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| Musicalisches Lob Gottes
(TELEMANN GEORG PHILIPP)
Voix et Orchestre [Partition]
Barenreiter
Par TELEMANN GEORG PHILIPP. This volume represents the only annual cycle of sacr...(+)
Par TELEMANN GEORG PHILIPP. This volume represents the only annual cycle of sacred music of the 18th century printed in score: it was completed in 1744. The textual basis stems from Erdmann Neumeister. In contrast to the usual practice of the Telemann Edition to edit segments of the church years, here the entire course of the church year is presented. The music to be performed at the beginning of each part of the church year and at special celebrations is included.
Telemann used a variety of expressive polyphonic techniques to create the introductory dicta. These, like the chorales, are written in concentrated three-part harmony.
The preface provides information on the printing history of the church year and its dissemination supplemented by comments on performance practice: the critical report analyses the rich source material.
Editions of Telemann's preface (with his performance notes and an explanation of his figured bass system), the preface on the printing of the texts and the texts of the compositions contained in the volume flank the edition of the music. Facsimiles from the original print and from Hamburg performance materials are included./ Répertoire / Chant et Orchestre
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| Ballet Music: Les
Corsaires (Vienna 1759) /
Le Prix De La Danse
(Vienna 1759) / Le Berger
Magicien (Vienna 1759) /
Les Miquelets Espagnols
(Vienna 1759) / Le
Naufrage (Vienna 1759) /
Les Faunes (Vienn (GLUCK
CHRISTOPH WILLIBALD)
Voix et Orchestre [Partition]
Barenreiter
Par GLUCK CHRISTOPH WILLIBALD. This volume is the second of three planned volume...(+)
Par GLUCK CHRISTOPH WILLIBALD. This volume is the second of three planned volumes of ballet music composed between 1759 and 1769 in Vienna. They represent only a small portion of Viennese ballet music attributed to Gluck for which musical sources have been preserved. The volumes form a compendium that offers comprehensive editorial coverage of Gluck's activities as 'Compositore von der Music zu denen Balletten' (composer of the music to the ballets). The present volume contains compositions from the years 1759 and 1760 (and, accordingly, the 1759/60 and 1760/61 seasons). / Date parution : 2019-06-20/ Répertoire / Chant et Orchestre
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| Love in a Village
(BICKERSTAFF ISAAC (Arr)
Voix et Orchestre [Partition]
Barenreiter
A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was...(+)
A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was first performed on 8 December 1762 at the Covent Garden Theatre (London). It was to become one of the most popular British musical stage works of the century, and by 1791 it had also gained international acclaim. The question of why this pastiche comic opera was able to develop this special attraction can be described in terms of fashion and tradition. By bringing stylistically sophisticated compositions by various well-known composers such as George Frideric Handel, Thomas Augustine Arne und Francesco Geminiani into the traditional 'Ballad Opera', the theatre makers succeeded in renewing traditional ways of producing and performing playhouse entertainment.
The music of 'Love in a Village' stems from four sources: Vocal music from the amusement gardens, Italian opera arias from the 1750s and 1760s, theatrical or occasional music and folk melodies. Love in a Village' thus further developed the methods first used by 'Ballad Opera' to create a comic opera from a sentimental plot and pre-existent vocal compositions.
The fourth volume in our OPERA series consists of a linen-bound volume and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited./ Répertoire / Chant et Orchestre
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| Dir, Seele Des Weltalls
K. 429 (468A)
Voix Et Orchestre
Breitkopf & Härtel
Merci à la Mozart spécialiste Franz Beyer, la cantate 'Dir, Seele des Weltalls...(+)
Merci à la Mozart spécialiste Franz Beyer, la cantate 'Dir, Seele des Weltalls' a été achevé dans son instrumentation originale et avec un sentiment de précision infaillible pour stylistique en 2000. On trouve déjà des échos de la 'Flûte enchantée' dans ce fragment, qui Mozart a écrit en 1785. Les deux barres de fermeture d'introduction et deux ajoutés par Beyer avec l'orchestration complète de la pièce permettent aux musiciens de découvrir une cantate de Mozart qui sonne familier avec beaucoup de modernes auditeurs. - Le 'traditionnel' version par Maximilian Stadler (pour soprano solo, choeur mixte et orchestre sans orgue) continue à rester à la disposition / Voix Et Orchestre
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| Gli arabi nelle Gallie
(PACINI GIOVANNI)
Voix et Orchestre [Partition]
Barenreiter
Concentus Musicus 17. Par PACINI GIOVANNI. Giovanni Pacini's (1796-1867) opera '...(+)
Concentus Musicus 17. Par PACINI GIOVANNI. Giovanni Pacini's (1796-1867) opera 'Gli Arabi nelle Gallie' was composed for Milano where it was successfully premiered at the Teatro alla Scala on 8 March 1827. During the same year the work was also performed in Naples and Vienna and in the years to follow - outside of Italy - also in Madrid, Barcelona and New York.
