Recit De Voix Humaine - Basse De Trompette - Tierce En Taille - Chaconne - Menuet - Plein Jeu. Par MAFART PIERRE. Recit De Voix Humaine - Basse De Trompette - Tierce En Taille - Chaconne - Menuet - Plein Jeu/ Répertoire / Orgue

Wilhelm Middelschulte (1863-1943) a étudié la musique d'église à Berlin. A partir de 1891 il a travaillé comme directeur du département d'orgue au Conservatoire américain de Chicago et le Conservatoire du Wisconsin à Milwaukee. Comme un organiste virtuose, il a eu un impact formateur aux Etats-Unis.Pas moins d'autorité que Ferruccio Busoni décrit Middelschulte comme un 'maître du contrepoint' et déclaré qu'il était le plus grand contrapuntalist depuis Johann Sebastian Bach.Volume IV contient deux oeuvres qui appartiennent au groupe de plus grande envergure compositions complétée par le compositeur lui-même. La Symphonie contrapuntique était la dernière oeuvre qui sera publié durant la vie du compositeur. Le manuscrit de la Chaconne était considéré comme perdu jusqu'à récemment et il est maintenant publié ici pour la première fois.L'oeuvre d'orgue sera composé d'un total de sept volumes .. / Orgue

This is a marvellous collection of pieces by Henry Purcell newly arranged for the Organ by concert organist Martin Setchell. Purcell's music is perfectly suited to the Organ and a number of his pieces have long been popular with players. This volume brings together a range of well-known pieces - trumpet tunes the Rondeau from Abdelazer Dido's Lament and movements from The Fairy Queen - and combines these with a wonderful selection of lesser-known pieces from across Purcell's work. There are sprightly tunes and hornpipes from the stage works lovely reflective songs and airs and a wide range of dances and chaconnes. The result is a set of pieceswith wise and varied church and concert use perfectly accessible to intermediate players and making a valuable addition to any organist's repertoire. Martin Setchell is Associate Professor of Music University Organist and tutor in Organ at the University of Canterbury School Of Music New Zealand. He combines his university teaching and research career with a busy and international schedule of recitals and concerts as soloist accompanist and continuo player on Organ and Harpsichord.

The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Poul Ruders. Full score: WH31186 Orch. parts are available on hire: hire@ewh.dk Preface / Programme Note When introducing a large-scale symphonic work not only as a symphony but as an organ symphony it would be impossible not to think of and perhaps compare it with Camille Saint-Saëns’s famous SYMPHONY NO. 3 popularly known as the Organ Symphony. Well that is a risk I am prepared to take – and live with the consequences.Saint-Saëns however listed his work as a symphony avec/withorgan. The organ only appears in two out of the four sections of thepiece. In my symphony the instrument plays a far more significant part and is featured in all four movements. But it is not a concerto for organ and orchestra rather a symphony with organo obligato - a symphony with an organ part of a soloistic nature. So an Organ Symphony it is. The first movement PRELUDE is exactly that: a foreplay to what is in store for the rest of the symphony. It is slow (very slow!) and predominantly hushed: the organ and the orchestra wake up side-by-side getting to know one another.The second movement CORTÈGE is a slowly moving processional and it evokes extreme solemnity and austerity. Later on the music takes flight and the atmosphere lightens considerably a far more playful music emerging.This leads to the third movement ETUDE an exercise in instrumental virtuosity and technical challenge.The fourth and last movement is called CHACONNE but I could just as well have named it passacaglia (the definition of those two terms seems to blur even among the learned). Bearing in mind the last movement of Johannes Brahms´s SYMPHONY NO.4 which is universally agreed on as being a passacaglia I chose to avoid the Wrath of the Gods and opted for

Par RAMEAU JEAN-PHILIPPE. Jean-Philippe Rameau's Livre D'Orgue Premier Cahier Book 1/ Répertoire / Orgue

Edition : Paris, l'Auteur, 1688Présentation de : Philippe Lescat : Biographie de Raison, catalogue de ses oeuvresJean Saint-Arroman : notation, agrémentation, doigtés - / Orgue / 216 pages / niveau : 1 / Fac-Similés - Format: 22.5 X 31.5