Ce songbook Trombone vise à fournir au début du joueur de Trombone avec un répertoire de 101 familier et facile à jouer des morceaux écrits pour Trombone. Toutes les chansons sont écrites spécifiquement pour Trombone utilisant dynamique, marquages expression et articultions. Les signatures de clés pour les chansons sont dans une gamme confortable convenable pour le début du joueur de Trombone. Ce recueil de chansons est un complément idéal à n'importe quel livre de Trombone méthode élémentaire. La plupart des chansons est appropriée pour la performance aux concerts, récitals et concours. Les enseignants privés assignera un ou deux des chansons de ce livre à chaque leçon. Les chansons aidera le début étudiant Trombone de développer la technique, la capacité de lecture rythmique et confiance. / Trombone / 72 pages / niveau : Débutant / Partition - Format: 11 X 8,5

C'est le samedi 28 juillet 1855, au Conservatoire de Paris, que le concours de la classe de trombone eut lieu. Cette année-là, une matinée suffit à auditionner tous les candidats pour la raison qu'explique Paul Smith, dans la Revue et Gazette musicale: «'Toute la famille des instruments à vent ['] s'était donné rendez-vous avec une harpe dans une seule et même matinée. La guerre s'est chargée d'abréger le concours: beaucoup d'élèves avaient forcement quitté les classes pour suivre leurs régiments en Crimée. Néanmoins, il en restait encore assez pour que le concours fût honorable.'» Le professeur, Antoine Dieppo, présenta ce jour-là deux étudiants qui furent récompensés: Jean-Baptiste-Frédéric Masset (né en 1828) obtint un premier prix tandis que François-Achille-Alfred Dauger (né en 1825) recueillit un deuxième prix. En plus de l'exécution du morceau imposé - le Solo de Trombone de Charles Gounod (1818-1893) présentement édité -, les élèves étaient également soumis à une épreuve de lecture à vue. En 1855, il s'agit d'un allegro pour trombone avec accompagnement de violoncelle d'un compositeur anonyme, morceau déjà imposé en 1852.Le Solo de Trombone de Gounod ne fut jamais publié et la partition disparut bientôt de la circulation, étant déclarée perdue par l'ensemble de biographes du compositeur jusqu'à très récemment. Deux manuscrits ont permis la reconstitution de la présente édition. Le premier - une partie de trombone seul - fut découvert dans une brocante à la fin des années 1990, le second appartient à Frantz Couvez, tromboniste, qui en possède une photocopie reçue de son professeur, Gilbert Moisand. Différents éléments stylistiques confirmèrent rapidement qu'il s'agit bien d'une pièce de Gounod: le style général, proche des Six mélodies pour cor et piano de 1839, certains détours harmoniques - même si la main n'est pas encore tout à fait personnelle - et l'accompagnement de piano, qui ne fut pas sans poser quelques problèmes. L'aspect non pianistique d'autres oeuvres du compositeur, déjà frappant dans les Mélodies pour cor, se retrouve en effet ici : Gounod n'était pas pianiste et détestait réaliser ce genre de réduction, détail confirmé par Gérard Condé. La présente édition réaménage donc certains passages (harmonie complétée ou redistribuée, figurations pianistiques améliorées, superpositions de mains réaménagées').Ce Solo est écrit en deux mouvements. Le premier, en sol mineur, débute par une introduction andante, étonnement développé par rapport à l'ensemble de la pièce. Ce tutti débouche sur un adagio cantabile en 6/8, véritable aria à la sensualité toute italienne. La ligne instrumentale, soutenue par un balancement régulier de triolet, épouse les contours d'une phrase vocale caractéristique de Bellini ou Donizetti, alors en pleine vogue à Paris. La seconde partie de la pièce en molto pomposo e ben marcato en si bémol majeur, fait office de cabalette, achevant par des figures en triolets d'une difficulté non négligeable.Laurent MadeufParis, septembre 2018Cette première publication du Solo de Gounod est enrichie par la pièce de la lecture à vue (déchiffrage) donnée à la même année. Cette courte pièce avec accompagnement de violoncelle d'un auteur anonyme suit une longue tradition de juger le candidat par sa capacité de lire et d'interpréter avec une très brève préparation. / Trombone / Bim

