By Michael Proksch. For Piano, 4-hands. This edition: Piano, 4-hands. Edition Breitkopf. Attached. 48 pages. Published by Breitkopf and Haertel (German import).

Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. Composed by Johannes Brahms (1833-1897). Edited by Michael Musgrave and Michael Struck. Breitkopf and Haertel #OB 16109-30. Published by Breitkopf and Haertel

Double bass solo

SKU: BR.EB-9268

Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268).

ISBN 9790004185681. 12 x 9 inches.

This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftlic he Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.

World premiere: Como (Autunno musicale), September 30, 1970.

Violin(s) solo

SKU: BR.EB-8773

Materials for Violin Lessons. Composed by Michael Dartsch. Solo instruments; Softbound. Edition Breitkopf.

With the Geigenkasten through the intermediate levelMichael Dartsch has filled his third violin case with 50 works from five centuries for advanced students.

Music pedagogy. Score. 188 pages. Breitkopf and Haertel #EB 8773. Published by Breitkopf and Haertel (BR.EB-8773).

ISBN 9790004182918. 9 x 12 inches. German.

The palette ranges from Corelli to Cage and Stockhausen, from pieces with continuo accompaniment to violin parts from choral works, and from solo capriccios to single movements for violin and piano. Arrangements are also included. The expansion of the performance technique in the realm of virtuosity is in the forefront and, consequently, one or several technical themes are treated in every piece. Intermediate level playing never gets boring with these pieces! Dartsch has arranged many continuo parts for a second violin or viola, and there is also a piano part for all pieces with piano accompaniment. Jazz pieces are also among them! As a special challenge for inquisitive students, there are special research projects in which they must solve various tasks from the fields of music history and theory.

With his Violin Case (Der Geigenkasten), Michael Dartsch offers an ideal supplement to every violin method and teaching situation.

SKU: HL.49015392

Beitrage zu Leben und Werk. Composed by Heinrich Poos. Edited by Heinrich Poos. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 417 pages. Schott Music #ED 7903. Published by Schott Music (HL.49015392).

ISBN 9783795718640. German.

Vorwort - P. Rummenholler: Er ist der Vater, wir sind die Buben - H.-G. Ottenberg: Die Klaviersonaten Wq 55 im Verlage des Autors - G. Wagner: Anmerkungen zur historischen Auffuhrungspraxis am Beispiel von C.Ph.E. Bachs Versuch - L. Hoffmann-Erbrecht: Mit aller Freyheit und zu meinem eigenen Gebrauch gemacht - G. Puchelt: Fur Kenner und Liebhaber - P. Dinslage: Anspruch und Anpassung - I. Pfingsten: Er ubersetzte, indem er phantasierte, die Sprache des Verstandes in die Sprache der Empfindungen: denn dazu diente ihm die Musik - H. Poos: C.P.E. Bachs Rondo a-Moll aus der Zweiten Sammlung... fur Kenner und Liebhaber - C. Thorau: Kuhn, nie gehort und doch sachrichtig - U. Ringhandt: Die Litaneien von C.P.E. Bach als musikalische Lehrgedichte - R. Brandt: Der Konig und sein Zuhorer - W. Busch: Joseph Wright of Derby: Das Experiment mit der Luftpumpe - D. Diderot: Aus der Klavierschule von Bemetzrieder - J.N. Forkel: Reszension - J.J. Engel: Uber die musikalsiche Malerei - G.J. Vogler: Wie verhalten sich die zwei grossen Clavierspieler C.P.E. Bach und Alberti von Rom gegeneinander - J.F. Reichhardt: Uber die musikalische Idylle - C.F.Cramer: Rezension - C.F. Michaelis: Einige Bemerkungen uber das Erhabene der Musik - H.G. Nageli: Vorlesungen uber Musik mit Berucksichtigung der Dilettanten - F.Chrysander: Eine Klavier-Phantasie von Karl Philipp Emanuel Bach mit nachtraglich von Gerstenberg eingefugten Gesangsmelodien zu zwei verschiedenen Texten - H. Mermann: Ein Programmtrio K.P.E. Bachs - A. Schering: C.P.E. Bach und das redende Prinzip in der Musik - R. Peters: Chronologische Bibliographie des Schrifttums zu C.P.E. Bach - Sach- und Personenregister zur Bibliographie.