The work represents Pacini's style and creative powers in full maturity./ Répertoire / Chant et Orchestre
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| Il Teuzzone, RV 736
(ANTONIO VIVALDI)
Voix et Orchestre [Partition]
Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...(+)
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). Par ANTONIO VIVALDI. 'With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed. '/ Répertoire / Chant et Orchestre
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| L'Incoronazione Di
Poppea (Le couronnement
de Poppée)
Voix Et Orchestre
Barenreiter
L'incoronazione di Poppea, Claudio Monteverdi's final opera, had a formative imp...(+)
L'incoronazione di Poppea, Claudio Monteverdi's final opera, had a formative impact on the evolution of this genre. Yet its convoluted source situation makes it one of music history's great enigmas. There are practically no references to the original version that Monteverdi performed in Venice in 1643, as the score has not survived.To celebrate the 450th anniversary of Monteverdi's birth, this operatic masterpiece is appearing in an edition close to the presumed original. The new edition is based on the score prepared in Venice and found among the possessions of Francesco Cavalli. This scholarly edition came about due to a remarkable project at the University of North Texas - it was compiled and edited by Hendrik Schulze and his students on the basis of the latest research findings concerning source evaluation, performance practice and the historical context. - Detailed Introduction to questions regarding sources and interpretation (Eng/Ger) - Extensive critical apparatus (Eng) - Libretto edited by Nicola Badolato with text translations (Ital/Eng/Ger) - Appendix with alternative readings from the Naples source / Voix Et Orchestre
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| Musique Pour
Saint-Germain Op. 153
 En Français
Voix Et Orchestre
Delatour France
Trop modeste, Olivier Alain ne se soucia jamais de sa propre promotion et ne che...(+)
Trop modeste, Olivier Alain ne se soucia jamais de sa propre promotion et ne chercha point à faire connaître ses productions musicales ou littéraires. Son catalogue musical comporte 170 no d'opus. Bien que l'influence familiale se fasse sentir, Olivier Alain écrit dans un style très personnel, usant d'un langage musical différent de celui de son frère Jehan. Au sein de la famille Alain, Olivier est un compositeur d'une grande originalité : ses oeuvres, de haute qualité, méritaient vraiment d'être éditées. / Voix Et Orchestre
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| Tempi Burrascosi
(CAMPOGRANDE NICOLA)
Voix et Orchestre [Conducteur]
Ricordi
Favola Musicale Su Testo Di Dario Voltolini. Par CAMPOGRANDE NICOLA. Favola Musi...(+)
Favola Musicale Su Testo Di Dario Voltolini. Par CAMPOGRANDE NICOLA. Favola Musicale Su Testo Di Dario Voltolini / Musique contemporaine / Date parution : 1905-07-02/ Répertoire / Voix et Orchestre
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| Symphony No. 9 In D Minor
Op. 125 Full Score
(BEETHOVEN LUDWIG VAN)
Voix et Orchestre [Partition]
Barenreiter
Couverture Rigide Reliée En Lin. Par BEETHOVEN LUDWIG VAN. Beethoven and Bären...(+)
Couverture Rigide Reliée En Lin. Par BEETHOVEN LUDWIG VAN. Beethoven and Bärenreiter - a marriage made in heaven! It all started in 1996 with Symphony No. 9: Jonathan Del Mar's groundbreaking edition of this masterpiece marked the beginning of his new edition of the complete nine symphonies. They became a huge success and have been used by countless orchestras all over the world.