With 'The Techniques of Trombone Playing', Mike Svoboda has written a book conceived as a valuable guide for composers and trombonists. It familiarises composers with contemporary trombone techniques and shows how to put them to creative use. Furthermore it helps trombonists to view and employ their versatile instrument as a multi-functional sound generator. Together with composer Michel Roth, Mike Svoboda explores what might today be called 'the unlimited expansion of new performance possibilities': micro-intervals, multiphonics and the combination of the trombone sound with the human voice ' all accurately described and illustrated with many annotated music examples. ' Includes many tables and music examples on the basics and expanded techniques of trombone playing ' Practical information on mutes, repertoire, etc. ' With 92 sound files and 5 newly composed études which can be downloaded from the Bärenreiter website The authors Since September 2007 Mike Svoboda has been professor of trombone and contemporary chamber music at the Basel Academy of Music (Switzerland). Of formative importance to his artistic development was his nearly 11-year collaboration with Karlheinz Stockhausen in the 1980s and 1990s. His exchanges with Stockhausen and other composers, such as Peter Eötvös, Beat Furrer, Helmut Lachenmann, Wolfgang Rihm and Frank Zappa, allowed him to premiere more than 400 works over the last 30 years. Michel Roth is professor of composition and music theory at the Basel Academy of Music and a member of their research department. As a composer, he has been a regular guest at various international music festivals and more recently particularly in the area of music theatre. Numerous radio and CD productions document his compositional output for which he has also been awarded the composition prize by Music Viva, Munich. In addition Roth also researches and publishes on subjects concerned with music and art theory.

Par BAY WILLIAM. An easy-to-understand position chart featuring chromatic, major, and minor scale studies. A helpful photograph labels the parts of the trombone. Elementary trombone positions are also diagrammed with a description of all positions up to and including sixth position. The range of the trombone is then shown in notation, with note names and their corresponding positions labeled. This handy chart is great for the beginner, and can be easily carried along with other study books. / Niveau : Débutant / All Styles - Fingering Chart / Etude / Trombone

From Dixieland and boogie woogie to swing, blues, jazz, bop, Latin, and rock music, this title offers a variety of styles. Along with music to fifteen songs, downloadable MP3s provide a chance to play with a top Broadway trombonist.Each song is recorded three ways:1. Practice playing melody (1st trombone) or harmony (2nd trombone) with the title tracks, MP3s 1-15, marked TT.2. Practice playing melody (1st trombone) with accompaniment, MP3s 16-30, marked MT.3. Practice playing harmony (2nd trombone) with accompaniment, MP3s 31-45, marked HT.These rehearsal routines are comparable to playing a 25-minute set with a live stage band! / Trombone

Par BYE L.DEAN. This handy, pocket-sized booklet includes instruction, well known favorite melodies, and original compositions in solo form. Music reading fundamentals are covered, and the parts of the trombone, trombone positions, assembly, holding the trombone, and positioning are discussed. The warm-ups and exercises in this book make excellent daily practice material. / Niveau : Débutant / All Styles - Solos / Répertoire / Trombone

