| December Joy (WAGNER
DOUGLAS) Orchestre d'harmonie [Conducteur et Parties séparées] Alfred Publishing
Par WAGNER DOUGLAS. Arranged by Douglas E. Wagner, three well-known secular caro...(+)
Par WAGNER DOUGLAS. Arranged by Douglas E. Wagner, three well-known secular carol tunes are showcased in this big and brassy, bright and flashy seasonal extravaganza, especially suited as a concert opener.
Beginning with a cascade of chimes, soaring woodwind runs, and bold brass lines, 'Deck the Hall' and 'Here We Come A-Caroling' are presented with dynamic flair, interspersed with brief fanfare-like episodes. The mood transitions to a jaunting sleigh ride across the winter landscape, partnering the second time through with 'Jingle Bells,' as the spirited celebration closes with a short coda, drawn from musical materials heard in the opening measures of the work. (2:55) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Concert Band
102.12 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tannhauser, Ouverture
(WAGNER RICHARD) Parties Supplémentaires [Partition] - Avancé Martin, Robert
Par WAGNER RICHARD. MASTIO (Arr. ) / Niveau : Avancé / Opéras, opéras comiq...(+)
Par WAGNER RICHARD. MASTIO (Arr. ) / Niveau : Avancé / Opéras, opéras comiques, opérettes / Répertoire / Parties Supplémentaires
16.77 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Lohengrin, Prélude
Aux Fiançailles
(WAGNER RICHARD) Conducteur [Partition] - Intermédiaire Martin, Robert
Par WAGNER RICHARD. Pierre DUPONT (Arr. ) / Niveau : Intermédiaire / Opéras,...(+)
Par WAGNER RICHARD. Pierre DUPONT (Arr. ) / Niveau : Intermédiaire / Opéras, opéras comiques, opérettes / Répertoire / Conducteur
39.14 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Ouverture Du Vaisseau
Fantome (Der Fliegende
Holländer) (WAGNER
RICHARD) Parties Supplémentaires [Partition] - Facile Martin, Robert
Par WAGNER RICHARD. Georges CORROYEZ (Arr. ) / Niveau : Assez Facile / Musique...(+)
Par WAGNER RICHARD. Georges CORROYEZ (Arr. ) / Niveau : Assez Facile / Musique classique / Répertoire / Parties Supplémentaires
16.77 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Meistersinger Von
Nürnberg (Les
maitres chanteurs de
Nuremberg) (WAGNER
RICHARD) Orchestre d'harmonie Boosey and Hawkes
Par WAGNER RICHARD. / Répertoire / Concert Band
126.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tristan Et Iseut
(Prélude
D'Après
Wagner, Ensemble De
Cuivres)
En Français Ensemble de cuivres [Partition] Fertile Plaine Editions
La partition Tristan et Iseut ( Prélude d'après Wagner , ensemble de cuivres )...(+)
La partition Tristan et Iseut ( Prélude d'après Wagner , ensemble de cuivres ) est une oeuvre du compositeur Classique Chollet Fabrice. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Fertile Plaine. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Ensembles De Cuivres / Partition
47.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Lohengrin, Prélude
Aux Fiançailles
(WAGNER RICHARD) Partie Séparée [Partition] - Intermédiaire Martin, Robert
Par WAGNER RICHARD. Pierre DUPONT (Arr. ) / Niveau : Intermédiaire / Opéras,...(+)
Par WAGNER RICHARD. Pierre DUPONT (Arr. ) / Niveau : Intermédiaire / Opéras, opéras comiques, opérettes / Répertoire / Partie Séparée
7.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Ouverture Du Vaisseau
Fantome (Der Fliegende
Holländer) (WAGNER
RICHARD) Conducteur [Partition] - Facile Martin, Robert
Par WAGNER RICHARD. Georges CORROYEZ (Arr. ) / Niveau : Assez Facile / Musique...(+)
Par WAGNER RICHARD. Georges CORROYEZ (Arr. ) / Niveau : Assez Facile / Musique classique / Répertoire / Conducteur
44.73 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Lohengrin, Marche Et
Choeur Des
Fiançailles
(WAGNER RICHARD) Exemplaire Complet [Partition] - Intermédiaire Martin, Robert
Par WAGNER RICHARD. L CHRISTOL (Arr. ) / Niveau : Intermédiaire / Opéras, op...(+)
Par WAGNER RICHARD. L CHRISTOL (Arr. ) / Niveau : Intermédiaire / Opéras, opéras comiques, opérettes / Répertoire / Exemplaire Complet
80.46 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tannhauser, Ouverture
(WAGNER RICHARD) Exemplaire Complet [Partition] - Avancé Martin, Robert
Par WAGNER RICHARD. MASTIO (Arr. ) / Niveau : Avancé / Opéras, opéras comiq...(+)
Par WAGNER RICHARD. MASTIO (Arr. ) / Niveau : Avancé / Opéras, opéras comiques, opérettes / Répertoire / Exemplaire Complet
