Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203).
ISBN
9790007294243. Key: D
minor. Latin.
The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press.
Litaniae Lauretanae
B.M.V. in der Bearbeitung
von Wolfgang Amadeus
Mozart. Composed by
Leopold Mozart. Edited by
Ernst Hintermaier.
Arranged by Wolfgang
Amadeus Mozart. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series X, Workgroup
28, Vol. 3-5, No. 1a.
Complete edition, Score,
Critical commentary.
Baerenreiter Verlag
#BA04609_01. Published by
Baerenreiter Verlag
(BA.BA04609-01).
ISBN
9790006451975. 33.2 x
25.8 cm inches. Key:
E-flat major.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices, choir, orchestra (soprano voice solo (3), tenor voice solo (2 ), fl...(+)
Solo voices, choir,
orchestra (soprano voice
solo (3), tenor voice
solo (2 ), flute (2 ),
oboe (2 ), english horn,
bassoon (2 ), horn (4),
trumpet (2 ),
harpsichord, strings)
SKU: BA.BA04599-41
Serenade in two
acts. Composed by
Wolfgang Amadeus Mozart.
Edited by Pierluigi
Petrobelli and Wolfgang
Rehm. This edition:
Complete edition. Linen.
New Mozart Edition (Neue
Mozart Ausgabe - NMA)
Series I, Volume 5, No.
9. Complete edition,
Critical commentary. K.
208. 79 pages. Duration 2
hours. Baerenreiter
Verlag #BA04599_41.
Published by Baerenreiter
Verlag (BA.BA04599-41).
ISBN 9790006496310.
24.4 x 17.3 cm inches.
Language: Italian. Pietro
Metastasio.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part,
Cello/Double Bass.
Composed 1772. KV 125. 12
pages. Duration 32
minutes. Carus Verlag #CV
40.055/14. Published by
Carus Verlag
(CA.4005514).
ISBN
9790007059408. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
part available separately
- see item
CA.4005500.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Study score.
Composed 1772. KV 125.
Duration 32 minutes.
Carus Verlag #CV
40.055/07. Published by
Carus Verlag
(CA.4005507).
ISBN
9790007087456. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score
available separately -
see item CA.4005500.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Viola.
Composed 1772. KV 125. 12
pages. Duration 32
minutes. Carus Verlag #CV
40.055/13. Published by
Carus Verlag
(CA.4005513).
ISBN
9790007059392. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
part available separately
- see item
CA.4005500.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. Litaniae
De Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed 1772. KV
125. Duration 32 minutes.
Carus Verlag #CV
40.055/19. Published by
Carus Verlag
(CA.4005519).
ISBN
9790007217242. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
parts available
separately - see item
CA.4005500.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Violin
2. Composed 1772. KV 125.
16 pages. Duration 32
minutes. Carus Verlag #CV
40.055/12. Published by
Carus Verlag
(CA.4005512).
ISBN
9790007059385. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
part available separately
- see item
CA.4005500.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Violin
1. Composed 1772. KV 125.
16 pages. Duration 32
minutes. Carus Verlag #CV
40.055/11. Published by
Carus Verlag
(CA.4005511).
ISBN
9790007059378. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
part available separately
- see item
CA.4005500.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed 1772. KV 125. 28
pages. Duration 32
minutes. Carus Verlag #CV
40.055/49. Published by
Carus Verlag
(CA.4005549).
ISBN
9790007059415. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
part available separately
- see item
CA.4005500.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Full score.
Composed 1772. KV 125.
Duration 32 minutes.
Carus Verlag #CV
40.055/00. Published by
Carus Verlag
(CA.4005500).
ISBN
9790007007584. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. 1x 40.055/21
flute 1, 1x 40.055/22
flute 2, 1x 40.055/23
oboe 1, 1x 40.055/24 oboe
2, 1x 40.055/31 horn 1,
1x 40.055/32 horn 2, 1x
40.055/33 clarino 1, 1x
40.055/34 clarino 2, 1x
40.055/35 trombone 1, 1x
40.055/36 trombone 2, 1x
40.055/37 trombone 3.
Stuttgart Urtext Edition:
Mozart. German title:
Litaniae De Venerabili
Altaris Rev.2002.
Litanies, Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed 1772. KV
125. 68 pages. Duration
32 minutes. Carus Verlag
#CV 40.055/09. Published
by Carus Verlag
(CA.4005509).
ISBN
9790007059361. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score and
parts available
separately - see item
CA.4005500.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Vocal score.
Composed 1772. KV 125.
Duration 32 minutes.
Carus Verlag #CV
40.055/03. Published by
Carus Verlag
(CA.4005503).
ISBN
9790007035716. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score
available separately -
see item CA.4005500.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Walter Heinz
Bernstein. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Litaniae De
Venerabili Altaris
Rev.2002. Litanies,
Corpus Christi,
Eucharist, Communion,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Choral Score.
