For 2 Violins, Viola and Violoncello. By Felix Mendelssohn. Edited by E. Herttrich. STUDY EDITION. Pages: VII and 49. Study score-no details. Published by G. Henle.

The Death and the Maiden-. By Franz Schubert. Edited by W. Haug-Freienstein. STUDY EDITION. Pages: IV and 68. Study score-no details. Published by G. Henle.

By Johannes Brahms. Edited by R. Pascall. STUDY EDITION. Pages: V and 199. Study score-no details. Published by G. Henle.

Grade 3

SKU: CL.032-3348-01

Composed by Johann Melchior Molter. Jazz Ensemble. Audio recording available separately (items CL.991-2004-01 & CL.991-2004-02). Extra full score. Composed 2004. Duration 3 minutes. C.L. Barnhouse #032-3348-01. Published by C.L. Barnhouse (CL.032-3348-01).

An impressive swing chart by Tom Molter with a unique sound, written in G minor. 1st trumpet goes up to A above the staff and other ranges are very reasonable. Includes one written solo for tenor sax that is also cued for trumpet and a great shout chorus that really adds excitement! An excellent contest or concert choice for developing bands.

For Clarinet, 2 Violins, Viola and Violoncello. By Johannes Brahms. Edited by A. Massimo Grassi. STUDY EDITION. Pages: VII and 65. Study score-no details. Published by G. Henle.

By Ludwig van Beethoven. Edited by H.-W Kuthen. STUDY EDITION. Pages: VI and 86. Study score-no details. Published by G. Henle.

Grade 3

SKU: CL.032-3348-00

Composed by Johann Melchior Molter. Jazz Ensemble. Audio recording available separately (items CL.991-2004-01 & CL.991-2004-02). Score and set of parts. Composed 2004. Duration 3 minutes. C.L. Barnhouse #032-3348-00. Published by C.L. Barnhouse (CL.032-3348-00).

An impressive swing chart by Tom Molter with a unique sound, written in G minor. 1st trumpet goes up to A above the staff and other ranges are very reasonable. Includes one written solo for tenor sax that is also cued for trumpet and a great shout chorus that really adds excitement! An excellent contest or concert choice for developing bands.

By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchestra. This edition: Urtext. Solo part and piano reduction. Opus 104. Published by Baerenreiter Verlag

By Frederic Chopin. Edited by E. Zimmermann. STUDY EDITION. Pages: 144. Study score-no details. Published by G. Henle.

Early and Unfinished Sonatas. By Franz Schubert. Edited by P. Badura-Skoda. STUDY EDITION. Pages: X and 248. Study score-no details. Published by G. Henle.

By Ludwig van Beethoven. Edited by B.A. Wallner. STUDY EDITION. Pages: 283. Study score-no details. Published by G. Henle.

By Johann Sebastian Bach. Edited by K. Ronnau. STUDY EDITION. Pages: VII and 62. Study score-no details. Published by G. Henle.

In b Minor, Op. 58. By Frederic Chopin. Edited by E. Zimmermann. STUDY EDITION. Pages: 82. Study score-no details. Published by G. Henle.

By Ludwig van Beethoven. Edited by P. Mies. STUDY EDITION. Pages: X and 147. Study score-no details. Published by G. Henle.

By Franz Joseph Haydn. Edited by G. Feder. STUDY EDITION. Pages: VI and 186. Study score-no details. Published by G. Henle.

Piano - Grade 5

SKU: BT.WMP2218

2015-2016 Grade 8. Composed by Josephine Koh. Teachers' Choice. Method. Book Only. 48 pages. Wells Music Publishers #WMP2218. Published by Wells Music Publishers (BT.WMP2218).

ISBN 9789810924119. English.

Teachers’ Choice, Selected Piano Repertory & Studies for grade 8 is compiled to provide teachers and students with good options for the 2015 & 2016 ABRSM Piano examinations.

- This collection ofinteresting and appealing Piano pieces contains editorial suggestions for pedagogical purposes. Most teachers will find the performance points helpful in developing stylistic awareness in the students.

-Examinat ionrequirements aside, details on articulation, dynamics, fingering, pedal marks and tempo serve to provide a directed approach for students to strive towards achieving musical excellence and perfection.

-Effect ivetechnicalstudies suited to each level have been carefully selected, forming in themselves, supplementary materials to enhance technical competence.

-Most important of all, enjoy the high standards of music typography suchclear, professionally laid scores supported by modern publishing technology and musical semiotics. The digital print on quality cream-coloured paper ensures comfort in the reading of musical scores.

By Johann Sebastian Bach. Edited by R. Steglich. STUDY EDITION. Pages: IX and 126. Study score-no details. Published by G. Henle.

By Edvard Grieg. Edited by Maurice Hinson. For Piano. Piano Solo. Masterwork. Level: Early Advanced (grade 6 ). 32 pages. Published by Alfred Publishing.

Piano - Grade 4

SKU: BT.WMP2216

2015-2016 Grades 4-5. Composed by Josephine Koh. Teachers' Choice. Method. Book Only. 40 pages. Wells Music Publishers #WMP2216. Published by Wells Music Publishers (BT.WMP2216).

ISBN 9789810924096. English.

Teachers’ Choice, Selected Piano Repertory & Studies for grades 4-5 is compiled to provide teachers and students with good options for the 2015 & 2016 ABRSM Piano examinations.

- This collection ofinteresting and appealing Piano pieces contains editorial suggestions for pedagogical purposes. Most teachers will find the performance points helpful in developing stylistic awareness in the students.

-Examinat ionrequirements aside, details on articulation, dynamics, fingering, pedal marks and tempo serve to provide a directed approach for students to strive towards achieving musical excellence and perfection.

-Effect ivetechnicalstudies suited to each level have been carefully selected, forming in themselves, supplementary materials to enhance technical competence.

-Most important of all, enjoy the high standards of music typography suchclear, professionally laid scores supported by modern publishing technology and musical semiotics. The digital print on quality cream-coloured paper ensures comfort in the reading of musical scores.

Composed by Franz Liszt (1811-1886). Taking this as a role model, this organ version of the Liszt B-minor sonata attempts to render the piece instantly playable. For this purpose, the articulation, coming mainly from Liszt himself, and the registration details are noted. Since 1984, the a. Breitkopf and Haertel #EB- 8989. Published by Breitkopf and Haertel