In the run-up to the Beethoven Year 2020, Del Mar has returned to the sources 20 years later and scrutinised them afresh. The results: the musical text has withstood the test of time. Our new edition now has an optimised layout and an additional Introduction by Barry Cooper. Rounding off this beautiful linen-bound volume are several pages reproduced in facsimile./ Répertoire / Voix et Orchestre
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| Missa Solemnis Op. 123
(BEETHOVEN LUDWIG VAN)
Voix et Orchestre [Partition]
Barenreiter
Full Score. Par BEETHOVEN LUDWIG VAN. Beethoven described his grandly conceived ...(+)
Full Score. Par BEETHOVEN LUDWIG VAN. Beethoven described his grandly conceived 'Missa solemnis” as 'my greatest work” and sold manuscript copies to some of the subscribers even before it had appeared in print.
This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the 'Sanctus”, where the choir enters instead of the soloists, rather than coming in at 'Pleni sunt coeli”. No less worthy of mention is the addition of the soloists to the choir in most of the 'Credo”. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).
The appendix contains Beethoven's arrangement of the Gregorian chant 'Tantum ergo” for the first time. This was composed at the same time as the 'Missa solemnis” and most probably stands in a close relation to it.
This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece./ Répertoire / Voix et Orchestre
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| PELLEAS ET MELISANDE IN
FULL SCORE (DEBUSSY
CLAUDE) (DEBUSSY CLAUDE)
Voix et Orchestre [Partition]
Dover Publications
Par DEBUSSY CLAUDE. The tragic tale of brothers who are in love with the same my...(+)
Par DEBUSSY CLAUDE. The tragic tale of brothers who are in love with the same mysterious woman, Debussy's only opera is a perfect marriage of music and verse. The culmination of an eight-year effort on the part of the composer, the five-act lyricdrama premiered in 1902. This volume, reprinted from the E. Fromont 1904 edition, reproduces the full orchestral-vocal score in a clear, modern engraving. / Date parution : 2023-05-06/ Répertoire / Chant et Orchestre
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| Missa In B-Flat Major
Hob.XXII:14 'Harmony
Mass' (HAYDN FRANZ
JOSEF)
Voix et Orchestre [Partition]
Barenreiter
Full Score. Par HAYDN FRANZ JOSEF. Haydn composed his Missa in B-flat major, als...(+)
Full Score. Par HAYDN FRANZ JOSEF. Haydn composed his Missa in B-flat major, also known as the 'Harmony Mass” in 1802. It is the last of the six great mass settings, which forms the crowning glory of Haydn's vocal music alongside 'The Creation” and 'The Seasons”.
Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas, and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”.
This full score is fully compatible with all existing performance material. / Date parution : 2019-11-29/ Répertoire / Chant et Orchestre
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| Canto Di Natale
En Français
Voix et Orchestre [Partition]
Leduc, Alphonse
L'oeuvre musicale qui a pour support une Partition a pour titre Canto Di Natale....(+)
L'oeuvre musicale qui a pour support une Partition a pour titre Canto Di Natale. C'est une partition musicale composée par Louvier et qui est destinée aux joueurs de Chant/Vocal/Choeur. Le détail de l'instrumentation Chant Et Orchestre vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Chant Et Orchestre / Partition
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| Die Glückliche Hand
Op. 18 (SCHOENBERG
ARNOLD)
Voix et Orchestre
Schott
Kritischer Bericht, Skizzen. Par SCHOENBERG ARNOLD. Arnold Schönberg est la fig...(+)
Kritischer Bericht, Skizzen. Par SCHOENBERG ARNOLD. Arnold Schönberg est la figure centrale du monde musical du XXe siècle. Sa signification musicale était déjà évidente pendant sa durée de vie, mais son influence à titre posthume a augmenté énormément. Son travail a ouvert la voie à révolutionnaire des changements dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable pour la recherche, ainsi que pour la performance. L'édition est publiée en deux séries : série a en format folio contient des oeuvres tout rempli, toutes les partitions piano préparées par le compositeur lui-même et les oeuvres tout inachevées convenable pour la performance - également des fragments (gros scores) qui sont mieux adaptés pour être imprimées dans un tel format. Série B, au format in-quarto, contient des versions précoces, des croquis, des idées et des fragments ainsi que Genèse et un commentaire critique./ Répertoire / Chant et Orchestre