Selected from the Vocalises of Marco Bordogni Transcribed and Progressively Arranged by J. Rochut-If you have played and studied the trombone then it is likely you are familiar with the book commonly referred to as the ?Rochut? book. In 1928 Joannes Rochut edited Melodious Etudes For Trombone published by Carl Fischer Music. Rochut thoroughly selected and edited the wonderfully lyrical vocalises composed by master vocal pedagogue Marco Bordogni and so the study of the trombone was forever changed. After more than 80 years Carl Fischer Music editors decided it was time to give this long-established publication a fresh new look. We asked the renowned trombonist and author Alan Raph to re-edit the book to fix errors that haveexisted since its inception. It was Raph?s intent however to preserve the important pedagogical sequence established by Rochut while also taking this new edition one step further. Piano accompaniments have always existed for these delightful etudes and Mr. Raph has now made them part of this new edition. On the included CD you will find PDF files of all of these piano accompaniments as well as superb MP3 recordings by pianist Rae Moses. With the inclusion of the piano accompaniments the practice experience is greatly enhanced and the player can deepen their musical expression. This along with painstakingly edited and re-engraved music takes this seminal book into the twenty-first century. Every serious teacher and student of the trombone should have this new edition as part of their repertoire. For advancing players.Book 2: Nos. 61-90 Selected from the Vocalises of Marco Bordogni.

La partition PANORAMA TROMBONE VOLUME 2 a été composée pour Trombone et plus particulièrement pour Trombone Et Piano (Tenor). Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Trombone Et Piano (Tenor) / Partition

Jazz Phrasing for Trumpet and Jazz Phrasing for Trombone feature ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement. The Phrasing for Trumpet book includes a play-along CD featuring trumpeter Victor Garcia playing each song with a world-class rhythm section, while Phrasing for Trombone features trombonist Russ Phillips. The CD's also include tracks featuring Greg Fishman demonstrating each song on alto saxophone, giving trumpet and trombone players the option of playing along with trumpet or alto saxophone. In addition, there are play-along tracks featuring just the rhythm section. These tracks are great for practicing the songs, chords, scales, voice-leading lines and soloing over the chords progressions. These books will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for players of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development. Special Features of Jazz Phrasing for Trumpet and Jazz Phrasing for Trombone: ' Suggested Use Section - Detailed instructions on a variety of ways to work with the book. ' Style and Analysis Section - Clear, concise explanations of sequence, variation and voice-leading ' Thematic Index - Lets you compare the opening themes of all ten songs in a convenient two page at-a-glance format. Also includes detailed information on the opening interval of each song, as well as harmonic context of the opening interval.

Par ARBAN JEAN-BAPTISTE. Arban's fundamental method book for trumpet was first published in 1864 and has held a top spot in trumpet studies ever since. In 1936, two of the finest trombonists of the day, Charles Randall and Simone Mantia, revised the method for trombone, creating the basis for trombone studies over the ensuing 75 years. Today, Alan Raph brings the Arban into the 21st century, enhancing and expanding the complete Arban text, and addressing new skills and techniques developed up to current times. Sections have been expanded (i.e., scales, arpeggios), and new sections have been added (i.e., slide drills, contemporary forms of double and triple tonguing). Alternate positions havebeen updated and expanded. Sometimes F-attachment positions are given to facilitate awkward slide movements. Raph's exceptional edition also includes a CD of MP3 accompaniments to the 12 Celebrated Fantaisies and Airs Varies, as performed by John Walker, for a complete instructional package for trombone students. / Date parution : 2023-06-02/ Méthode / Trombone

In this first volume of master classes for trombone virtuoso Per Brevig of the Metropolitan Opera Orchestra demonstrates each of these wonderful solos then you join the piano accompanist for a journey to pro level on the trombone! Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Performed by Per Brevig trombone Accompaniment: Judith Olson piano

A collection designed to assist the player/student in moving from the tenor trombone to the bass trombone including valve positions and development of pedal notes required for today's bass trombone repertoire. Includes: 60 studiesin the use of F attachment; 10 studies in pedal notes; circle of keys scale studies.

Etudes de trombone - Partition. Par PICHAUREAU. Special Legato - 24 Studies For Tenor And Tenor bass Trombone by Gerard Pichaureau is a set of 24 easy and complete studies. Perfect to develop the technique and the sonority, these pieces are really interesting for intermediate players. Born in 1916, Gerard Pichaureau is a Trombonist and composer. Soloist for the French Republican Guard, he also taught Trombone at the Paris Conservatoire after Andre Lafosse./ Etude / Trombone Ténor