Saxophone (SABarT) (SAX(A)CD) - easy SKU: HL.49032474 Die Einsteigersc...(+)
Saxophone (SABarT)
(SAX(A)CD) - easy
SKU:
HL.49032474
Die
Einsteigerschule fur
Anfanger ohne
Vorkenntnisse.
Composed by Tripp. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Edition Schott.
Instrument und Tonbildung
- Alle Tone und Griffe -
Elementare Musiklehre -
Besonderheiten der
Jazz-Rhythmik - Blues und
seine Spielweise -
Ubungen und Spielstucke -
Begleit-CD zum Horen und
Mitspielen. Edition with
CD. 108 pages. Schott
Music #ED 7795-02.
Published by Schott Music
(HL.49032474).
ISBN
9783795751524.
German.
Das
Saxophon erfreut sich
heute einer
ausserordentlichen und
zunehmenden Beliebtheit.
Deshalb entschloss sich
Hartmut Tripp, ein
erfahrener Padagoge und
Saxophonlehrer, sein
bewahrtes und speziell
mit jungeren Schulern
sehr erfolgreiches
Unterrichtskonzept in
Form dieser
Einsteigerschule zu
veroffentlichen. Wer
dieses Material
systematisch und
sorgfaltig durcharbeitet,
wird rasche und gute
Fortschritte auf seinem
Instrument machen, ohne
das Wichtigste dabei zu
vernachlassigen: Die
Freude am Musizieren.
For Horn in F. Composed by O. Blume, Johann Sebastian Bach (1685-1750), Muzio Cl...(+)
For Horn in F. Composed
by O. Blume, Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF108. Published
by Carl Fischer Music
Percussion solo SKU: BR.DV-8173 Composed by Karl Ottomar Treibmann. Solo ...(+)
Percussion solo
SKU:
BR.DV-8173
Composed
by Karl Ottomar
Treibmann. Solo
instruments; Softcover.
Deutscher Verlag. World
premiere Leipzig, 1980.
Music post-1945. Score.
Composed 1979. 30 pages.
Duration 10'. Deutscher
Verlag fur Musik #DV
8173. Published by
Deutscher Verlag fur
Musik (BR.DV-8173).
ISBN 9790200480832. 9
x 12 inches.
World
premiere Leipzig, 1980
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
4 Clarinets - intermediate SKU: BT.DHP-1196062-404 Composed by Bert Lochs...(+)
4 Clarinets -
intermediate
SKU:
BT.DHP-1196062-404
Composed by Bert Lochs.
Set and Audio Online.
Composed 2019. De Haske
Publications #DHP
1196062-404. Published by
De Haske Publications
(BT.DHP-1196062-404).
ISBN 9789043156127.
English-German-French-Dut
ch.
The concept of
the successful Swing
Quartets, Jazz
Quartets and
Groove Quartets
publications is now also
available in a Christmas
edition: Bert Lochs has
arranged four traditional
Christmas songs in a
swing style with combo
accompaniment. The
Swingin' Christmas
Quartets are
available for trumpet,
flute, clarinet and alto
saxophone quartets, and
all four versions can be
combined to create
whichever instrumentation
you require. The online
audio for each piece
contains not only a demo
version with a full
line-upâ??and a pure
playback versionâ??but
additionally four
versions in which each of
the four wind voices is
omitted in turn, making
them ideal forpractice
purposes.
Het
concept van de
succesvolle uitgaven
Swing Quartets,
Jazz Quartets en
Groove Quartets is
nu ook toegepast op
muziek voor Kerst: Bert
Lochs heeft vier
traditionele
kerstliederen
gearrangeerd in
swingstijl met
combobegeleiding. De
Swingin' Christmas
Quartets zijn
verkrijgbaar voor
trompet-, fluit-,
klarinet- en
altsaxofoonkwartet, en ze
kunnen worden
gecombineerd in elke
samengestelde bezetting.
De online audio bevat
voor elk stuk niet alleen
een volledige demoversie
en een meespeelversie,
maar ook vier opnamen
waarin telkens een van de
vier partijen is
weggelaten: ideaal om mee
te oefenen.
