Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition, vous pourrez découvrir une des oeuvres de Piard Marius en l'occurence QUATRE VINGT DIX ETUDES VOLUME 2 qui a été éditée par la maison d'édition Billaudot. / Etudes / Partition

25 Studies For Bassoon-25 Studies for Bassoon. Martin Gatt has been using these carefully transcribed studies in his teaching for many years. They where originally written by Gillet for oboe.60 pages.

Exercises and studies in this book have been written for the specific purpose of supplementing any of the elementary methods available. The book is in no way intended to serve as a method or as a course of progressive instruction for the Bassoon. This book is divided into two general classifications: studies for rhythmic development and scale, arpeggio, and interval exercises which are so indispensable in mastering any instrument.

This is an excellent Bassoon tutor by Otto Langey. It includes sections on:History of the BassoonHow to assemble the instrumentHolding the instrumentCare of the instrumentFingering chartsScales and arpeggiosVarious exercises.

Eleven moderately easy pieces-A collection of 11 moderately easy pieces for Bassoon. Some works are unaccompanied.

Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.

Music Minus One Bassoon-A marvelous and eclectic assortment of pieces for woodwind quintet from Bach Haydn Mozart and others. Includes a high-quality printed music score and a compact disc featuring each piece performed twice: first with soloist then without. Accompaniment: Camerata Woodwind Quintet: Roy Lawrence oboe Gerald Carey flute Roger Collins french horn Robert Koper bassoon

Grade 3-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Four pieces for bassoon and piano by Graham Sheen.Drunken Sailor - the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36 for example might even be close to a glissando. Use your imagination to recreate the sailor's state of health!The Vulgar BoatmanNot only more 'hidden' melodies but moreappalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman you might spot just a hint of 'Sailing down the River on a Sunday Afternoon' 'We Sail the Ocean Blue' (H.M.S. Pinafore) The Eton Boat Song and even Wagner's Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don't always begin where you might expect. Think of this piece as a song.

This book contains all the scales and arpeggios required for ABRSM?s Bassoon exams at Grades 1-5. It features all the new requirements from 2018 arranged in grade order.