The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Composed by Hagood Hardy Weve Got Tonight Composed by Bob Seger Song From M*a*s*h (Suicide Is Painless) Composed by Johnny Mandel, Mike Altman Misty Composed by Erroll Garner, Johnny Burke Other Side Of Midnight Composed by Michel Legrand The Rose Composed by Amanda Mc Broom Tears In Heaven Composed by Eric Clapton, Will Jennings Theme From New York, New York Composed by Fred Ebb, John Kander Heart Composed by Richard Adler, Jerry Ross Hey There Composed by Richard Adler, Jerry Ross Colors Of My Life Composed by Cy Coleman, Michael Stewart Over The Rainbow Composed by Harold Arlen, E.y. Harburg Separate Lives Love Theme From "white Nights" Theme From Ice Castles Composed by Marvin Hamlisch, Carole Bayer Sager Tonight I Celebrate My Love Composed by Michael Masser, Gerry Goffin In This Life Composed by Mike Reid, Allen Shamblin Up Where We Belong Composed by W Jennings, B Sainte, Marie, J Nitzsche From A Distance Composed by Julie Gold I Will Always Love You Composed by Dolly Parton Oh! What It Seemed To Be Composed by Bennie Benjamin, George David Weiss, Frankie I Believe I Can Fly Composed by R. Kelly Valentine Composed by Jim Brickman, Jack Kugell How Do I Live Composed by Diane Warren Colors Of The Wind Composed by Stephen Schwartz, Alan Menken A Dream Is A Wish Your Heart Makes Composed by Mack David, Al Hoffman, Jerry Livingston see less... Tell Him Composed by Linda Thompson, David Foster Con Te Patiro / Time To Say Goodbye Composed by Lucio Quarantotto, Francesco Sartori Karen's Theme Composed by Richard Carpenter The Prayer Composed by Carole Bayer Sager, David "babyface" Foster My One True Friend Composed by Carole Bayer Sager, Carole King Love Solo Composed by Dan Coates I Don't Want To Miss A Thing Composed by Diane Warren As Time Goes By Composed by Herman Hupfeld La Vie En Rose Composed by Louiguy, Piaf (French), David (Eng.) What's New? Composed by Bob Haggart, Johnny Burke Summer Me, Winter Me Composed by Michel Legrand, Alan, Marilyn Bergman Evergreen Composed by Barbra Streisand, Paul Williams Arthur's Theme (Best That You Can Do) Composed by Burt Bacharach, Carole Bayer Sager Can You Read My Mind Composed by John Williams, Leslie Bricusse Love And Marriage Composed by Jimmy Van Heusen, Sammy Cahn Desperado Composed by Don Henley, Glenn Frey The Wind Beneath My Wings Composed by Jeff Silbar, Larry Henley How Do You Keep The Music Playing? Composed by Michel Legrand, Alan Bergman Anywhere The Heart Goes Composed by Henry Mancini, Will Jennings Once Before I Go Composed by Dean Pitchford, Peter Allen Star Wars - Main Theme Composed by John Williams Open Arms Composed by Steve Perry, Jonathan Cain Canon In D Composed by Johann Pachelbel That's What Friends Are For Composed by Burt Bacharach, Carole Bayer Sager Friends Or Lovers Both To Each Composed by Paul Gordon, Jay Gruska Forever Composed by Kenny Loggins, Eva Loggins, David Foster Saving All My Love For You Composed by Gerry Goffin, Michael Masser Miss Celie's Blues Composed by Quincy Jones, Rod Temperton, And Anne's Theme Composed by Hagood Hardy One Moment In Time Composed by Albert Hammond, John Bettis Kei's Song Composed by David Benoit I Say A Little Prayer Composed by Burt Bacharach, Hal David Happy Birthday To You Composed by Mildred J. Hill, Patty S. Hill May You Always Composed by Larry Marks, Dick Charles If My Friends Could See Me Now Composed by Cy Coleman, Dorothy Fields You Can Always Count On Me Composed by Cy Coleman, David Zippel Ashokan Farewell Composed by Jay Ungar Everything I Do I Do It For You Composed by Bryan Adams, Robert Lange, Michael Kamen Send In The Clowns Composed by Stephen Sondheim She Loves Me Composed by Sheldon Harnick, Jerry Bock How Could I Ever Know? Composed by Marsha Norman, Lucy Simon My Unknown Someone Composed by Cy Coleman, Adolph Green, Betty Comden Favorite Son Composed by Cy Coleman, Adolph Green, Betty Comden I Swear Composed by Gary Baker, Frank Myers I Can Love You Like That Composed by S Diamond, M Derry, J Kimball Beauty And The Beast Composed by Howard Ashman, Alan Menken Angel Eyes Composed by Jim Brickman If You Believe Composed by Jim Brickman Because You Loved Me Composed by Diane Warren Un-break My Heart Composed by Diane Warren Ragtime Composed by Stephen Flaherty, Lynn Ahrens Complete Advanced Piano Solos (Music for All Occasions). Arranged by Dan Coates. For solo piano. Piano - Intermediate / Advanced Collection; Piano Supplemental. The Professional Touch Series. Contemporary Instrumental and Pop. SMP Level 9 (Advanced). Collection. Standard notation (does not include words to the songs). 304 pages. Published by Alfred Music Publishing