Composed 1772. KV 125.
Duration 32 minutes.
Carus Verlag #CV
40.055/05. Published by
Carus Verlag
(CA.4005505).
ISBN
9790007059354. Key: B
flat major. Language:
Latin.
The
large-scale church works
of Wolfgang Amadeus
Mozart include, along
with his Masses, Requiem
and Vespers, his four
litanies, all composed in
and for Salzburg. The
Litany KV 125, dated
March 1772, employs the
identical text and
nine-movement structure
als its sister work, the
larger-scaled KV 243 of
March 1776. Score
available separately -
see item CA.4005500.
Messen, Band 5 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Holl, Mon...(+)
Urtext der Neuen
Mozart-Ausgabe. By
Wolfgang Amadeus Mozart.
Edited by Holl, Monika;
Kohler, Karl-Heinz. For
Soli, Mixed Choir,
Orchestra. Neue
Mozart-Ausgabe. Serie I,
Werkgruppe 1/1, 5. Score;
Urtext Edition; Complete
Edition (cloth bound).
Published by
Baerenreiter-Ausgaben
(German import). (BA4592
01)
A
latin Intermedium of the
Schooldrama Clementia
Croesi. Composed by
Wolfgang Amadeus Mozart.
Edited by Alfred Orel.
This edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Serie II, Volume 5,
No. 1. Singspiele,
Klassik (Choral,
Classical). Complete
edition, Score. Composed
1767. K. 38. Duration 1
hour. Baerenreiter Verlag
#BA04516_01. Published by
Baerenreiter Verlag
(BA.BA04516-01).
ISBN
9790006449521. 33 x 25.8
cm inches. Text Language:
Latin. Text: P Rufinus
Widl.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Azione teatrale.
Composed by Wolfgang
Amadeus Mozart. Edited by
Josef-Horst Lederer. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series II, Volume 5,
No. 6. Singspiele,
Musiktheater (Choral,
Concert Music). Complete
edition, Score. KV 126.
Duration 2 hours.
Baerenreiter Verlag
#BA04577_01. Published by
Baerenreiter Verlag
(BA.BA04577-01).
ISBN
9790006451036. 33.2 x 26
cm inches. Text Language:
Italian. Pietro
Metastasio.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Wolfgang Amadeus
Mozart. Arranged by Paul
Horn. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Missa Brevis In D
Kv 194 Rev.2000.
Innovative practice aids,
Sacred vocal music,
Masses, Latin, Missa
brevis in Latin. Set of
Orchestra Parts. Composed
1774. KV 194. Duration 18
minutes. Carus Verlag #CV
40.625/19. Published by
Carus Verlag
(CA.4062519).
ISBN
9790007138097. Key: D
major. Language:
Latin.
During the
summer of 1774 Mozart
wrote two Masses within a
few weeks: the Missa
brevis in F major, K.
192, and the Missa brevis
in D major, K. 194. A
feature common to both
compositions as well as
to the Dixit et
Magnificat K. 193,
written at about the same
time, and the Trinitias
Mass K. 167 of the
previous year, is a more
or less strongly evident
tendency towards
contrapuntal writing.
However, while the Dixit
et Magnificat and the
Trinitas Mass approach
the late-baroque style,
in these two brevis
Masses Mozart sought to
combine traditional
polyphonic techniques
with a more modern
musical language. This
work is now available in
carus music, the choir
app! Score and parts
available separately -
see item CA.4062500.
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by Bruce
Alan Brown and Daniel
Heartz. This edition:
Complete edition. Linen.
New Mozart Edition (NMA).
II/5/11. Complete
edition, Critical
commentary. K. 366. 266
pages. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04562_41.
Published by Baerenreiter
Verlag (BA.BA04562-41).
ISBN 9790006546633. 24
x 17.5 cm inches.
Language: Italian.
Giambattista
Varesco.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Moza...(+)
Klavierauszug nach dem
Urtext der Neuen
Mozart-Ausgabe. By
Wolfgang Amadeus Mozart.
Edited by Fellerer, Karl
Gustav;Schroeder, Felix.
Arranged by Focke,
Martin. For Soprano solo,
Alto solo, Tenor solo,
Bass solo, Mixed
Choir-SATB, Trumpet (2),
Trombone (3), Strings,
Organ. Piano
Reduction/Vocal Score. KV
321. Duration 24'.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006459674. (BA4893 90)
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Paul Horn,
Franz Xaver Sussmayr.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. REQUIEM (ARR.
SUssMAYR). Innovative
practice aids, Sacred
vocal music, Requiem,
Mourning, death. Choral
Score. Composed 1791. KV
626. 32 pages. Carus
Verlag #CV 51.626/05.
Published by Carus Verlag
(CA.5162605).
ISBN
9790007113100. Key: D
minor. Language:
Latin.
The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score
available separately -
see item CA.5162600.