Das
Konzept der erfolgreichen
Ausgaben Swing
Quartets, Jazz
Quartets und
Groove Quartets
ist nun auch im
weihnachtlichen Gewand
verfügbar: Bert Lochs
hat vier traditionelle
Weihnachtslieder in einem
swingenden Stil mit
Combo-Begleitung
arrangiert. Die
Swingin' Christmas
Quartets sind
verfügbar für
Trompeten-, Flöten-,
Klarinetten- und
Altsaxophonquartett,
wobei alle vier Versionen
beliebig miteinander
kombinierbar sind. Im
Online-Audioteil dieser
Ausgabe gibt es nicht nur
eine Demoversion in
voller Besetzung und eine
reine Playback-Version,
sondern zusätzlich
auch Tracks, bei denen je
eine der vier Stimmen
weggelassen ist, sodass
diese zuÃ?bungszwecken
dazu gespielt werden
kann.
Bring A Torch Orchestre à Cordes - Intermédiaire Carl Fischer
Orchestra String Orchestra - medium easy SKU: CF.CAS36 Composed by Tradit...(+)
Orchestra String
Orchestra - medium easy
SKU: CF.CAS36
Composed by Traditional.
Arranged by Roy
Phillippe. Carl Fischer
Concert String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #CAS36.
Published by Carl Fischer
Music (CF.CAS36).
ISBN
9780825863646. UPC:
798408063641. 8.5 X 11
inches. Key: F
major.
A warm and
richly scored setting of
the popular Christmas
carol Bring a Torch
Jeanette, Isabella, this
full sounding arrangement
will greatly enrich
seasonal programming. Roy
Phillippe has employed a
broad palette of harmonic
and instrumental colors
to craft a memorable
holiday
selection. Bring a
Torch is a lovely
Christmas carol. Using
techniques such as
suspensions,
re-harmonization and
modulations, my goal is
to provide an interesting
showcase for this
familiar melody. the
introduction in F major
features sustained
violins with a pattern of
moving eighth notes in
the violas and cellos.
This pattern recurs
throughout the piece. The
first statement of the
melody is in the first
violins. The second
violins supply harmonic
support along with the
viola/cello pattern.
Measures 13-29 feature a
section of tutti chordal
playing. Measure 30
crescendos into the
modulation to D major at
m. 32. Here, the dynamic
is forte, and the
viola/cello pattern
returns. At m. 40, the
violas and cellos have
the melody with violin
accompaniment. A
crescendo begins at m. 44
and builds
to fortissimo at m.
48, featuring a
modulation to G major. At
this point the melody
should soar. A
descrescendo at m. 60 is
followed by a ritard
at m. 64. The final four
measures are in the
original tempo ending on
a tutti chord.Careful
attention to dynamics,
especially in the
accompanying parts, will
result in a fine
performance.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
(Horn in F). Arranged by Michael Story. For Horn in F. Duet or Duo; Mixed Instru...(+)
(Horn in F). Arranged by
Michael Story. For Horn
in F. Duet or Duo; Mixed
Instruments - Flexible
Instrumentation.
Instrumental Ensembles
for All. Movie. Book. 24
pages
Organ solo SKU: CA.1952500 Composed by Various. This edition: Paperbound....(+)
Organ solo
SKU:
CA.1952500
Composed
by Various. This edition:
Paperbound. German title:
Orgel-Begleitsatze.
Instrumental music based
on hymns, Peace and
justice, Praise and
thanks. Collection. 72
pages. Carus Verlag #CV
19.525/00. Published by
Carus Verlag
(CA.1952500).
(Horn in F). For Horn in F. Book; CD; Instrumental Series; Play-Along. Ultimate ...(+)
(Horn in F). For Horn in
F. Book; CD; Instrumental
Series; Play-Along.
Ultimate Pop Instrumental
Solos Series. Movie.