Organ (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.OB-16109-11

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 16 pages. Duration 75'. Breitkopf and Haertel #OB 16109-11. Published by Breitkopf and Haertel (BR.OB-16109-11).

ISBN 9790004347362. 10 x 12.5 inches.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

authoritati ve music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).

Violin 1 (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.OB-16109-15

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 20 pages. Duration 75'. Breitkopf and Haertel #OB 16109-15. Published by Breitkopf and Haertel (BR.OB-16109-15).

ISBN 9790004347379. 10 x 12.5 inches.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

authoritati ve music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).

Violin 2 (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.OB-16109-16

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 20 pages. Duration 75'. Breitkopf and Haertel #OB 16109-16. Published by Breitkopf and Haertel (BR.OB-16109-16).

ISBN 9790004347386. 10 x 12.5 inches.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

authoritati ve music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).

Violoncello (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.OB-16109-23

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 20 pages. Duration 75'. Breitkopf and Haertel #OB 16109-23. Published by Breitkopf and Haertel (BR.OB-16109-23).

ISBN 9790004347409. 10 x 12.5 inches.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

authoritati ve music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).

Viola (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.OB-16109-19

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 28 pages. Duration 75'. Breitkopf and Haertel #OB 16109-19. Published by Breitkopf and Haertel (BR.OB-16109-19).

ISBN 9790004347393. 10 x 12.5 inches.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

authoritati ve music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).

Chorus (with soloists) and orchestra (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.PB-16109

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; Softbound. Partitur-Bibliothek (Score Library). Requiem; Romantic; Late-romantic. Full score. 224 pages. Duration 75'. Breitkopf and Haertel #PB 16109. Published by Breitkopf and Haertel (BR.PB-16109).

ISBN 9790004214367. 10 x 12.5 inches.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

authoritati ve music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).

Double bass (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.OB-16109-27

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 16 pages. Duration 75'. Breitkopf and Haertel #OB 16109-27. Published by Breitkopf and Haertel (BR.OB-16109-27).

ISBN 9790004347416. 10 x 12.5 inches.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

authoritati ve music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).

Chorus (with soloists) and orchestra (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.EB-9362

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Choir; Softbound. Edition Breitkopf. Requiem; Romantic; Late-romantic. Piano/Vocal Score. 104 pages. Duration 75'. Breitkopf and Haertel #EB 9362. Published by Breitkopf and Haertel (BR.EB-9362).

ISBN 9790004188323. 7.5 x 10.5 inches. German.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

new piano vocal score with compact engraving and clear legibility; music-text page better spaced out to facilitate reading; page division largely retained overall to facilitate rehearsals; vocal-text reading corrected to conform to the Bible.

Composed by Hal H. Hopson. Arranged by Jack Schrader. For SATB choir. MERLE'S TUNE, Hymntune, General, Sacred. Octavo. 8 pages. Published by Hope Publishing Company

Choir

SKU: BT.WHCD30707WH

Arranged by Michael Bojesen. Tuition. CD Only. Edition Wilhelm Hansen #WHCD30707WH. Published by Edition Wilhelm Hansen (BT.WHCD30707WH).

ISBN 9788759814475. Danish.

13 Nye Højskolesange med Kammerkoret Camerata under ledelse af Michael Bojesen .

Composed by Michael Eglin. For Choral (SATB a cappella). H.T. Fitzsimons Co. 4 pages. H.T. FitzSimons Company #F2361. Published by H.T. FitzSimons Company

Trumpet

SKU: HL.49007263

Composed by Michael Schmidt. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 128 pages. Schott Music #ED 7464. Published by Schott Music (HL.49007263).

ISBN 9790001078047. German.

