Voice and piano

SKU: BR.EB-8871

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021.

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 132 pages. Breitkopf and Haertel #EB 8871. Published by Breitkopf and Haertel (BR.EB-8871).

ISBN 9790004184615. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Voice and piano

SKU: BR.EB-8872

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 152 pages. Breitkopf and Haertel #EB 8872. Published by Breitkopf and Haertel (BR.EB-8872).

ISBN 9790004184622. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st Century. Vocal score. 35 pages. Published by E.C. Schirmer Publishing (EC.8454).

Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st century. Vocal score. 35 pages. Published by E.C. Schirmer Publishing (EC.8455).

By Edvard Grieg. Edited by Fog/Grinde. For voice, piano. Op. 58,59,60,61,67,69, and 70; EG 121-157, Edition in original keys in accordance with Edvard Grieg: Complete Works (volume 14), edited by the Edvard Grieg Committee, Oslo (urtext). Published by C.F. Peters.

Easy Piano Songbook (Easy arrangements for piano and voice). Size 9x12 inches. 78 pages. Published by Hal Leonard.

Men's Edition Low Voice; Vocal Composed by Various. Vocal Collection. Movies. Softcover. 116 pages. Published by Hal Leonard

Music by George Gershwin (1898-1937), Ira Gershwin, arranged by Tom Gerou. Songbook for easy solo piano. Series: Simply Gershiwn. 80 pages. Published by Alfred Publishing.

For voice and keyboard. Hal Leonard E-Z Play Today. Country. Difficulty: easy. Keyboard/vocal/chords songbook (big note notation). Chord names, big note notation, lyrics and registration guide. 152 pages. Published by Hal Leonard keyboard/vocal/chords songbook (big note notation) Country

Composed by Tom Cipullo. One Act/Chamber. 21st Century. Score. Published by E.C. Schirmer Publishing

(Thirty Years of Popular Hits Arranged for EASY PIANO). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collection; Piano Supplemental; Sing-Along. Decade by Decade. Nostalgia; Pop. Easy Piano. 144 pages. Published by Alfred Music Publishing

Composed by Marc Antoine Charpentier. Edited by Shirley Thompson. For four voices, two treble instruments and continuo. Full score. Published by Edition HH Music Publishers

(or The Lass That Loved a Sailor ) Lyrics by W.S. Gilbert, music by Arthur Sullivan (1842-1900). For mixed voice and piano. Format: piano/vocal score. With vocal score and piano accompaniment. Broadway and vocal standards. 167 pages. 7.5x10.7 inches. Published by G. Schirmer, Inc..

Easy Piano. Easy Piano Mixed Folio (Easy arrangements for piano and voice). Size 9x12 inches. 64 pages. Published by Hal Leonard.

(1912-1936 (Piano/Vocal/Chords)). For Keyboard; Piano; Voice. This edition: Piano/Vocal/Chords. Personality Book; Piano/Vocal/Chords. Broadway. Book. 260 pages

By Various Artists. Easy Piano Songbook (Easy arrangements for piano and voice). Softcover. 440 pages. Published by Hal Leonard.

Voice & Piano

SKU: ST.LS20

Composed by John Maynard. Edited by Anthony Rooley. Vocal music. Edited by Anthony Rooley. With Lute Tablature. Vocal score. Stainer & Bell Ltd. #LS20. Published by Stainer & Bell Ltd. (ST.LS20).

ISBN 9790220210969.

CONT ENTS
First of all our sexe, The (C - E flat)
How many things (D - D)
I marriage would forsweare (C - E flat)
I onely am the man (D - F)
I studie to uphold (A - F)
Law is my calling, The (F - A)
Long have I livde in Court (F - G)
My calling is divine (D - F)
My dying husband knew (D - A)
My occupation is the Noble trade of Kings (G - A)
My trade doth every thing (C sharp - D)
Though strange outlandish spirits praise (D - G).

Voice & Piano

SKU: ST.LS4

Composed by John Dowland. Edited by Edmund H Fellowes. Vocal music. Edited by E H Fellowes. Revised by Thurston Dart. With Lute Tablature and treble and bass viol parts. Score and parts. Stainer & Bell Ltd. #LS4. Published by Stainer & Bell Ltd. (ST.LS4).

ISBN 9790220205729.