Grade 2; Grade 3. 84
pages. Published by
Alfred Music Publishing
Piano and keyboard - Beginning; Intermediate; Advanced SKU: MB.610451 ...(+)
Piano and keyboard -
Beginning; Intermediate;
Advanced
SKU:
MB.610451
Rhythmisches Lesen for
alle Instrumente.
Composed by Dirk
Rosenbaum. Percussion:
Drum Set, Classical,
Perfect binding, Theory
and Reference - Other,
Technique, Theory and
Reference, Theory and
Reference, Percussion:
Snare Drum, Artist
Specific. Style. Book/CD
set. 192 pages. Mel Bay
Publications, Inc
#610451. Published by Mel
Bay Publications, Inc
(MB.610451).
ISBN
9783899221725. 8.25 x
11.75
inches.
Dieses Buch
richtet sich an alle, die
Musik spielen oder lernen
m?chten. Rhythmus spielt
eine gro?e Rolle, egal ob
Sie Instrumentalist,
S?nger, T?nzer, Student,
Lehrer, Amateur oder
Profi sind. Unabh?ngig
davon, ob Sie Anf?nger
oder Fortgeschrittener
sind, k?nnen Sie dieses
Buch als
Unterrichtsmaterial f?r
Ihre Sch?ler oder f?r den
eigenen Unterricht
verwenden, unabh?ngig vom
Stil. Der Anfang dieses
Buches erkl?rt
grundlegende Konzepte des
Rhythmus, die f?r die
?bungen notwendig sind.
Einige der schwierigeren
Passagen wurden mit
Z?hlen versehen, um diese
und andere ?bungen zu
meistern. Rhythmic
Reading ist somit eine
umfangreiche Sammlung von
rhythmischen
Konfigurationen in den
g?ngigsten Z?hlern. Zu
den Themen geh?ren: Die
Pyramide der Noten,
bin?re und tern?re
Rhythmen, gepunktete
Noten, Krawatten und
Synkopen. Im praktischen
Teil werden diese Themen
anhand gemeinsamer
Zeitsignaturen in einer
umfangreichen Sammlung
zusammengestellt. Die
?bungen sind nicht nur
f?r Schlagzeuger geeignet
- die Autoren geben auch
Interpretationsideen f?r
die rhythmische Notation
f?r Gitarristen,
Keyboarder und Bassisten.
Auf diese Weise ist
dieses Buch f?r alle
Instrumentalisten
geeignet, die Musik
machen m?chten. Fakt:
Dieses Buch vermittelt
Ihnen auf kompakte Weise
Wissen ?ber Rhythmus. Der
Leser erh?lt au?erdem
eine zus?tzliche Funktion
in Form einer CD, auf der
er die ?bungen anh?ren
kann. This book is for
everybody who plays music
or decides to learn it.
Rhythm plays a major role
no matter whether you are
an instrumentalist,
singer, dancer, student,
teacher, amateur, or
professional. No matter
if you are a beginner or
are advanced you can use
this book as instruction
material for your
students or for own
education, regardless of
style. The beginning of
this book explains basic
concepts of rhythm that
are necessary for the
exercises. Some of the
more difficult passages
have been provided with
counting which will help
in mastering these and
other exercises. Rhythmic
Reading is thus an
extensive collection of
rhythmic configurations
in the most common
meters.Topics include:
the pyramid of notes,
binary and ternary
rhythms, dotted notes,
ties and syncopation. In
the practical part, these
topics will be arranged
using common time
signatures in a
comprehensive collection.
The exercises are not
just suitable for
drummers - the authors
also give interpretation
ideas for rhythmical
notation for guitarists,
keyboard players and
bassists. In this way,
this book is suitable for
all instrumentalists who
want to make music.Fact:
this book presents you
with knowledge about
rhythm in a compact way.
The reader also gets an
additional feature in the
form of a CD where they
can listen to the
exercises.
Violoncelle [Partition + CD] - Intermédiaire Alfred Publishing
(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. To...(+)
(Cello). Arranged by
Various. For Cello. Book;
CD; Play-Along; String
Series. Top Hits
Instrumental Solos.
Broadway; Movie; TV.