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| Melodramen Und Lieder Mit
Instrumenten (SCHOENBERG
ARNOLD)
Voix et Orchestre
Schott
Part I: Pierrot Lunaire, Op. 21. Par SCHOENBERG ARNOLD. Arnold Schönberg est la...(+)
Part I: Pierrot Lunaire, Op. 21. Par SCHOENBERG ARNOLD. Arnold Schönberg est la figure centrale du monde musical du XXe siècle. Sa signification musicale était déjà évidente pendant sa durée de vie, mais son influence à titre posthume a augmenté énormément. Son travail a ouvert la voie à révolutionnaire des changements dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable pour la recherche, ainsi que pour la performance. L'édition est publiée en deux séries : série a en format folio contient des oeuvres tout rempli, toutes les partitions piano préparées par le compositeur lui-même et les oeuvres tout inachevées convenable pour la performance - également des fragments (gros scores) qui sont mieux adaptés pour être imprimées dans un tel format. Série B, au format in-quarto, contient des versions précoces, des croquis, des idées et des fragments ainsi que Genèse et un commentaire critique. / Date parution : 1996-12-17/ Répertoire / Chant et Orchestre
Délais: 2-5 jours - En Stock Fournisseur |
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| Gurre-Lieder (SCHOENBERG
ARNOLD)
Voix et Orchestre
Schott
Par SCHOENBERG ARNOLD. Arnold Schönberg est la figure centrale du monde musical...(+)
Par SCHOENBERG ARNOLD. Arnold Schönberg est la figure centrale du monde musical du XXe siècle. Sa signification musicale était déjà évidente pendant sa durée de vie, mais son influence à titre posthume a augmenté énormément. Son travail a ouvert la voie à révolutionnaire des changements dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable pour la recherche, ainsi que pour la performance. L'édition est publiée en deux séries : série a en format folio contient des oeuvres tout rempli, toutes les partitions piano préparées par le compositeur lui-même et les oeuvres tout inachevées convenable pour la performance - également des fragments (gros scores) qui sont mieux adaptés pour être imprimées dans un tel format. Série B, au format in-quarto, contient des versions précoces, des croquis, des idées et des fragments ainsi que Genèse et un commentaire critique. / Date parution : 2007-06-28/ Répertoire / Chant et Orchestre
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| Works For Mixed Choir And
Orchestra - Les Djinns
Op. 12 N 43B / La
Naissance De Vénus
Op. 29 N 72B / Madrigal
Op. 35 N 78B / Pavane Op.
50 N 100A (FAURE GABRIEL)
Voix et Orchestre [Partition]
Barenreiter
Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” conta...(+)
Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” contains Fauré's four secular choral works in their orchestral arrangements, namely 'Les Djinns”, 'La Naissance de Vénus”, 'Madrigal”, and 'Pavane”. These works were composed between 1876 and 1887 - thereafter Fauré wrote choral compositions based only on sacred texts. The first three works are presented here for the first time in a full score edition, previously having been published only in their versions with piano accompaniment. This edition is therefore the first to present the works with an authoritative musical text based on the careful study of the sources.
'Les Djinns” (1876-76) for mixed choir and orchestra is based on the famous poem by Victor Hugo first published in the collection 'Les Orientales”, while 'La Naissance de Vénus” (1882) for soloists, choir and orchestra is based on a text by Paul Collin. 'Madrigal”, the orchestral version of which cannot be dated with certainty (around 1891, for a quartet of soloists or choir) has been composed after a poem by Armand Silvestre, and the famous 'Pavane”, originally composed for orchestra and only later supplemented with a text by Symbolist poet Robert de Montesquiou, is presented here in an elegant, graceful version with mixed choir. / Date parution : 2019-06-20/ Répertoire / Chant et Orchestre
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