Die Schönsten Weihnachtslieder In Gut Singbaren Tonarten, Leicht Gesetzt Für Klavier/Keyboards. Par PUBLIG MICHAEL. 44 Weihnachtslieder aus dem deutschsprachigen Raum, Internationale Traditionals, Pop- und Jazz-Weihnachtslieder in gut singbaren Tonarten, leicht gesetzt für Klavier/Keyboard / Niveau : Facile / Répertoire / Orchestre

Ein Musikalisches Märchen. 10 Einfache Stücke F. Gem. Ensemble (4-5 Stimm. Str.Ensemble Oder Andere Instr.), Erzähler Ad Lib.. Par SCHWERTBERGER GERALD. Die reizende und humorvolle Geschichte einer Geige, die bei einer aufregenden Reise durch die Welt unglaubliche musikalische Abenteuer erlebt. Die Ausgabe enthält die Stimmen 1-4 (+ Vla.), 3 Solostimmen, zudem die Stimmen 1-3 in Bb, 2 Gitarrestimmen (inkl. Akkordsymbolen) und eine Keyboard-/ Klavierstimme (ebenfalls mit Akkordsymbolen)/ Répertoire / Orchestre

Stimme 3 In Es (Altsax) Musikalisches Märchen. 10 Einfache Stücke F. Gem. Ensemble (4-5 Stimm. Str.Ensemble Oder Andere Instr.), Erzähler Ad Lib.. Par SCHWERTBERGER GERALD. Die reizende und humorvolle Geschichte einer Geige, die bei einer aufregenden Reise durch die Welt unglaubliche musikalische Abenteuer erlebt. Die Ausgabe enthält die Stimmen 1-4 (+ Vla.), 3 Solostimmen, zudem die Stimmen 1-3 in Bb, 2 Gitarrestimmen (inkl. Akkordsymbolen) und eine Keyboard-/ Klavierstimme (ebenfalls mit Akkordsymbolen)/ Répertoire / Orchestre

Tafelmusik I - Full score from the Telemann Selected Musical Works Edition Georg Philipp Telemann (1681–1767)Musical Works Edited by Martin Ruhnke und Wolf Hobohm in cooperation with the Telemann Conservation and Research Centre in Magdeburg This edition is designed to present researchers and performers with a representative selection of the works of Georg Philipp Telemann in reliable scholarly editions. It will contain characteristic works from each genre of the composer's voluminous œuvre including chamber music instrumental concertos orchestral suites pieces for keyboard instruments church cantatas Passion settings motets psalms masses sacred concertos operas oratorios secular cantatas songs and arias. Each volume contains a preface several facsimile reproductions from the source material and a critical report. The suitability of the edition for performance purposes is emphasized by the instrumental parts accompanying the volumes of chamber music.

1 Classic and Modern Worship Songs-A collection of ten well-loved songs that can be sung with choir only or with congregation together. Each song is presented two ways?an anthem version and a call to worship version?enabling the worship leader to beginthe service with the main thematic statement of the song and proceed from there. Titles include: Sing Out All the Earth Will Sing Your Praises Welcome in this Place It Is Good Hear Our Praises Glorious This Is YourHouse Praise Adonai Let the Praises Ring and Come and Worship. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 3 (Tenor Sax/BaritoneTC) Percussion Rhythm Violin 1 2 Viola (Clarinet 3) Cello/Bassoon (Bass Clarinet) String Bass and Keyboard String Reduction. Instrumentation varies. SATB Listening CD CD Accompaniment Trax CD 10-Pack and Preview Pack(CD) also available.

Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale

With 2 violino concertato-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale

for two Violins Strings and Basso continuo-In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held fingerings bowing shifting the use of open strings and much much more.Full score & parts (BA5188) 2 Violins and Pianoreduction (BA5188-90) and study score (TP284) available for sale.

Thou Must Leave Thy Holy Dwelling-From Berlioz' Nativity oratorio The Childhood of Christ (L'enfance du Christ) Op.25 this lovely SATB anthem may be performed with keyboard or chamber orchestra. In addition to the traditional English lyrics of the G.Schirmer edition the original French text is now also included. Available separately: SATB VoiceTrax CD. Score and parts available digitally (ob 1 2 cl 1 2 vn 1 2 va vc b). Duration: ca. 3:10.