Grade 2; Grade 3. 76
pages. Published by
Alfred Music
(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. To...(+)
(Viola). Arranged by
Various. For Viola. Book;
CD; Play-Along; String
Series. Top Hits
Instrumental Solos.
Broadway; Movie; TV.
Grade 2; Grade 3. 76
pages. Published by
Alfred Music
(Horn in F). Arranged by Various. For Horn in F. Book; CD; Instrumental Series; ...(+)
(Horn in F). Arranged by
Various. For Horn in F.
Book; CD; Instrumental
Series; Play-Along. Top
Hits Instrumental Solos.
Broadway; Movie; TV.
Grade 2; Grade 3. 76
pages. Published by
Alfred Music
Violin SKU: BA.BA06629 Spielbuch fur den Unterricht mit gemischten Str...(+)
Violin
SKU:
BA.BA06629
Spielbuch fur den
Unterricht mit gemischten
Streichergruppen.
Composed by Hella
Hartung-Ehlert. Stapled.
Gemeinsam von Anfang an.
Fur den Unterricht mit
gemischten
Streichergruppen. Schulen
fur Violine (Violin
Method). Performance
score. 63 pages.
Baerenreiter Verlag
#BA06629_00. Published by
Baerenreiter Verlag
(BA.BA06629).
ISBN
9790006498871. 21 x 29 cm
inches. Language: German.
Preface: Hella
Hartung-Ehlert.
The
se
“playbocksâ€
form a sequel to the
authors Violin method for
group instruction (BA
6623). They contain
musical games, canons and
songs in simple
arrangements for one to
three identical
instruments, introclucing
children to ensemble
playing during their
first music lessons. Each
arrangement has a melody
part joined by an
accompaniment part on
open strings and a
fingered accompaniment
for more advanced pupils,
so that all children have
a chance to play. The
play- books end with
several four-part pieces
and can be combined for
use in mixed
ensembles.
B flat Instruments. Composed by Christopher D. Azzara / Richard F. Grunow...(+)
B flat
Instruments. Composed
by Christopher D. Azzara
/ Richard F. Grunow. This
edition: B-flat
Instruments edition.
Developing Musicianship.
Music Education. Book. 86
pages. GIA Publications
#7903. Published by GIA
Publications (GI.G-7903).
B flat Instruments. Composed by Christopher D. Azzara / Richard F. Grunow...(+)
B flat
Instruments. Composed
by Christopher D. Azzara
/ Richard F. Grunow. This
edition: B-flat
Instruments edition.
Developing Musicianship.
Music Education. Book. 68
pages. Published by GIA
Publications (GI.G-7895).
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Co...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown;
Neal Peres Da Costa. For
clarinet and piano. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Keyboard - very easy SKU: HL.49007621 Die lustige Keyboardschule. ...(+)
Keyboard - very easy
SKU: HL.49007621
Die lustige
Keyboardschule.
Composed by Axel
Benthien. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 65 pages.
Schott Music #ED 7901.
Published by Schott Music
(HL.49007621).
ISBN
9783795750008.
German.
Diese
lustige Schule fur junge
Tastenspieler ab dem
siebten Lebensjahr
vermittelt auf
spielerische und
kindgemasse Art eine
grundlegende musikalische
Ausbildung auf
Tasteninstrumenten.
Obwohl das Keyboard im
Mittelpunkt steht, wird
ein problemloser Wechsel
zum Klavier jederzeit
offen gehalten. Die
spielerische
Wissensvermittlung im
Comicstil kommt dem
Bedurfnis von Kindern
entgegen. Auf solider
musikpadagogischer Basis
mit viel Spass und
Vergnugen - wird eine
umfassende musikalische
Grundausbildung
vermittelt- auf eine
gleichmassige Entwicklung
der Spieltechnikg beider
Hande geachtet- eine
sichere Lesefahigkeit in
Violin- und
Bass-Schlussel
entwickelt- kreatives
Gestalten mit Musik
vermittelt und zur
Improvisation
angeleitet.Die Schule ist
sowohl fur den Einzel-
als auch fur den
Gruppenunterricht
geeignet.