, Gentlemen, in the
middle of the piece,
creates a somewhat ironic
twist in this amusing
re-imagining of a classic
carol. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stabat mater Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trum...(+)
Orchestra SATB choir, 3
flutes, 2 oboes, 2
clarinets, 4 bassoon, 4
horns, 3 trumpets, 4
trombones, timpani, bass
drum, harp, 2 violins,
viola, cello, contrabass
SKU: CA.2729409
Composed by Giuseppe
Verdi. Edited by Albrecht
Gaub. Arranged by
Christiane Hulsmann. 1x
27.294/21 flute 1, 1x
27.294/22 flute 2, 1x
27.294/23 flute 3, 1x
27.294/24 oboe 1, 1x
27.294/25 oboe 2, 1x
27.294/26 clarinet 1, 1x
27.294/27 clarinet 2, 1x
27.294/28 bassoon 1, 1x
27.294/29 bassoon 2, 1x
27.294/31 bassoon 3, 1x
27.294/32 bassoon 4, 1.
Harmony parts. Sacred
vocal music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1896/97. Carus Verlag #CV
27.294/09. Published by
Carus Verlag
(CA.2729409). ISBN
9790007201159. Language:
Latin. The Stabat
Mater is the last work
composed by Giuseppe
Verdi. He completed it in
1897 at the age of 84.
One year later it was
published with the
somewhat earlier Te Deum
as part of the Quattro
pezzi sacri. Verdi set
Mary's meditation in the
face of her crucified
son, a classic of
Medieval Latin poetry, in
an operatically
expressive style for
choir and large
orchestra. Verdi's Stabat
Mater is now published
for the first time in a
critical edition. Also
available in the series
Choir & organ. Score and
parts available
separately - see item
CA.2729400. $104.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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