Soixante-six des grands standards jazz record spécialement adaptés pour saxophone par Jack Long, complet avec les symboles de la corde de concert pitch. Touches faciles et varie en fonction de débutants à la norme intermédiaire. Comprend ' Ain't Misbehavin ', ' Come Fly With Me ', ' Tuxedo Junction ' et ' C'est une valse Raggy '. / Saxophone / 96 pages / Partition

100 chansons de pop spéciallement arrangées pour saxophone Eb et Bb par Jack Long paroles et accords. / Saxophone / Partition

No.1 hits ranging from the Everly Brothers\' in 1958 to Bryan Adams\' record-breaking 16 weeks smash hit (Everything I Do) I Do It For You in 1991. / Saxophone

Une série très souple de livres conçu pour encourager les jeunes à jouer ensemble dans diverses combinaisons de chiffres et d'instruments, parfaits pour les frais de scolarité de groupe. Livre 1 offre 19 trios de simple intermédiaire pour saxophone alto et ténor à l'aide de mélodies familières disposés dans des styles classiques, de folkloriques et de jazz, y compris les pays Garden, Dieu reste Ye Merry Gentlemen, danse du chapeau mexicain Hornpipe de marin. Cette collection peut être utilisée pour solo, duo ou trio jouant et peut également être utilisée avec des dispositions correspondantes du même matériau dans le livre i pour Brass, violon, clarinette, flûte. Un livre d'accompagnement piano est disponible. / Niveau : Débutant / Méthode en anglais / Méthode / Saxophone

Mauricio Sotelo’s Muros de dolor...I (2005) speaks of the pain and sorrow of the soul. The strong and expressive character is achieved via a precisely calculated succession of “micro-intervals” and an expanded palette of “micro-qualities” of the tone. Mauricio Sotelo wrote Muros de dolor…I for saxophonist Marcus Weiss, who supported him significantly in the composition of the work with his knowledge of the saxophone’s capabilities and his experience as an interpreter. A fingering chart for eighth tones for tenor saxophone is contained in UE33034. / Partitions classique / Bois / Saxophone / UNIVERSAL EDITION

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Enfants ces jours semblent veulent apprendre à jouer des instruments à un âge plus précoce et doivent être fournis avec beaucoup de pièces courtes faciles à maintenir leur intérêt avant et entre les examens. Ce livre offre une foule d'airs familiers faciles qui auront plaisir à jouer et une incitation à la pratique. / Saxophone / 28 pages / niveau : Facile / Partition

Jouez le blues et les airs par Charlie Parker plus des chansons populaires. Développez votre lecture de vue, et improviser des qualifications. / Saxophone Alto

Une collection de ballades sensuelles spécialement adaptés pour sax, de débutant à la norme intermédiaire. Accords de pleine consonance de Jack Long comprennent deux ensembles de symboles de corde au-dessus de mélodie la ligne de la mélodie, donc les guitaristes ou joueurs de clavier peuvent vous accompagner si vous jouez sax Eb ou Bb. Un complément idéal à votre bibliothèque de saxophone. / Saxophone / 96 pages / Partition

Effectuer des solos les plus connus de saxo de tous les temps! Jouer ce bien rendue et méticuleusement détaillé transcriptions vous donnera un aperçu des styles de grands saxophonistes comme Michael Brecker, Kenny G, David Sanborn, Jay Beckenstein, et bien d'autres. L'introduction Berklee professeur Jeff Harrington propose des conseils sur la façon de pratiquer et exécuter.Caractéristiques solos de 17 chansons: Against All Odds - Baby, I Love Your Way - I Heard It Through the Grapevine - Love Is a Wonderful Thing - Morning Dance - Still Crazy After All These Years - Time Passages - Walk on the Wild Side.'J'aime la clarté avec laquelle tous les solos sont transcrits différents, et c'est génial d'avoir l'occasion de voir tout ce travail incroyable d'une telle variété de solistes.'- Kenny G / Saxophone

Une perle pour les tous les musiciens. Les 100 plus beaux morceaux de jazz arrange pour tous les instruments re mineure et sol majeure / Saxophone / Partition