198.25 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Parsifal Enchantement Du
Vendredi Saint (WAGNER
RICHARD) Conducteur [Partition] - Facile Martin, Robert
Par WAGNER RICHARD. CAYROL RICHARD (Arr. ) - Durée: 6'23 / Niveau : Assez Facil...(+)
Par WAGNER RICHARD. CAYROL RICHARD (Arr. ) - Durée: 6'23 / Niveau : Assez Facile / Opéras, opéras comiques, opérettes / Répertoire / Conducteur
39.14 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Parsifal Enchantement Du
Vendredi Saint (WAGNER
RICHARD) Partie Séparée [Partition] - Facile Martin, Robert
Par WAGNER RICHARD. CAYROL RICHARD (Arr. ) - Durée: 6'23 / Niveau : Assez Facil...(+)
Par WAGNER RICHARD. CAYROL RICHARD (Arr. ) - Durée: 6'23 / Niveau : Assez Facile / Opéras, opéras comiques, opérettes / Répertoire / Partie Séparée
5.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Aufzug Der Meistersinger
(WAGNER RICHARD) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Arr. Wil Van Der Beek. Par WAGNER RICHARD. / Niveau : 3 / Répertoire / Concer...(+)
Arr. Wil Van Der Beek. Par WAGNER RICHARD. / Niveau : 3 / Répertoire / Concert Band
133.10 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Parsifal Enchantement Du
Vendredi Saint (WAGNER
RICHARD) Exemplaire Complet [Partition] - Facile Martin, Robert
Par WAGNER RICHARD. CAYROL RICHARD (Arr. ) - Durée: 6'23 / Niveau : Assez Facil...(+)
Par WAGNER RICHARD. CAYROL RICHARD (Arr. ) - Durée: 6'23 / Niveau : Assez Facile / Opéras, opéras comiques, opérettes / Répertoire / Exemplaire Complet
116.62 EUR - vendu par LMI-partitions Délais: Sur commande |
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| 3 Letzte Motetten Concert Band/Harmonie [Conducteur et Parties séparées] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
181.34 EUR - vendu par LMI-partitions Délais: Sur commande |
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| 3 Letzte Motetten Concert Band/Harmonie [Conducteur] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
47.08 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| 14 Motetten (BRUCKNER
ANTON / DOSS THOMAS (Arr) Orchestre d'harmonie Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
376.82 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| 5 Tantum Ergo (BRUCKNER
ANTON / DOSS THOMAS (Arr) Orchestre d'harmonie Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
141.31 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Jacob de Haan: Utopia:
Fanfare Band: Score &
Parts Fanfare [Conducteur et Parties séparées] De Haske Publications
Utopia is the name of a book written by the English author Thomas More and was p...(+)
Utopia is the name of a book written by the English author Thomas More and was published in 1516. The title is a word thought up by More himself after the Greek language meaning 'Nowhereland' and leading to the invention of the words utopian scheme and utopian. Utopia pictured an ideal state on an island far from the inhabited world. This idea was the basis of the composition. It makes one think of Oregon in variety of themes and style. Utopia also exists of a combination of styles that breathe the atmosphere of film music. However Utopia sounds less American. The slow and stirring middle part for example is closer to the European romanticism: the chord signals in the brasssection remind of Wagner's music.
128.50 GBP - vendu par Musicroom GB |
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| Fra Diavolo Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout...(+)
Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini à Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello ) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire à de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Théâtre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut à l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes grâce à un langage musical attrayant, dénué de sentimentalité. L’ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal. / Transcription / Recueil / Concert Band
172.53 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Nibelungen-Marsch
(SONNTAG GOTTFRIED) Ensemble à vent [Partie séparée] Schott
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Réper...(+)
Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band
1.70 EUR - vendu par LMI-partitions Délais: Sur commande |
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