Im 2. Band werden mit Kapiteln uber Zungentechnik, Verzierung, Artikulation und Chromatik die in Band 1 erworbenen Grundlagen erweitert. Spezielle Bindeubungen verhelfen zur Steigerung der Ausdauer und Hohe. Wie jazzige Stucke zu blasen sind, wird in einem besonderen Kapitel behandelt. Die Schule ist sowohl fur den Einzel- als auch fur den Gruppenunterricht geeignet.

Composed by Michael Lee. H.T. Fitzsimons Co. Anthem, A Cappella, Advent, Sacred. Octavo. 4 pages. H.T. FitzSimons Company #F2378. Published by H.T. FitzSimons Company (HL.145536).

Piano

SKU: BR.EB-8840

34 Piano Pieces for All Sides of Life. Composed by Michael Proksch. Solo instruments; stapled. Edition Breitkopf.

Proksch himself recorded the audio files of all the pieces available in the download area to provide orientation for interpretation.

Mic hael Proksch plays Piano Poetry on ISBN 9790004184196. 9 x 12 inches.

More and more people are looking for a way to offset the demands of everyday life by making music. Particularly welcome are pieces that often evoke poetic, meditative moods and are good for the soul through their simple harmonies. The majority of the pieces in this book arose from this premise. They also explore the multi-faceted expressive possibilities of the piano as well: they can convey exuberance, comfort, joy, longing, compassion, mourning, anger and ecstasy, but also mystical moments. Short programmatic annotations in the musical text, along with the titles and the music on the audiotracks, awaken inner relationships that infuse more spirit into ones playing. And the possibility of expressing feelings while playing can also be a motivation to expand ones own piano-technical resources.,,Dans la selection de Michael Proksch, tout est propice a l'improvisation, plus classique que reellement jazz. Le CD joint donne une bonne idee.(Pianiste).

Piano

SKU: BR.SMV-41003

Klavierschule in 4 Teilen. Composed by Michael Proksch. Solo instruments; stapled. Monuments of German Music. Die CD zu Heft 1 und 2 der Klavierschule mit 72 Miniaturstucken eingespielt von Michael Proksch finden Sie unterKlavier ab Vier Music pedagogy. Score. 32 pages. Breitkopf and Haertel #SMV 41003. Published by Breitkopf and Haertel (BR.SMV-41003).

ISBN 9790004571019. 11.5 x 8.5 inches.

Die CD zu Heft 1 und 2 der Klavierschule mit 72 Miniaturstucken eingespielt von Michael Proksch finden Sie unter
Klavier ab Vier Die Gangster Seth (George Clooney) und Richard Gecko (Quentin Tarantino) sind auf der Flucht. Auf dem Weg nach Mexico nehmen sie den vom Glauben abgefallenen Prediger Fuller und dessen Kinder als Geiseln. Unterwegs geraten sie in die Bar ,,Titty Twister nicht ahnend dass die Spelunke von Vampiren bevolkert ist ...

Nun ja zieht man davon allen filmischen Klim Bim ab bleiben einige typische Reste: das Abgeschlossene immer neue dramatische Zweierkonstellationen das Tote- immer wieder aufwachend die Verwandlungen die Unruhen und Vernichtungen die vor Vernichtung nur so strotzende Endverwustung usw. ... Im Grunde ein Ruinenmythos in dessen Struktur die Elemente austauschbar sind. Man konnte ihn auch erzahlen mit ,,stimmiger Materialkonzeption ,,historisch obsolet ,,veraltet ,,Unabgegoltenheit ,,aufbrausender Abschaffung ja geht denn immer wieder alles??? Schon dass das nur in einer Bar stattfindet und dass diese Bar uns mit attraktiver Leuchtschrift einladt ins ,,Titty Twister. Unruhige Natur und Schonheit sind heute in der Spelunke zu Hause. Das erleichtert uns die Leichtigkeit am Spass am Sein. Und heute gibts ein Sonderprogramm ... mein Stuck: ,,Titty Twister fur Akkordeon Viola Nepalesische Klangschale Flipperkugeln und Minidramoletts.

Al les Ausdruck oder was???

(Nicolaus A. Huber 2009)

CD:Anton Hubert (Va) Wolfgang Dimetrik (Akk)
CD Gramola 98922.

Suite for Orchestra (2001). Composed by Michael Nyman. Music Sales America. Classical. Softcover. 90 pages. Chester Music #CH81334. Published by Chester Music (HL.238313).