La référence FP 316 de l'éditeur Fertile Plaine dont l'auteur célèbre est Casiez F./Soldano J.C., qui a pour titre Moderato cantabile ( flute piccolo et piano ), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Piccolo. Cette partition musicale appartient à la catégorie Classique. / Piccolo / Partition

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Le Tombeau De Mireille in 1959. As with his other compositions, Le Tombeau De Mireille for Galoubet (Pipe), Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Le Tombeau De Mireille is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire./ Répertoire / Galoubet ou Petite Flûte Traversière ou Hautbois e

Sprite was written for Lewis Mitchell. It was first performed by Lewis on the 1st December 1998.

Die zwei Teile dieses gut 10-minütigen Werkes können einzeln oder zusammen aufgeführt werden.Der erste, From Something Bigger, entstand 2008 anlässlich eines Gedenkkonzertes für Karlheinz Stockhausen. Svoboda war schon vor Jahren als Musiker im Stockhausen-Umfeld fasziniert davon, wie volltönend ein Piccolo klingen kann. Er erweist hier auch der Eigenart Reverenz, mit der der Kölner Meister die Dinge um sich herum - seien es Töne oder bei einer Reise vorbeihuschende Telefonmasten - zu zählen und in aufeinander bezogene Einheiten zu gruppieren pflegte.Von der Faszination für Zahlenreihen zeugt auch der 2015 aus Anlass der Noten-Publikation hinzugefügte zweite Teil, Fibonacci Strata. Innerhalb seiner strengen Struktur - jeder Takt eine deutlich markierte Einheit - und virtuosen Mehrschichtigkeit gibt der Komponist mit zwei Kadenzen dem Hörer Gelegenheit, ?die Fassung wiederzugewinnen'. / Piccolo

Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17./ Répertoire / Piccolo

Par LOEB DAVID. David Loeb's Japanese Tone Poems for piccolo alone collects particularly evocative Japanese works from his ouevre - Nightcolors (P-15), Piccolo Perspectives (P-21), and Snowsounds (P-24), unique in their vivid portrayal of ancient mountainous forests, winter scenes, and ekphrastic musical descriptions of images inscribed on woodblocks and ceramics, a double-set of tone poems, perhaps. Despite the name, this collection also includes two works that use Dutch and Korean imagery, due to their tight integration and relation to Japanese sources and Japanese musical ideas.David Loeb's Japanese Tone Poems for piccolo alone collects particularly evocative Japanese works from his ouevre - Nightcolors (P-15), Piccolo Perspectives (P-21), and Snowsounds (P-24), unique in their vivid portrayal of ancient mountainous forests, winter scenes, and ekphrastic musical descriptions of images inscribed on woodblocks and ceramics, a double-set of tone poems, perhaps. Despite the name, this collection also includes two works that use Dutch and Korean imagery, due to their tight integration and relation to Japanese sources and Japanese musical ideas./ Répertoire / Piccolo

Séduit par l?authenticité et le charme d?un marché artisanal Christian Bouthier s?est inspiré du savoir-faire de trois artisans pour composer cette suite en trois mouvements. À l?ombre des platanes ils font et refont devant un public nombreux et passionné ces gestes ancestraux qui donnent naissance à tant de belles choses. Découvrez les traditions perpétuées par l?artisan horloger le tonnelier et le maréchal-ferrant.

Pour Piccolo - Ou Flûte-. Par RIOU JACQUES. / Niveau : 3ème Cycle / Répertoire / Piccolo