Par STING. Robert FIENGA (Arr. ) - Durée: 15'00 / Niveau : Elémentaire / Pop music / Répertoire / Exemplaire Complet

Par STING. Robert FIENGA (Arr. ) - Durée: 15'00 / Niveau : Elémentaire / Pop music / Répertoire / Parties Supplémentaires

Par FREDERICK MARK. This rousing new crowd-pleaser echoes with excitement as it freely explores tonalities and rhythms. The fanfare-like setting is in the lasting tradition of British band music. A modulatory character energizes the middle section of the piece and propels it relentlessly forward to an uplifting conclusion. If you are looking for a grand way to open or reinvigorate your concert, you’ve found it!A sparkler! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.

Par MOORE DAVID W.. Filled with rhythmic and harmonic interest as well as memorable melodies, MISSOURI RIVER FESTIVAL is an energetic and enjoyable piece that gives every section in the band an opportunity to shine. Moods of the river are artistically represented in the interplay between Maestoso, Allegro spiritoso and Andante mysterioso sections. Artistic exploration of thematic material is a hallmark of David W. Moore’s writing, and you’ll find plenty of it here. There is an added practical advantage, too. All brass parts are dynamic, interesting and fun to play, but there is plenty of brass “resting time” carefully interspersed throughout the piece. You can use MISSOURI RIVERFESTIVAL at virtually any time during in your program without fear of over-taxing the brasses. Outstanding! / Niveau : 3 / Répertoire / Concert Band ou Harmonie

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd Carnarnvonshire North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody requesting that it be played at his funeral. Accordingly it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band. The solo part in its instrumentation distinguishes itself from the other saxophone solos.The soloist should be able to play both the alto and soprano saxophone.The piece consists of four parts which almost blend into one another.A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.This piece exacts a high standard of the soloist’s technical skills.The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest. De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.Het stuk bestaat uit vier deeltjes die vrijwel in elkaar overlopen.Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.De ‘Rhapsody’ werd geschreven voor de fanfare ‘Soli Deo Gloria’ uit Tienhoven.

Saturnalia est une célèbre f?te populaire qui trouve son origine dans lEmpire romain (env. 800-510 avant Jésus Christ). Cette f?te fut célébrée pour la première fois le 17 décembre 497 avant Jésus Christ. Les dieux Saturne et Janus régnaient sur lItalie. Ils veillaient à la prospérité et à une agriculture florissante et apportèrent lécriture à leur peuple. Jusquà ce que Saturne disparaisse brusquement. Saturne dont le symbole était la faucille sest distingué en supprimant la propriété privée et en instaurant légalité entre les hommes quels que soient leur origine et leur rang. Lors des Saturnalia organisées en lhonneur de Saturne les esclaves prenaient la place desmaîtres. Cette uvre variée de Ben Haemhouts convient pour les concours et les concerts.

This mega-hit from the Barbadian recording artist Rihanna topped the Billboard Hot 100 for eleven weeks. Combining elements of techno with a pumped up pulse Tom's arrangement is crafted with creative phrasing contrastingsections and strong impacts. Arranged for use on the field as an energetic opener it's also a great choice for the stands or pep band. Optional synthesizer parts are included!

Saturnalia est une célèbre f?te populaire qui trouve son origine dans l?Empire romain (env. 800-510 avant Jésus Christ). Cette f?te fut célébrée pour la première fois le 17 décembre 497 avant Jésus Christ. Les dieux Saturne et Janus régnaient sur l?Italie. Ils veillaient à la prospérité et à une agriculture florissante et apportèrent l?écriture à leur peuple. Jusqu?à ce que Saturne disparaisse brusquement. Saturne dont le symbole était la faucille s?est distingué en supprimant la propriété privée et en instaurant l?égalité entre les hommes quels que soient leur origine et leur rang. Lors des Saturnalia organisées en l?honneur de Saturne les esclaves prenaient la place desmaîtres. Cette ?uvre variée de Ben Haemhouts convient pour les concours et les concerts.

Par BULLA STEPHEN. This rhapsody for concert band describes programmaticallythe period of history when knights fought bravely in suits ofshining armour. The tournament was a time of fierce joustingfor the favour of royalty as well as a duel of mortal combat. The music portrays this battle by showcasing the variousinstrumental sections, each fighting for attention with ‘calland response’ patterns. Each section of the band has its ownmoment of glory in this heroic concert work / Niveau : 3 / Répertoire / Concert Band ou Harmonie

for Band. Par ANDERSON LEROY. This work was written by Leroy Anderson in 1951 and premiered by him when he recorded it for Decca. Interestingly, in 1956 the Phantom Regiment Drum and Bugle Corps of Rockford, Illinois changed their original name from the Rockford Rangers after having heard the piece played by a different corps. The music emulates the sound of distant trumpets and soldiers marching, drawing closer to the listener bit by bit. As the music gains strength, the marching and trumpets get louder and after passing the audience, it slowly fades away as they disappear into the distance again. This exclusive Southern band edition by Mark Rogers reintroduces Anderson's enchanting work to new generations of audiences. / Date parution : 2022-11-29/ Répertoire / Concert Band

‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band. The solo part in its instrumentation distinguishes itself from the other saxophone solos.The soloist should be able to play both the alto and soprano saxophone.The piece consists of four parts which almost blend into one another.A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.This piece exacts a high standard of the soloist’s technical skills.The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest. De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.Het stuk bestaat uit vier deeltjes die vrijwel in elkaar overlopen.Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.