CONT ENTS
Cease these false sports (solo and 5-part)
Disdain me still (E - E)
Far from triumphing court (D - E)
From silent night (D - E)
Galliard to Lachrimae (lute solo)
Go nightly cares (C - D)
If my complaints (C - E)
If that a sinner's sighs (G - G)
In darkness let me dwell (C - E)
In this trembling shadow cast (F sharp - E flat)
Lady if you so spite me (G - F)
Lasso vita mia (D - E)
Love those beams (F sharp - G)
My heart and tongue were twins (A - A)
Shall I strive with words to move (E - D)
Stay time awhile thy flying (E - D)
Sweet stay awhile (E - E)
Tell me true love (D - D)
Thou mighty God (D - E)
To ask for all thy love (E - G)
Up merry mates (solo voices and 4-part)
Welcome black night (solo voice and 5-part chorus)
Were every thought and eye (G - G)
When David's life (E - E)
When the poor cripple (E - E)
Where sin sore wounding (A - G).

Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-clar.S-sax. muha).2(kfg.muha) - 1.1(corn [ad lib.]).1.0 - timp.perc(3) - acc(windmachine I).hp(rainmaker.windmachi ne II).guit(rainmaker.windma chine III) - str: 1.1.2.1.1)

SKU: BR.EB-9394

A Composed Interpretation. Composed by Hans Zender. Voice; Softbound. Edition Breitkopf. World premiere: Frankfurt am Main, September 21, 1993. Song; Music post-1945. Piano/Vocal Score. Composed 1993. 120 pages. Duration 85'. Breitkopf and Haertel #EB 9394. Published by Breitkopf and Haertel (BR.EB-9394).

ISBN 9790004188682. 9 x 12 inches.

My lecture of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. In addition, there are further ways of reading; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase ... All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects.(Hans Zender)CDs:Hans Peter Blochwitz (Tenor), Ensemble Modern, Conductor: Hans Zender CD BMG 9026-68067-2 Christoph Pregardien (Tenor), Klangforum Wien, Conductor: Sylvain Cambreling CD Kairos 0012002KAIJulien Pregardien (Tenor), Deutsche Radio Philharmonie Kaiserslautern, Conductor: Robert Reimer2 CD's P.RHEI (2016)Bibliography:Adam-S chmidmeier, Eva-Maria von: Schubert interpretieren. Hans Zender: Schuberts Winterreise. Eine komponierte Interpretation im Unterricht, in: Musik und Unterricht Heft 96 (2009), pp. 50-56.Gruhn, Wilfried: Wider die asthetische Routine. Hans Zenders Version von Schuberts Winterreise, in: Neue Zeitschrift fur Musik 1/1997.Hebling, Harald: Kompositorische Schubertrezeption im 20. Jahrhundert, Magisterarbeit Universitat Wien 2003, especially pp. 148-157.Nonnenmann, Rainer: Vom Nutzen und Nachteil der Musikhistorie fur das Musikleben. Zur Kritik aktualisierender Interpretation am Beispiel von Hans Zenders Schuberts ,Winterreise, in: Musik und Asthetik 7, Heft 26 (April 2003), pp. 65-90.ders.: Schuberts ,Winterreise . Komponierte Interpretation von Hans Zender / Ballett von John Neumeier, in: Osterreichische Musikzeitung 60 (2005), Heft 3, p. 42f.ders.: Fremd bin ich eingezogen, fremd zieh ich wieder aus. Versuch zur Rettung der Vergangenheit Schuberts Winterreise. Eine komponierte Interpretation fur Tenor und kleines Orchester (1993) von Hans Zender, in ders.: Winterreisen. Komponierte Wege von und zu Franz Schuberts Liederzyklus aus zwei Jahrhunderten, 2 Bande (= Taschenbucher zur Musikwissenschaft, Band 150/151), Wilhelmshaven: Florian Noetzel 2006, pp. 143-205.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 11-24.Revers, Peter: ... Schnee, du weisst von meinem Sehnen. Aspekte der Schubert-Rezeption in Hans Zenders Winterreise (1993), in: Dialekt ohne Erde. Franz Schubert und das 20. Jahrhundert, hrsg. von Otto Kolleritsch, Wien-Graz 1998 (Studien zur Wertungsforschung, Band 34), pp. 98-120.Schafer-Lembeck, Hans-Ulrich: Gegenstrebige Fugungen. Hans Zenders Musik und seine komponierte Interpretation von Schuberts Winterreise, in: Neue Musik vermitteln. Analysen Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott, 2004, pp. 295-307.Stahmer, Klaus Hinrich: Bearbeitung als Interpretation - Zur Schubertrezeption Gustav Mahlers, Hans Zenders und Friedhelm Dohls, in: Franz Schubert und Gustav Mahler in der Musik der Gegenwart, Mainz 1998.Zender, Hans: warum wieder die Winterreise? Hartmut Regitz im Gesprach mit dem Komponisten, in: ballet.tanz - international.aktuell, Heft 12 (2001), p. 18.

World premiere: Frankfurt am Main, September 21, 1993.