Par CURNOW JAMES. Based on Marc-Antoine Charpentier's (1634-1704) Te Deum, Fanfare and Flourishes for a Festive Occasion was originally commissioned for the 1991 European Brass Band Championships held in Rotterdam, Holland. / Niveau : 4 / Ouverture / Répertoire / Fanfare

Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gyorffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the current fashions of music for wind instruments. The composer's approach to this style utilizes traditional forms of music. Both the first and third movements effectively optimize a concert band's tonal possibilities by using solos and small chamber groups in a varied manner. The slow and melodic second movement transfers a characteristic playing technique of Hungarian instrumental folk music to the concert band. István Gyorffy composed Ungaresca for young people preparing for careers in music. The work provides an excellent opportunity for students not only to display their instrumental skills, but also to gain orchestral playing experience./ Répertoire / Concert Band

Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gyorffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the current fashions of music for wind instruments. The composer's approach to this style utilizes traditional forms of music. Both the first and third movements effectively optimize a concert band's tonal possibilities by using solos and small chamber groups in a varied manner. The slow and melodic second movement transfers a characteristic playing technique of Hungarian instrumental folk music to the concert band. István Gyorffy composed Ungaresca for young people preparing for careers in music. The work provides an excellent opportunity for students not only to display their instrumental skills, but also to gain orchestral playing experience./ Répertoire / Concert Band

John has skillfully used a variety of styles and tempos in creating this very effective opener/production number. The opening section is fast and furious before switching to a medium swing groove. There is even a brief bump andgrind before returning to the fast tempo and ending with a flourish!

Concert March - Wheaton Kiwanis Salute. Par BULLA STEPHEN. A bright technical flourish in the introduction, a toe-tapping theme following in the Woodwinds, fanfare-like syncopation from the Brass, and even a Piccolo solo in the Trio section make Stephan Bulla’s KIWANISCA a sure winner. The fresh timbres and exhilarating melodies will add zest to your next concert whether you choose to program it as your closer or at any other time in the concert. The vitality is contagious! Don’t miss it! / Niveau : 5 / Répertoire / Concert Band ou Harmonie

In ‘Land of Legends’ German composer Andreas Ludwig (what’s in a name) Schulte takes you along to the fictional world of legends myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the sceneof action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate a lot of hustle and bustle appearsto be going on in the courtyard. Pages squires and soldiers are busy attending to their arms. Beer is being brewed flax is being spun cattle are being tended and some craftsmen from neighbouring villages are busily at work. In the upperchamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities some ofthem sober others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets the bride makes her entrance at the hand of her father. Afterwards at the party there is dancing to the music played byminstrels and of course a plentiful banquet follows.

In â??Land of Legendsâ?? German composer Andreas Ludwig (whatâ??s in a name) Schulte takes you along to the fictional world of legends myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the sceneof action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate a lot of hustle and bustle appearsto be going on in the courtyard. Pages squires and soldiers are busy attending to their arms. Beer is being brewed flax is being spun cattle are being tended and some craftsmen from neighbouring villages are busily at work. In the upperchamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities some ofthem sober others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets the bride makes her entrance at the hand of her father. Afterwards at the party there is dancing to the music played byminstrels and of course a plentiful banquet follows.

Solo For Trumpet And Concert Band. Par CURNOW JAMES. From the dynamic, driving introduction to the expressively lyric Andante cantabile, Concertpiece for Trumpet was created to showcase both the technical and lyrical qualities of the trumpet. Whether cascading down difficult runs, negotiating its way through exciting double-tonguing passages, or soaring above the ensemble during the most expressive moments, the trumpet soloist is challenged to perform at an extremely high standard of excellence. After the expressive middle section, the recapitulation of the opening Allegro once again re-establishes the brilliant, energetic qualities of the trumpet, while the following Coda focuses on the interplay between the soloist and theensemble. A dramatic flourish of ascending runs brings this work to a fitting conclusion. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band et Trompette

Par SPARKE PHILIP. The White Rose was commissioned by the White Rose Concert Band from Harrogate, England. The band takes its name from the county symbol of Yorkshire, the white rose. This partly rhythmic, party lyrical piece opens with a flourish from the trumpets. Following a rhythmic melody in the clarinets there are solo passages for flute and trumpet leading to the finale which brings together elements of the whole piece. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par CURNOW JAMES. Commissioned by the Glenbard East High School Music Department of Lombard, Illinois in grateful appreciation for the 34 year teaching career of Ross Kellan and his tireless commitment to excellence in music education, where he led by example each and every day. A scintillating opener! The joyful spirit will light up your concert hall like fireworks as you set your next performance in motion with James Curnow’s striking new piece titled Tempus Fugit. Brass fanfares, Woodwind flourishes, and Percussive flamboyance commence as the house lights go down and the curtains part. Artistic variation is the hallmark of this enthusiastic work and many delights are in store foryour group as you carefully rehearse this outstanding new piece. Carpe diem! / Niveau : 4 / Répertoire / Concert Band ou Harmonie

Par CURNOW JAMES. Commissioned by the Glenbard East High School Music Department of Lombard, Illinois in grateful appreciation for the 34 year teaching career of Ross Kellan and his tireless commitment to excellence in music education, where he led by example each and every day. A scintillating opener! The joyful spirit will light up your concert hall like fireworks as you set your next performance in motion with James Curnow’s striking new piece titled Tempus Fugit. Brass fanfares, Woodwind flourishes, and Percussive flamboyance commence as the house lights go down and the curtains part. Artistic variation is the hallmark of this enthusiastic work and many delights are in store foryour group as you carefully rehearse this outstanding new piece. Carpe diem! / Niveau : 4 / Pièce de concert / Répertoire / Concert Band

Par CURNOW JAMES. Composée de plusieurs célèbres chants de Noël d'ici et d'ailleurs, déclinés sous la forme de variations de styles, de rythmes et de climats musicaux. Cette ouverture pétillante et brillante a pour point de départ un traditionnel français Les Anges dans nos Campagnes. Cloches, carillonez gaiement ! / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Par CURNOW JAMES. Composée de plusieurs célèbres chants de Noël d'ici et d'ailleurs, déclinés sous la forme de variations de styles, de rythmes et de climats musicaux. Cette ouverture pétillante et brillante a pour point de départ un traditionnel français Les Anges dans nos Campagnes. Cloches, carillonez gaiement ! / Niveau : 3 / Ouverture / Répertoire / Concert Band

Symphonic Series. Par VAUGHAN WILLIAMS RALPH. In partnership with Oxford University Press and authorized by the Vaughan Williams Charitable Trust, this major new initiative brings the incredible catalog of Ralph Vaughan Williams to the wind band community, with scholarly transcriptions by leaders in wind band composition. Titles in the Symphonic Series come from treasured major orchestral works by Vaughan Williams that have never before been available for wind band. / Date parution : 2021-12-09/ Répertoire / Concert Band